Gyula hernadi screenwriter (5 resultados)

Dialogue script for the 1979 Hungarian film "Allegro Barbaro." The second of Jancso's two-part dramatized history of Hungary, from the turn of the century to World War II, as told by the conflicted son of a wealthy landowner. Shot on location in Hungary. Gray titled wrappers, dated 1977. Title page not present, presumably as issued. 122 leaves, with last page of text numbered 122. Mimeograph duplication. Pages Fine, wrapper Near Fine side stapled.…

Studio Dialogue script for the 1979 Hungarian film, seen here under the Hungarian title "Magyar rapszodia." Text in Hungarian. The first of Jancso's two-part dramatized history of Hungary, from the turn of the century to World War II, as told by the conflicted son of a wealthy landowner. Nominated for the 1979 Palme d'Or at Cannes. Shot on location in Hungary. Gray titled wrappers, dated 1977. Title page not present, presumably as issued. 112 leaves, with last page of text numbered 112. Mimeograph duplication. Pages Fine, wrapper Very Good plus, side stapled.…

Vintage Hungarian program for the 1967 film. Photo-illustrated with scenes from the film, including one large image on the entirety of the verso. Text in Hungarian. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However, Jancso chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting, Jancso also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism, Jancso produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 7.75 x 3.5 folded, 15.25 x 10.75 unfolded. Near Fine. Rosebaum 1000. Vogel, Film as a Subversive Art.…

Collection of 23 vintage borderless reference photographs from the 1967 film, including one showing director Miklós Jancsó on the set. Annotations in manuscript ink and pencil, along with provenance labels, on the versos. A Russian-Hungarian co-production, the film was originally commissioned to celebrate the 50th anniversary of the 1917 October Revolution, led by Lenin's Bolsheviks. However, Jancsó chose to set the action two years later in 1919, focusing on the Hungarian soldiers supporting the Red Army in fighting the Whites. Instead of an idealized depiction of the revolution, the resultant release was bleak and profoundly antiheroic, and is today considered one of the masterpieces of Hungarian cinema. Generally 7 x 5 inches, some with wide bottom margins. Very Good plus to Near Fine. Rosebaum 1000. Vogel, Film as a Subversive Art.…

Six vintage photographs from the 1972 film, including four studio still photographs and two borderless reference photographs. A dramatization of an 1890 Hungarian peasants' strike. As with many of director Miklos Janczo's films, a slow, enigmatic meditation on morality and violence, composed of only 26 shots over 87 minutes. Set and shot on location in Hungary. Approximately 7 x 5.25 inches. Near Fine. Rosenbaum 1000. Vogel, Film as a Subversive Art.…