hammond brean (196 resultados)

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paper Back. Condición: Good.

Condición: Very Good. Contains minor shelf wear. Pages are clean and in good shape. Binding is tight. 1st.

Paper Back. Condición: Good.

Paperback. Condición: Very Good. Professor Hammond's succinct yet wide-ranging account of the 'Golden Age' of satire, 1660-1750, critically explores its dominant literary forms and examines the work of its outstanding practitioners.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Near Fine in like dustjacket.

Paperback. Condición: New. Professor Hammond's succinct yet wide-ranging account of the 'Golden Age' of satire, 1660-1750, critically explores its dominant literary forms and examines the work of its outstanding practitioners.

Hardcover. Condición: Fine. No markings or damage to pages or dust jacket.

Paper Back. Condición: Good.

Hardcover. 190pp. Faint foxing to the top edge else near new, clean, tight & bright condition / sunned spine and light rubbing on still crisp dust jacket in bro-dated sleeve.

hardcover. Condición: good. Estado de la sobrecubierta: very good(-). 190pp., 8vo, green cloth, d.w. sunned on spine portion and with a small repaired tear on back portion, many pages creased on upper right corners, front cover slightly warped. Columbia: University of Missouri Press, 1984.

Soft cover. Condición: Almost Like New. First Softcover Edition. Softcover book is a clean tight unmarked copy.

Hardback. Condición: New. Professor Hammond's succinct yet wide-ranging account of the 'Golden Age' of satire, 1660-1750, critically explores its dominant literary forms and examines the work of its outstanding practitioners.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0198112998.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Frontis Ilustrador. dj w/lite wear only, in mylar; owner's name; green c w/gilt sp;ine titles; 190 clean, unmarked pages/index.Henry was the first English ruler since the Norman Conquest whose mother tongue was English rather than French. He was known as Henry Bolingbroke before taking the throne.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Cloth. Condición: Very Good -. Estado de la sobrecubierta: Very Good. 1984, 190pp, a few pgs w/ turned corners, light edgewewar to dj, contents clean.

Paper Back. Condición: Good.

Hardcover. Condición: As New. First Printing. Book is a clean tight unmarked copy.

No jacket. Condición: Bon. Ancien livre de bibliothèque. Sans jaquette. Edition 1997. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. No dust jacket. Edition 1997. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dustjacket. 1st Edition. First edition, hardcover in geen cloth, has a mild skew to the binding, a strong bump to lower corner of front cover with a slight crease to lower corner of first ~25 pages, light bumps to spine ends and other cover corners, some shelfwear to the cover edges, and faint sunning to the spine, otherwise a solid, tight VG copy.

Paperback. Condición: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Paperback. Condición: New. This succinct authoritative book offers readers an overview of the origins, characteristics, and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of translations of Pierre Corneille's Le Cid. At the turn of the 17th century, English dramatists such as John Marston, John Fletcher, and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called 'tragicomedy'. This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with plays that defied the plot and character expectations of 'pure' comedy and tragedy. It goes on to show how, reacting to French models, John Dryden, Shakespeare 'improvers' and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the eighteenth century. Discussing nineteenth-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen, Chekhov, and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience.

Paperback. Condición: new. Paperback. This succinct authoritative book offers readers an overview of the origins, characteristics, and changing status of tragicomedy from the 17th century to the present. It explores the work of some of the key English and Irish playwrights associated with the form, the influence of Italian and Spanish theorist-playwrights and the importance of translations of Pierre Corneilles Le Cid. At the turn of the 17th century, English dramatists such as John Marston, John Fletcher, and William Shakespeare began experimenting with plays that mixed elements of tragedy and comedy, producing a blended mode that they themselves called tragicomedy. This book begins by examining the sources of their inspiration and the theatrical achievement that they hoped to gain by confronting an audience with plays that defied the plot and character expectations of pure comedy and tragedy. It goes on to show how, reacting to French models, John Dryden, Shakespeare improvers and other English playwrights developed the form while sowing the seeds of its own vulnerability to parody and obsolescence in the eighteenth century. Discussing nineteenth-century melodrama as in some respects a resurrection of tragicomedy, the final chapter concentrates on plays by Ibsen, Chekhov, and Beckett as examples of the form being revived to create theatrical modes that more adequately represent the perceived complexity of experience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condición: Fine. 3rd Edition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. On December 1727 an intriguing play called Double Falshood; Or, The Distrest Lovers was presented for production by Lewis Theobald, who had it published in January 1728 after a successful run at the TheatreRoyal, Drury Lane, London. The title page to the published version claims that the play was 'Written Originally by W.SHAKESPEARE'. Double Falsehood's plot is a version of the story of Cardenio found in Cervantes's Don Quixote (1605) as translated by Thomas Shelton, published in 1612 though in circulation earlier. Documentary records testify to the existence of a play, certainly performed in 1613, by John Fletcher and William Shakespeare, probably entitled The History of Cardenio and presumed to have been lost. The audience in 1727 would certainly have recognised stage situations and dramatic structures and patterns reminiscent of those in Shakespeare's canonical plays as well as many linguistic echoes. This intriguing complex textual and performance history is thoroughly explored and debated in this fully annotated edition, including the views of other major Shakespeare scholars.The illustrated introduction provides a comprehensive overview of the debates and opinions surrounding the play and the text is fully annotated with detailed commentary notes as in any Arden edition.

Condición: New.

Paperback. Condición: new. Paperback. On December 1727 an intriguing play called Double Falshood; Or, The Distrest Lovers was presented for production by Lewis Theobald, who had it published in January 1728 after a successful run at the Theatre Royal, Drury Lane, London. The title page to the published version claims that the play was 'Written Originally by W.SHAKESPEARE'.Double Falsehood's plot is a version of the story of Cardenio found in Cervantes's Don Quixote (1605) as translated by Thomas Shelton, published in 1612 though in circulation earlier. Documentary records testify to the existence of a play, certainly performed in 1613, by John Fletcher and William Shakespeare, probably entitled The History of Cardenio and presumed to have been lost. The audience in 1727 would certainly have recognised stage situations and dramatic structures and patterns reminiscent of those in Shakespeare's canonical plays as well as many linguistic echoes.This intriguing complex textual and performance history is thoroughly explored and debated in this fully annotated edition, including the views of other major Shakespeare scholars. The illustrated introduction provides a comprehensive overview of the debates and opinions surrounding the play and the text is fully annotated with detailed commentary notes as in any Arden edition. First performed in 1727, Cardenio or Double Falsehood was based on a play originally written by William Shakespeare. This significant new edition traces the elements of his work to be found in the text we have today, opening up fascinating questions and ideas for all students of Shakespeare. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.