Hamilton jean tyree (35 resultados)

Condición: very_good.

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Hardcover. Condición: Acceptable. First Edition. The dust jacket of this first edition is worn, displaying edge wear and minor tears. Despite these cosmetic issues, the binding is solid, and the pages are clean and intact. The book's photographs and text are well-preserved, making it a valuable addition to any collection focused on Native American history and photography. Worn with edge wear and minor tears. Photographs by John A. Anderson (ilustrador).…

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: new.

Paperback. Condición: Good. Third printing, 1987. Solid binding with reading creases to spine and light shelf wear to wraps. Previous owner's name written on FFEP. Text and images unmarked. 320pp.

paperback. Condición: VeryGood. A copy that may have been read, very minimal wear and tear. May have a remainder mark.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. Very good/none, used, 1st printing, illustrated stiff paper wraps, not paginated. Four fold sheet titled :Interesting things to see in Arrow Rock" laid in at rear. Interior clean, no marks, binding tight. Slight rubbing to wraps, spine sunned, no chips or tears, corners lightly rubbed.…

Soft cover. Condición: Very Good. 64 pages : illustrations, portraits ; 23 cm. Signed by the author on the title page. Signed by Author(s).

Staplebound wraps. Condición: Very Good. No dust jacket. First edition. 8vo. Unpaginated. Stapled wraps. Profusely illustrated brief history of Arrow Rock, MO. for generations a significant landmark on the Missouri River for Native Americans, explorers, and early westward travelers. This flint-bearing, high limestone bluff first appeared on a 1732 French map as "pierre a fleche," literally translated as "rock of arrows." Archaeological evidence shows that for nearly 12,000 years indigenous cultures used the Arrow Rock bluff as a manufacturing site for flint tools and weapons. Address of Mr. & Mrs. Henry Hamilton is written of the bottom of the front cover.…

Staple Bound. Condición: Good. darkening along the edges.

Soft cover. Condición: Very Good. 1st Edition. A volume in the Civilization of the American Indian Series. Paperback in very good plus condition. Exterior has light shelf wear along spine, otherwise very clean and square. Interior is very clean and tightly bound. Contains 234 of John A. Anderson photographs; all are clean and well preserved. Biography of Anderson is included. Three maps also included. John A. Anderson (photographer) (ilustrador).…

Hardcover. Condición: Very Good. First Edition. First Edition, First Printing. Published by University of Oklahoma Press, 1971. Quarto. Hardcover. Book is very good. Dust jacket is very good.

Paperback. Condición: New. In the late 1880s, John A. Anderson, a young Swedish-born settler near Fort Niobrara, Nebraska, bought a camera with earnings from carpentry work. He soon became a full-fledged photographer, and in 1889 General George Crook asked him to serve as official photographer to the Crook Treaty Commission on its visit to the Brulé Sioux Indians on the Rosebud Reservation in South Dakota. Anderson agreed - and thereby moved into a poignant and oftentimes tragic era in the history of the Sioux. From 1891 until his death in 1948, Anderson lived on the Rosebud, recording the painful adjustment of the proud Brulés to life on the reservation.This was a particularly hard time for the Brulés. Nomadic warriors by nature, they had been subjugated following their greatest triumph at the Battle of the Little Big Horn in 1876 and were living like captives on what had once been their buffalo hunting grounds. The buffaloes were dead, and the Indians had been forced to accept white men's ways and white men's provender. To help feed themselves, they were compelled to farm - to ""scratch the ground,"" as they scornfully expressed it - a way of life they regarded as shameful.Anderson became a sincere friend of the Indian, who learned to trust him and allowed him to record their daily lives and their ceremonies. Anderson photographed Sioux camps, villages, and day schools; recorded councils between whites and Indians; and portrayed the Indians as they received their beef rations and annuity payments. When Buffalo Bill Cody and Charles P. Jordan organized their wild-west shows, he photographed the Sioux who joined the shows. Anderson was afforded the rare privilege of attending and photographing the White Buffalo, Sun dance, and Omaha Dance ceremonies. Anderson gave many of the photographs to his Sioux friends, who proudly displayed them in their cabins on the Rosebud.Over the years many other photographs found their way into museums and state historical societies. Henry W. Hamilton and his wife, Jean Tyree Hamilton, first became aware of Anderson and his work through the papers of Remington Schuyler, the well-known artist and writer, who also lived on the Rosebud. The Hamiltons searched out prints and glass-plate negatives and, with the help of Indian consultants on the reservation, painstakingly dated the photographs and identified the subjects.The wealth of photographs Anderson took is represented here by more than 200 reproductions - the largest number ever published in a single collection. They are presented not as works of art (though many of them are indeed triumphs of the photographic art) but as important historical documents in the ongoing story of the American Indian.…

