hadfield prof andrew (22 resultados)

Original hardcover. Condición: Gut. 760 p., w/ fig. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Condition: In perfect condition. / Zustand: Im einwandfreien Zustand. - Content: Number 1: A tale of two books: Bessarions In Calumniatorem Platonis and George of Trebizonds Comparatio Philosophorum Platonis et Aristotelis - John Monfasani; Madonna Beilina, astounding Jewish musician in mid-sixteenth-century Venice - Don Harrán; Montaignes On Physiognomy - Adriana Bontea; Presence, obligation and memory in John Donnes texts for the Countess of Bedford - Cedric C. Brown; To make love to a Deformity: praising ugliness in early modern England - Naomi Baker; Temptation in Eden: Lucas Cranachs Adam and Eve - reviewed by Pablo Pérez dOrs; Dürer e lItalia - reviewed by Simon P. Oakes; Claire Preston, Thomas Browne and the Writing of Early Modem Science (Cambridge: Cambridge University Press, 2005) - reviewed by Kevin Killeen; David LaGuardia and G. Ferguson (eds.), Narrative Worlds: Essays on the Nouvelle in 15 and 16* Century France (Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 2005) - reviewed by John Parkin; Eric R. Dursteler, Venetians in Constantinople: Nation, Identity, and Coexistence in the Early Modem Mediterranean (Maryland: The Johns Hopkins Press, 2006) - reviewed by Uzi Baram; Number 2: The attribution and sitter of the Munich Portrait of a Young Man in a Fur - Simon P. Oakes; Senators or courtiers: negotiating models for the College of Cardinals under Julius II and Leo X - Jennifer Mara DeSilva; Raphael and the bad humours of painters in Vasari's Lives of the Artists - Piers D. G. Bruion; Giambolognas Salviati reliefs of St Antoninus of Florence: saintly images and political manipulate - Niri I Ben-Aryeh Debby; Masque scenery and the tradition of immobilization in The First Part of The Countess of Montgomery Urania - Julie D. Campbell; Did Clement Marot really oiler his Trente Pseaulmes to the Emperor Charles V in January 1540? - Dick Wursten; Tintoretto - reviewed by Benjamin Paul; Lisa Hopkins, Shakespearean the Edge. Border-crossing in the Tragedies and the 'Henriad' (Aidershot: Ashgate, 2005) - reviewed by Andrew Hiscock; Celia R. Daileader, Racism, Misogyny, and the Othello Myth: Interracial Couples from Shakespeare to Npn Lee (Cambridge and New York: Cambridge University Press, 2005) - reviewed by Kevin De Ornella; Maura Nolan, John Lydgate and the Making of Public Culture (Cambridge: Cambridge University Press 2005) - reviewed by Samantha Rayner; Julie Crawford, Marvelous Protestantism: Monstrous births in Post-Reformation England (Baltimore and London: The Johns Hopkins University Press, 2005) and Susan C. Staub, Nature's Cruel Stepdamr* Murderous Women in the Street Literature of Seventeenth Cent my England (Pittsburgh. PA: Duquesne University Press, 2005) - reviewed by Chiara Luis; Madeleine de Scudéry, Selected Letters, Orations, and Rhetorical Dialogues. TranslatecPand edited In J. Donawerth and Julie Strongson (Chicago and London: University of Chicago Press, 2004) - reviewed by Philip Crispin; Jason P. Rosenblatt, Renaissance England's Chief Rabbi: John Selden (Oxford: Oxford University Pro* 2006) - reviewed by Claire Jowitt; Kelley Harness, Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence (Chicago: University of Chicago Press, 2006) - reviewed by Craig Monson; Gerard Kilroy, Edmund Campion: Memory and Iran script ion (Aldershot: Ashgate. 2005) - reviewed by Thomas Schmidt-Beste; Adrien Camhart's Emblem Book (1664). The Life of St Francis of Sales in Symbols. A facsimile edition edited by Terence O'Reilly (Philadelphia: St Joseph's University Press. 2005) reviewed by Alison Adams Sergio Zatti, The (hies! for Epic. Translated by Sally Hill with Dennis Looney (Toronto: University of Toronto Press, 2006) - reviewed by Franca Pellegrini; James E. Shaw, Lhe Justice of Venice. Authorities and Liberties in t.

