hardie william (259 resultados)

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. 3rd Revised ed. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condición: Fine.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardback. Condición: New. The Glasgow Boys revolutionized Scottish painting from 1880 until around 1895, although their influence lasted until just before World War 1. Painters such as Sir John Lavery, Sir James Guthrie, George Henry, Edward Atkinson Hornel, Joseph Crawhall, Edward Arthur Walton, and William Kennedy formed the main group of painters, although there were 18 in total. They were a loose group, with various friendships and painting groups among them. Influenced by the Impressionists and post-Impressionists, they were also inspired by Japanese and Dutch art. Their style went against Victorian sentimentality and they brought the look of some forms of Impressionism and post-Impressionism to Scotland, with fresh views of the Scottish countryside and typical scenes from Scottish life. They painted outdoors, and captured a way of life that changed Scottish painting. Many settled after their early rebellious phase into quieter styles, or moved away as the art scene evolved into the Scottish Colourists' phase.As Glasgow became the fourth largest city in Europe, with a massive explosion in its population, money from wealthy industrialists, publishers and merchants became available to support the art commissioned from The Glasgow Boys. New walls needed art, as Glasgow celebrated its prosperity in a new phase of building - the city centre saw a new Art School, and City Chambers, and industrialists built homes in the country. The author's understanding of the art world and the importance of financial support and also painting techniques makes this book a unique contribution to books written on The Glasgow Boys. The Glasgow Boys are the subject of an exhibition at Kelvingrove Art Gallery in spring/summer 2010, and then at the Royal Academy, London until January 2011.

Hardcover. Condición: new. Hardcover. The Glasgow Boys revolutionized Scottish painting from 1880 until around 1895, although their influence lasted until just before World War 1. Painters such as Sir John Lavery, Sir James Guthrie, George Henry, Edward Atkinson Hornel, Joseph Crawhall, Edward Arthur Walton, and William Kennedy formed the main group of painters, although there were 18 in total. They were a loose group, with various friendships and painting groups among them. Influenced by the Impressionists and post-Impressionists, they were also inspired by Japanese and Dutch art. Their style went against Victorian sentimentality and they brought the look of some forms of Impressionism and post-Impressionism to Scotland, with fresh views of the Scottish countryside and typical scenes from Scottish life. They painted outdoors, and captured a way of life that changed Scottish painting. Many settled after their early rebellious phase into quieter styles, or moved away as the art scene evolved into the Scottish Colourists' phase.As Glasgow became the fourth largest city in Europe, with a massive explosion in its population, money from wealthy industrialists, publishers and merchants became available to support the art commissioned from The Glasgow Boys. New walls needed art, as Glasgow celebrated its prosperity in a new phase of building - the city centre saw a new Art School, and City Chambers, and industrialists built homes in the country. The author's understanding of the art world and the importance of financial support and also painting techniques makes this book a unique contribution to books written on The Glasgow Boys. The Glasgow Boys are the subject of an exhibition at Kelvingrove Art Gallery in spring/summer 2010, and then at the Royal Academy, London until January 2011. The Glasgow Boys revolutionized Scottish painting from 1880 until around 1895, although their influence lasted until just before World War 1. They painted outdoors, and captured a way of life that changed Scottish painting. This title introduces them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Very Good. 1780596930. 6/4/2026 6:15:30 PM.

No Binding. Condición: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Journal.

Paperback. Condición: Very Good. The Glasgow Boys revolutionized Scottish painting from 1880 until around 1895, although their influence lasted until just before World War 1. Painters such as Sir John Lavery, Sir James Guthrie, George Henry, Edward Atkinson Hornel, Joseph Crawhall, Edward Arthur Walton, and William Kennedy formed the main group of painters, although there were 18 in total. They were a loose group, with various friendships and painting groups among them. Influenced by the Impressionists and post-Impressionists, they were also inspired by Japanese and Dutch art. Their style went against Victorian sentimentality and they brought the look of some forms of Impressionism and post-Impressionism to Scotland, with fresh views of the Scottish countryside and typical scenes from Scottish life. They painted outdoors, and captured a way of life that changed Scottish painting. Many settled after their early rebellious phase into quieter styles, or moved away as the art scene evolved into the Scottish Colourists' phase. As Glasgow became the fourth largest city in Europe, with a massive explosion in its population, money from wealthy industrialists, publishers and merchants became available to support the art commissioned from The Glasgow Boys. New walls needed art, as Glasgow celebrated its prosperity in a new phase of building - the city centre saw a new Art School, and City Chambers, and industrialists built homes in the country. The author's understanding of the art world and the importance of financial support and also painting techniques makes this book a unique contribution to books written on The Glasgow Boys. The Glasgow Boys are the subject of an exhibition at Kelvingrove Art Gallery in spring/summer 2010, and then at the Royal Academy, London until January 2011. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condición: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Ripped/damaged jacket. The dust jacket of this book is slightly damaged/ripped, however, this does not affect the internal condition.

Hardback. Condición: New. The Glasgow Boys revolutionized Scottish painting from 1880 until around 1895, although their influence lasted until just before World War 1. Painters such as Sir John Lavery, Sir James Guthrie, George Henry, Edward Atkinson Hornel, Joseph Crawhall, Edward Arthur Walton, and William Kennedy formed the main group of painters, although there were 18 in total. They were a loose group, with various friendships and painting groups among them. Influenced by the Impressionists and post-Impressionists, they were also inspired by Japanese and Dutch art. Their style went against Victorian sentimentality and they brought the look of some forms of Impressionism and post-Impressionism to Scotland, with fresh views of the Scottish countryside and typical scenes from Scottish life. They painted outdoors, and captured a way of life that changed Scottish painting. Many settled after their early rebellious phase into quieter styles, or moved away as the art scene evolved into the Scottish Colourists' phase.As Glasgow became the fourth largest city in Europe, with a massive explosion in its population, money from wealthy industrialists, publishers and merchants became available to support the art commissioned from The Glasgow Boys. New walls needed art, as Glasgow celebrated its prosperity in a new phase of building - the city centre saw a new Art School, and City Chambers, and industrialists built homes in the country. The author's understanding of the art world and the importance of financial support and also painting techniques makes this book a unique contribution to books written on The Glasgow Boys. The Glasgow Boys are the subject of an exhibition at Kelvingrove Art Gallery in spring/summer 2010, and then at the Royal Academy, London until January 2011.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Almost Like New Oversize Hardcover in Jacket. Color illustrations throughout. Bibliography, 223 pages.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A tan to the pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 112 Pages Illus. Signed by Author(s).

Condición: New. pp. 192 Illus. (Col.).

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Very Good. pp.xxvii, 409 pages, a very good hardback, publisher's original dark blue cloth binding with red lettering to the spine and front cover. NOT FROM A LIBRARY and indeed completely clean from any former owner markings.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN:9781849340359.