Paperback. Condición: New. In the late 1880s, John A. Anderson, a young Swedish-born settler near Fort Niobrara, Nebraska, bought a camera with earnings from carpentry work. He soon became a full-fledged photographer, and in 1889 General George Crook asked him to serve as official photographer to the Crook Treaty Commission on its visit to the Brulé Sioux Indians on the Rosebud Reservation in South Dakota. Anderson agreed - and thereby moved into a poignant and oftentimes tragic era in the history of the Sioux. From 1891 until his death in 1948, Anderson lived on the Rosebud, recording the painful adjustment of the proud Brulés to life on the reservation.This was a particularly hard time for the Brulés. Nomadic warriors by nature, they had been subjugated following their greatest triumph at the Battle of the Little Big Horn in 1876 and were living like captives on what had once been their buffalo hunting grounds. The buffaloes were dead, and the Indians had been forced to accept white men's ways and white men's provender. To help feed themselves, they were compelled to farm - to ""scratch the ground,"" as they scornfully expressed it - a way of life they regarded as shameful.Anderson became a sincere friend of the Indian, who learned to trust him and allowed him to record their daily lives and their ceremonies. Anderson photographed Sioux camps, villages, and day schools; recorded councils between whites and Indians; and portrayed the Indians as they received their beef rations and annuity payments. When Buffalo Bill Cody and Charles P. Jordan organized their wild-west shows, he photographed the Sioux who joined the shows. Anderson was afforded the rare privilege of attending and photographing the White Buffalo, Sun dance, and Omaha Dance ceremonies. Anderson gave many of the photographs to his Sioux friends, who proudly displayed them in their cabins on the Rosebud.Over the years many other photographs found their way into museums and state historical societies. Henry W. Hamilton and his wife, Jean Tyree Hamilton, first became aware of Anderson and his work through the papers of Remington Schuyler, the well-known artist and writer, who also lived on the Rosebud. The Hamiltons searched out prints and glass-plate negatives and, with the help of Indian consultants on the reservation, painstakingly dated the photographs and identified the subjects.The wealth of photographs Anderson took is represented here by more than 200 reproductions - the largest number ever published in a single collection. They are presented not as works of art (though many of them are indeed triumphs of the photographic art) but as important historical documents in the ongoing story of the American Indian.…

Paperback. Condición: Very Good condition. Fourth printing. Norman: University of Oklahoma Press, 1989. Very Good condition. Bright, clean, tight, square, unmarked copy. No store stamp, owner's name or bookplate. No remainder mark. No underlining. No highlighting. No margin notes. Softcover. 7" wide by 10" tall. Magnificently illustrated with 234 photos and 3 maps. From 1891 until 1948, John A. Anderson lived on the Rosebud, recording the daily lives and activities of the Indians. Most of this volume (pages 17-313) consists of Anderson's photographs, with painstaking captions and detailed explanatory notes. The photos, most taken between 1885 and 1910, record the transition of the Brule Sioux from the free, nomadic warriors fresh from the Battle of the Little Big Horn to the subjugated remnants of the tribe compelled to live on a reservation. There are photos of everyday activities (farming, ranching, butchering), famous Indians, as well as the unusual -- White Buffalo, Sun, and Omaha dance ceremonies, etc. This book also includes two introductory chapters: John A. Anderson: A Brief Biography, and The Brule Sioux: A Brief Account. Volume 111 in The Civilization of the American Indian Series. Index. Fourth printing. Softcover. Very Good condition. Illus. by Anderson, John A (photography by). xxxi, 320pp . Anderson, John A (photography by) (ilustrador).…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. First Printing with full number line down to 1. Inside is clean and unmarked. Nudging to corners. Dust jacket has wear and scratches. See photos.

Condición: New. In English.

Paperback. Condición: Very Good. 320 pages. The cover has a little wear. The page edges are lightly foxed. The first page has a name inscription from a previous owner. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. John A. Anderson (ilustrador).…

Hardcover. Condición: Very good. Estado de la sobrecubierta: Dust Jacket Included. 234 black and white photographs by JOHN ANDERSON, maps, index; xxxii+320pp. folio orig. cloth.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. First Edition. Pale blue boards with illustration in red on front, titles gilt on spine; original publisher's photographic dustjacket. Boards gently age-toned and scuffed along extremities, corners rubbed; dustjacket chipping along extremities and slightly along spine edges, age-toned across back; interior gently age-toned, else unmarked. Review slip included. John A. Anderson (ph.) (ilustrador).…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Near fine/near fine, used but looks like new, vi-ix, 113pp. Interior clean, no marks, pages near bright, binding tight. Slight rubbing to dj, no chips or tears, dj is clean, near bright and is enclosed in a protective sleeve.…

