Hare chauncey (27 resultados)

Hardcover. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condición: Fine. 1st Edition. No marks. No wear.

Pamphlet. Condición: Very good. first edition. 6 x 9 in. Paper wraps. 21 pp. Condition is VERY GOOD ; covers clean with PO's paper label glued to front, stapled binding tight. Text unmarked. Photo. Stax.

Paperback.

paperback. Condición: Good. Covers show some rubbing, scuffing, light soiling and edge wear. Edges and spine show some sunning, rubbing, scuffing, light soiling and shelf wear.

Soft cover. Condición: Near Fine. 1st Edition. Near fine oblong wrappers. 8vo. 175 pp. B/w photo plates with memoir-essay by Chauncey Hare. "_Interior America_ represents.a return to documentary photography with a socio-political agenda rather than the internalized "poetic" documentary mode that became the norm in the 1950s and 1960s. The book is also a clear homage to Walker Evans. [but] whereas Evans was ironic and detached, Hare is bleak and bitter" [Parr and Badger, II, 23]. At any rate, Hare's photos of less fortunate citizens in their rooms surrounded by their stuff provides for rich iconograpy for musing on the American Age of Affluence from the other side of the tracks. Ships fast with tracking.…

Hardcover. Condición: Good. 1st Edition. Pages are lightly used, slightly age tanned. Staining on endpapers and title page. Rebound with burgundy cloth cover. Binding and cover are excellent. Embossed previous owner stamp on title page. Approximately 5" X 7 1/2". 539 pages.

Presumed first edition, first printing (no direct edition/printing statement provided). 175 pages. Oblong hardcover: H 23.75cm x L 29cm. Dust jacket rubbed and lightly soiled; color fading strongest along spine with lesser fading at flap folds and panel/flaps' top margins; some nicks, short tears, and bumping/creasing at edges; front flap's top corner is not price-clipped; dj now presented in a mylar Brodart protector. Beige cloth. A few small light stains to text block's top edge. Spot of soiling at front free endpaper's top margin; interior pages are otherwise bright and clean. Binding is firm. Still a very good+ copy in a very good- dust jacket. Please note that this book has an approximate shipping weight of 3.5 pounds (1.58 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 0893810282. …

Hardcover. Condición: Near fine. Estado de la sobrecubierta: very good. First Edition, First Printing. New York: Aperture, 1978. Hardcover in pictorial dust jacket. First edition, first printing. Photographs and introduction by Chauncey Hare. 174 pages; 76 full-page b&w plates; 11.25 x 9.25 inches. Hare, a one-time corporate engineer who took up the camera as a release from the tedium of his work and then gave up the engineering, was looking to "convey images of an America he believes is scarred by alienation." The photographer's first book. Cited in Parr & Badger, Photobook Vol. 2, p23; Roth, Open Book, p316-17. BOOK CONDITION: Near Fine; a solid, clean copy with la previous owner's adhesive to fep; in a Very Good dust jacket with a 1 inch closed tear to upper left of front panel with a long diagonal crease from bottom of the tear to upper right margin of front panel (presents well in a new plastic protector). …

Paperback. Condición: Good.

Hardback. Condición: Very good. 23 x 31cm 372pp very good hardback in which Chauncey Hare's highly detailed photographs of the interiors of working-class homes and workplaces across America in the late 1960s and early 1970s are displayed in black and white reproduction. This new book contains twice as many moving, disturbing and often surprising photographs as have appeared in his two earlier books, Interior America (1977) and This Was Corporate America (1984). Hare's fast-paced introduction to the book highlights his life of protest, a life filled with unbelievable coincidences, learning, and pain. He describes his strong identification with the people whose homes he photographs and his adamant unwillingness to betray them by selling their photographs at any price. He tells of his struggles to have his photographs, accompanied by explanatory text, accepted by the art world. He relates the abusive situations he has endured in his childhood, and in his work life as an engineer at a major oil company and at the U.S. Environmental Protection Agency. Chauncey Hare does not define himself as a photographer, but instead an engineer, a family therapist and, above all, a protester.A very heavy book, may require extra postage.…

25 x 31 cm 373 S. Opp. Quer-4° (Kopfschnitt minimal fleckig). überw. Ill. KMEX Fotografie.

Paperback. Condición: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. First edition, first printing. Fine/As New linen-bound hardcover in a Near Fine dust jacket with a touch of fading to the spine, tiny spots of soiling in places, one small closed tear, and a touch of rubbing at the folds. A very nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs and introduction by Chauncey Hare. 174 pages; 76 full-page b&w plates; 11.25 x 9.25 inches. LAID IN is a 2-page review of the book by Vicki Goldberg, from American Photo. A photo-essay on the insides of the homes of Americans, examining the rooms they inhabit and the objects they choose to live with. Hare, a one-time corporate engineer who took up the camera as a release from the tedium of his work and then gave up the engineering, was looking to "convey images of an America he believes is scarred by alienation." The photographer's first book. See: Parr & Badger, Photobook Vol. 2, p23; Roth, Open Book, p316-17.…