Original brochure. Condición: Gut. 2360 p., w/ fig. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Condition: Minimally scuffed and rubbed binding. Otherwise in good condition. / Zustand: Minimal beriebene und bestoßene Einbände. Ansonsten im guten Zustand. - Content: Number 1: Introduction Locus amoenus: gardens and horticulture in the Renaissance - Alexander Samson; The world of the Renaissance herbal - Brent Elliott; Clinging to the past: medievalism in the English Renaissance garden - Paula Henderson; River gods: personifying nature in sixteenth-century Italy - Claudia Lazzaro; Dissembling his art: Gascoignes Gardnings - Susan C. Staub; My innocent diversion of gardening: Mary Somersets plants - Jennifer Munroe; Outdoor pursuits: Spanish gardens, the huerto and Lope de Vegas Novelas a Marcia Leonardo - Alexander Samson; Experiencing the past: the archaeology of some Renaissance gardens - Brian Dix; Number 2: Dominicans, Franciscans, and the art of political rivalry: two drawings and a fresco by Giovanni Battista della Rovere - Thomas McGrath; Natural fools and the historiography of Renaissance folly -Paromita Chakravarti; Mapping the waters: sea charts, navigation, and Camoess Os Lusiadas - Bernhard Klein; La zecca vecchia: myth, archeology and architectural design in the high Renaissance concept of rustication - Lola Kantor-Kazovsky; Mapping the hieroglyphic self: spiritual geometry in the letters of John Winthrop, Jr, and Edward Howes (1627-1640) - Katherine Shrieves; Reading the Psalms with Athanasius and Seneca: Stoicism and providence in the Earl of Clarendons Contemplations - Simon J. G. Burton; Dies Buch in aller Zunge, Hand und Herzen 475 Jahre Lutherbibel - reviewed by Alexandra Kess; Rogier van der Weyden 1400-1464: Master of Passions - reviewed by Jeanne Nuechterlein; Fra Angelico to Leonardo. Italian Renaissance Drawings - reviewed by Francis Ames-Lewis; Silence and Sufferance: The Tacit Milton - Adam Swann; Alexandra Kess, Johann Sleidan and the Protestant Vision of History. (Aidershot: Ashgate, 2008) - reviewed by Jonathan Willis; Konrad Eisenbichler and Nicholas Terpstra (eds.), The Renaissance in the Streets, Schools, and Studies. Essays in Honour of Paul F. Grendler. (Toronto: Centre for Reformation and Renaissance Studies, 2008) - reviewed by Robert Black; Peter G. Platt, Shakespeare and the Culture of Paradox. ((Studies in Performance, ed. Helen Ostovich) Farnham, Surrey, England and Burlington, USA: Ashgate, 2009) - reviewed by Tony Gash; Number 3: America and Amerindians in Sebastian Munsters Cosmographiae universalis libri VI (1550) - Surekha Davies; Strategies of women patrons of music and theatre in Rome: Maria Mancini Colonna, Queen Christina of Sweden, and women of their circles - Valeria De Lucca; Francesco Paciotti, European geopolitics, and military architecture - Ian Verstegen; The compasse of that Islands space: Insular fictions in the writing of Edmund Spenser - Tamsin Badcoe; After Elizabeth: representations of female rule in Massingers tragicomedies - Laura Tosi; Philipss 1628 Paradisus and the triumph of the Eucharist - Kerry McCarthy; Raphael: Cartoons and Tapestries for the Sistine Chapel - reviewed by Lisa Pon; Salvator Rosa: Bandits, Wilderness and Magic - reviewed by Edward Payne; Shannon Miller, Engendering the Fall: John Milton and Seventeenth-Century Women Writers. (Philadelphia: University of Pennsylvania Press, 2008) - reviewed by John Flood; John Julius Norwich et al., Croatia: Aspects of Art, Architecture and Cultural Heritage. (London: Frances Lincoln Ltd., 2009) - reviewed by Deborah Howard; Pamela S. Hammons, Gender, Sexuality, and Material Objects in English Renaissance Verse. (Farnham, Surrey: Ashgate, 2010) - reviewed by Sheila T. Cavanagh; Elisabeth Hodges, Urban Poetics in the French Renaissance. (Aldershot: Ashgate, 2008) - reviewed by Honor Aldred; Ian McAdam, Magic and Masculinity in Early Modern English Drama. (Pi.

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Hardcover. Condición: Brand New. 288 pages. 9.21x6.14x9.21 inches. In Stock.

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Hardcover. Condición: new. Hardcover. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: Brand New. 288 pages. 9.21x6.14x9.21 inches. In Stock. This item is printed on demand.

Hardcover. Condición: new. Hardcover. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Condición: Neu. Bad Poetry? New Perspectives on the Value of Sixteenth-Century Literature | Richard Danson Brown (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2025 | D.S.Brewer | EAN 9781843847229 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present.

Hardcover. Condición: new. Hardcover. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.