Paperback. Condición: New. In the late 1880s, John A. Anderson, a young Swedish-born settler near Fort Niobrara, Nebraska, bought a camera with earnings from carpentry work. He soon became a full-fledged photographer, and in 1889 General George Crook asked him to serve as official photographer to the Crook Treaty Commission on its visit to the Brulé Sioux Indians on the Rosebud Reservation in South Dakota. Anderson agreed - and thereby moved into a poignant and oftentimes tragic era in the history of the Sioux. From 1891 until his death in 1948, Anderson lived on the Rosebud, recording the painful adjustment of the proud Brulés to life on the reservation.This was a particularly hard time for the Brulés. Nomadic warriors by nature, they had been subjugated following their greatest triumph at the Battle of the Little Big Horn in 1876 and were living like captives on what had once been their buffalo hunting grounds. The buffaloes were dead, and the Indians had been forced to accept white men's ways and white men's provender. To help feed themselves, they were compelled to farm - to ""scratch the ground,"" as they scornfully expressed it - a way of life they regarded as shameful.Anderson became a sincere friend of the Indian, who learned to trust him and allowed him to record their daily lives and their ceremonies. Anderson photographed Sioux camps, villages, and day schools; recorded councils between whites and Indians; and portrayed the Indians as they received their beef rations and annuity payments. When Buffalo Bill Cody and Charles P. Jordan organized their wild-west shows, he photographed the Sioux who joined the shows. Anderson was afforded the rare privilege of attending and photographing the White Buffalo, Sun dance, and Omaha Dance ceremonies. Anderson gave many of the photographs to his Sioux friends, who proudly displayed them in their cabins on the Rosebud.Over the years many other photographs found their way into museums and state historical societies. Henry W. Hamilton and his wife, Jean Tyree Hamilton, first became aware of Anderson and his work through the papers of Remington Schuyler, the well-known artist and writer, who also lived on the Rosebud. The Hamiltons searched out prints and glass-plate negatives and, with the help of Indian consultants on the reservation, painstakingly dated the photographs and identified the subjects.The wealth of photographs Anderson took is represented here by more than 200 reproductions - the largest number ever published in a single collection. They are presented not as works of art (though many of them are indeed triumphs of the photographic art) but as important historical documents in the ongoing story of the American Indian.…

Condición: New. Satisfaction Guaranteed or your money back.

Paperback. Condición: New. In the late 1880s, John A. Anderson, a young Swedish-born settler near Fort Niobrara, Nebraska, bought a camera with earnings from carpentry work. He soon became a full-fledged photographer, and in 1889 General George Crook asked him to serve as official photographer to the Crook Treaty Commission on its visit to the Brulé Sioux Indians on the Rosebud Reservation in South Dakota. Anderson agreed - and thereby moved into a poignant and oftentimes tragic era in the history of the Sioux. From 1891 until his death in 1948, Anderson lived on the Rosebud, recording the painful adjustment of the proud Brulés to life on the reservation.This was a particularly hard time for the Brulés. Nomadic warriors by nature, they had been subjugated following their greatest triumph at the Battle of the Little Big Horn in 1876 and were living like captives on what had once been their buffalo hunting grounds. The buffaloes were dead, and the Indians had been forced to accept white men's ways and white men's provender. To help feed themselves, they were compelled to farm - to ""scratch the ground,"" as they scornfully expressed it - a way of life they regarded as shameful.Anderson became a sincere friend of the Indian, who learned to trust him and allowed him to record their daily lives and their ceremonies. Anderson photographed Sioux camps, villages, and day schools; recorded councils between whites and Indians; and portrayed the Indians as they received their beef rations and annuity payments. When Buffalo Bill Cody and Charles P. Jordan organized their wild-west shows, he photographed the Sioux who joined the shows. Anderson was afforded the rare privilege of attending and photographing the White Buffalo, Sun dance, and Omaha Dance ceremonies. Anderson gave many of the photographs to his Sioux friends, who proudly displayed them in their cabins on the Rosebud.Over the years many other photographs found their way into museums and state historical societies. Henry W. Hamilton and his wife, Jean Tyree Hamilton, first became aware of Anderson and his work through the papers of Remington Schuyler, the well-known artist and writer, who also lived on the Rosebud. The Hamiltons searched out prints and glass-plate negatives and, with the help of Indian consultants on the reservation, painstakingly dated the photographs and identified the subjects.The wealth of photographs Anderson took is represented here by more than 200 reproductions - the largest number ever published in a single collection. They are presented not as works of art (though many of them are indeed triumphs of the photographic art) but as important historical documents in the ongoing story of the American Indian.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Near fine/near fine, used but looks like new, vi-ix, 113pp. Interior clean, no marks except authors signature date and place on the title page pages near bright, binding tight. Slight rubbing to dj, no chips or tears, dj is clean, near bright and is enclosed in a protective sleeve. Signed by Author(s).…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 8 vo, ix + 113, light brown cloth with brown title and image, cover and spine. Corners sharp, binding square and sound. light brown eps. No markings, names, notes or underlining. DUST JACKET shiny, no chips, no tears. unclipped. no price printed. hand written small price tag on rear cover, states $35.00. This title is out of print in any edition. …

Paperback. Condición: Very Good. Very good paperback.