Hackett regina (35 resultados)

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. First Edition. First Edition. F/NF. Hardcover, blue boards with silver gilt titles, DJ, 63 pp, color illustrations, faint edgewear, else a nice, clean and crisp copy.

Hardcover. Condición: Very Good. Hardcover with jacket in very good condition. HCW. Used.

Saddle-stapled wraps. Condición: Very Good. First Edition. A Very Good copy with light creasing and smudging. Single leaf, folding to form 6 pages. 2 Color Illustrations.

Paperback. Condición: Very Good. CRITIC'S CHOICE edited by Matthew Kangas with Northwest critics Kangas, Gary Reel, Regina Hackett and ron Glowen selecting artists for the exhibition. Artists were Tim Bennett, Michael Fajans, Elizabeth Sandvig, Ted Savinar. 24 pages, stapled sheets inside a stiff folder. Black and white reproductions. 11" x 8 1/2". Very good condition.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. "Sometimes I surprise myself. I am always looking for some mysterious in-between place where ideas and images come together to show me a new, exciting path to follow." -- Elizabeth SandvigMuch of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminum and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position.Throughout her career Sandvig has painted her version of Edward Hick's nineteenth-century fantasy, The Peaceable Kingdom. The Hicks theme is, as she observed, "an excellent excuse to paint animals," but it is also an ordering principle, an opportunity to make marks that matter, amplified by orchestrated tones. Her animals owe allegiance only to the function their figures serve in fields of colored light.Born in Seattle, Elizabeth Sandvig is one of the Pacific Northwest's most respected artists. She has been artist-in-residence at the Pilschuck Glass School adn the Centrum Foundation, and she has taught generations how to make monoprints and woodcuts. She has been represented by the Francine Seders Gallery since 1966. Much of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminium and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2007. Illustrated. hardcover. . . . . .

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 63 pages. 10.00x8.25x0.50 inches. In Stock.

Condición: New. 2007. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Softcover, staple-bound, 32 pages, very good condition; light rubbing to covers; no internal marks.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: New. Much of Elizabeth Sandvig s work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminium and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transpar.

Hardcover. Condición: new. Hardcover. "Sometimes I surprise myself. I am always looking for some mysterious in-between place where ideas and images come together to show me a new, exciting path to follow." -- Elizabeth SandvigMuch of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminum and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position.Throughout her career Sandvig has painted her version of Edward Hick's nineteenth-century fantasy, The Peaceable Kingdom. The Hicks theme is, as she observed, "an excellent excuse to paint animals," but it is also an ordering principle, an opportunity to make marks that matter, amplified by orchestrated tones. Her animals owe allegiance only to the function their figures serve in fields of colored light.Born in Seattle, Elizabeth Sandvig is one of the Pacific Northwest's most respected artists. She has been artist-in-residence at the Pilschuck Glass School adn the Centrum Foundation, and she has taught generations how to make monoprints and woodcuts. She has been represented by the Francine Seders Gallery since 1966. Much of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminium and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. University of Washington Press, Seattle, Wa. 2007. Hardcover in as new condition with as new dust jacket, protected in mylar. 1st edition, 1st printing. Flatsigned on title page by Goldberg. Signed by Illustrator(s).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. University of Washington Press, 2007. Fine Hardcover in Fine, mylar protected dust jacket. Publication coincided with an exhibition at Francine Sedars Gallery, in Seattle. Exhibition card included. 1st Edition, signed and dated the year of publication by the artist. Photos available upon request. Signed by Illustrator(s).…

Soft cover. Condición: Very Good. 1st Edition. Nice clean copy with a tight binding. Mild cover wear, tiny tear on back cover corner.

Hardcover. Condición: New. No Dust Jacket as Issued. 1st Edition. 1st. Edition Limited Edition of 2500 copies, Hardcover in illustrated boards, 96 page book. A rare signed copy by Julie Blackmon signed only by her on the title page. The Dutch saying " A Jan Steen Household" , originated in the seventeenth century and has come to refer to a home in disarray , full of rowdy children and boisterous family gathering . the painting of Steen , along with those of other Dutch and Flemish genre painters, are the direct inspiration behind the layered domestic scenes of Julie Blackmon's photographic work. Raised as the oldest of nine children, and the Mother of three herself, Blackmon takes an approach to her work that is at once autobiographical and fictional. According to Ann Wilkes Tucker of the Museum of Fine Arts Houston, Blackmon has taken a subject that is ripe for cliche - mother photographing children - and through the subtle, digital manipulations, the use of color and highly graphic images, she's given it humor and edge and taken the subject somewhere fresh. Illustrated with 40 full page color plates. Condition : NEW. NOTE : No international Sales on the book. Size: 4to - over 9¾ - 12" tall. Julie Blackmon (ilustrador). Signed By Photographer. Book.…

Hardcover. Condición: New. Sometimes I surprise myself. I am always looking for some mysterious in-between place where ideas and images come together to show me a new, exciting path to follow.â"Elizabeth Sandvig Much of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminum and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position. Throughout her career Sandvig has painted her version of Edward Hick's nineteenth-century fantasy, The Peaceable Kingdom. The Hicks theme is, as she observed, "an excellent excuse to paint animals," but it is also an ordering principle, an opportunity to make marks that matter, amplified by orchestrated tones. Her animals owe allegiance only to the function their figures serve in fields of colored light. Born in Seattle, Elizabeth Sandvig is one of the Pacific Northwest's most respected artists. She has been artist-in-residence at the Pilschuck Glass School adn the Centrum Foundation, and she has taught generations how to make monoprints and woodcuts. She has been represented by the Francine Seders Gallery since 1966.…

Hardcover. Condición: New. Sometimes I surprise myself. I am always looking for some mysterious in-between place where ideas and images come together to show me a new, exciting path to follow.â"Elizabeth Sandvig Much of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminum and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position. Throughout her career Sandvig has painted her version of Edward Hick's nineteenth-century fantasy, The Peaceable Kingdom. The Hicks theme is, as she observed, "an excellent excuse to paint animals," but it is also an ordering principle, an opportunity to make marks that matter, amplified by orchestrated tones. Her animals owe allegiance only to the function their figures serve in fields of colored light. Born in Seattle, Elizabeth Sandvig is one of the Pacific Northwest's most respected artists. She has been artist-in-residence at the Pilschuck Glass School adn the Centrum Foundation, and she has taught generations how to make monoprints and woodcuts. She has been represented by the Francine Seders Gallery since 1966.…