hardcover. Condición: As New. Prima edizione (First Edition). A cura di Steven Kasher e Jack von Euw. Testi di Judy Wyatt e Jack von Euw. Fotografie in bianco e nero di Chauncey Hare . Cm 24,5x30. pp. 374. . Perfetto (Mint). . Prima edizione (First Edition). . Chauncey Hare ha fatto fotografie molto dettagliate degli interni delle case e dei luoghi di lavoro della classe operaia in tutta l'America fra la fine degli anni '60 e l'inizio degli anni '70. Questo nuovo libro contiene il doppio delle fotografie commoventi, inquietanti e spesso sorprendenti che sono apparse nei suoi due libri precedenti, Interior America (1977) e This Was Corporate America (1984).Il libro evidenzia la vita di protesta di Hare, una vita piena di incredibili coincidenze, apprendimento e dolore. Descrive la sua forte identificazione con le persone di cui fotografa le case e la sua irremovibile riluttanza a tradirle vendendo le loro fotografie. Racconta le sue lotte per far accettare le fotografie, accompagnate da un testo esplicativo, dal mondo dell'arte. Racconta le situazioni di abuso che ha sopportato nella sua infanzia, e nella vita lavorativa come ingegnere presso una grande compagnia petrolifera e presso l'Agenzia per la Protezione dell'Ambiente degli Stati Uniti.Chauncey Hare non si definisce un fotografo, ma piuttosto un ingegnere, un terapeuta familiare e, soprattutto, un attivista. Finanziato da tre borse di studio Guggenheim e tre borse di studio National Endowment, ha dedicato solo un breve periodo della sua vita alla fotografia. Frustrato dal mondo dell'arte, ha scattato foto solo sporadicamente fino al 1985, quando ha smesso completamente di fotografare. Nel 2000, diffidando dei musei d'arte, Hare ha donato tutte le sue fotografie e i suoi negativi alla Bancroft Library dell'Università della California a Berkeley. Ha conseguito una laurea in ingegneria alla Columbia University, un master in belle arti al San Francisco Art Institute, un master in sviluppo organizzativo alla Pepperdine University e un master in psicologia clinica alla Sierra University. Insieme alla moglie Judith Wyatt è coautore del manuale clinico Work Abuse: How to Recognize and Survive It (1997), che rompe il tabù dell'abuso sui luoghi di lavoro. In qualità di terapeuta familiare abilitato, Hare aiuta ora i lavoratori - di persona, al telefono e su Internet - a ridurre al minimo gli abusi che subiscono come dipendenti di aziende e enti pubblici. Book.…

Rilegato. Condición: nuovo. prima edizione. Chauncey Hare documents the ordinary and claustrophobic reality of suburban America in the early 1970s and its inhabitants, victims of the unexpected and disconcerting implications of the American Dream. The beautifully printed photographs take up the legacy of authors such as Walker Evans and Dorothea Lange, who were active in the field of social photography, and undoubtedly belong to the so-called Social Landscape of the 1960s; Hare's research also parallels that of Robert Adams, who published his famous 'The New West' in 1974. " [Hare's America] is an America where the cracks in the plaster, the piles of dirty dishes in the sink and the stains on the linoleum make up a hieroglyphic of despair. … After reading Hare's introduction, I can say that these are not simply photographs of interiors of American houses, but images of the author's interiority. He himself experienced the alienation and despair of these images" - Theodore Roszak Hare gave up photography altogether in 1985 to devote himself, with a degree in psychology, to helping workers - the same ones he had portrayed in their empty, desolate homes a decade earlier - to combat abuses of power in the workplace.…

Hardcover. Condición: Very Good. No Dust Jacket. Attractive olive half calf, edges lightly rubbed, rubbed through at rear hinge, green marbled boards, gilt titles and decoration, small repair to the edge of the endpaper. A very scarce tome.; 12mo 7" - 7½" tall; 228. pages.

Hardcover. Condición: Very Good. London: Hippolyte Bailliere, 1844. Second edition, revised and enlarged. 8vo. 390pp. Original cloth, with small circular chip out of spine. Lemon endpapers. Clean and crisp within. Overall very good. Townshend made friends with some of the key literary and cultural figures of his day. He hosted musical soirées at his London home which were attended by the poet Robert Southey and sensationalist novelist Wilkie Collins amongst others. He was a close friend of Charles Dickens, who dedicated the first edition of Great Expectations to him. Townshend and fellow mesmerists, including Dickens, thought that physical ailments could be cured through the manipulation of animal spirits in the patient. Townshend believed that the natural properties of gemstones could affect the animal magnetism of his subjects.…

3 volumes ([4], 300; [4], 311, [1 (blank)]; [2], 288 pp). 12mo. 7-5/8" x 4-5/8" Author's first book, and apparently only published novel, issued anonymously. Maurice named the villian of his novel, "Captain Marryatt", which was, as Sadleir termed it, "an error of judgement which brought Maurice a challenge to a duel." Uncommon on the commercial market. Joints professionally strengthened. Bookplate. Townshend's signature at base of t.p. in each volume. A VG+ set. 19th C. maroon morocco-style half-leather binding (by Budden), with marbled paper boards. Elaborate gilt-decorated spines. Marbled paper eps. AEG 1st edition (NCBEL III, 1392; Sadleir 1672). Not in Wolff.…

Condición: Near Fine. First edition, first printing. Nearly imperceptible binder's error resulting in shallow wrinkling to front joint and small bubble front pastedown, else fine in near fine faintly rubbed and spine-sunned dust jacket, in mylar cover.

SteidlKasher, New York 2009. Oblong 4to. 373 pages. Profusely illustrated in b/w. Orig. boards. Spine discreetly and evenly sunned. Very good.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1905 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 166 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 166 Language: English.…

First edition of this classic work. Oblong quarto, original cloth, illustrated throughout. Boldly signed by the author on the title page, "Very best wishes Chauncey Hare." Near fine in a very good dust jacket. Rare and desirable signed. As a noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society, but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years, becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" (Parr & Badger).…

First edition of this classic work. Oblong quarto, original cloth, illustrated throughout. Lengthily inscribed by Chauncey Hare on the title page. Near fine in a very good dust jacket. As noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society, but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years, becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" (Parr & Badger).…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1905. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 166, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 166 166.…