group material (22 resultados)

Condición: Good. shelf wear, hardcover Used - Good 1997 1st Edition All purchases support Project HOME - ending homelessness in Philadelphia.

Soft cover. Condición: Good. ORIGINAL PUBLICATION; this is NOT ex-library; owner's stamps; split in lowermost front hinge; light creasing of front cover; o/w contents in very good condition. Book.

Condición: Used: Very Good. VG.

169 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Interview Sigmar Polke," by Bice Curiger; "Modernism And Günther Förg's Photographs," by John Caldwell; "At The Crossroads Of Disciplines," by Catherine Queloz; "We Are Not Afraid / An Impossible Comparison," by Wilfried Dickhoff; "Philip Taaffe: History Is In The Making," by Jeff Perrone; "A Propos Philip Taaffe," by Edmund White; "Fragment On Ornament," by Francesco Pellizzi; "Philip Of Naples And The Evocative Geometry Of History," by G. Roger Denson; "Concept Of Sculpture," by Hans-Ulrich Obrist; "American Beuys: 'I Like America & America Likes Me," by David Levi Strauss; "Les Infos Du Paradis," by Bette Talvacchia; "Cumulus Aus Europa," by Hans Dickel; "Cumulus From America," by Group Material "Balkon," by Peter Fleissig. Insert by Peter Greenaway. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condición: Good. ORIGINAL PUBLICATION; this is NOT ex-library; owner's stamps; uppermost paper covering of spine perished; light creasing of lower corner of front cover and several leaves; o/w in good condition. This is a heavy volume; extra shipping might be required for priority mail or international orders. Book.

Newspaper. 12p. + 8p. Book Review section, folded tabloid newspaper on newsprint, news, opinion, articles, events, ads, photos, services and resources, toned edges and folds. Atlanta Murders linked to gays, Kopacz acquitted, Group Material Theatre Collective interview. Boston's LGBTQ newspaper which started in 1973. More political than entertainment.

First Edition. ART PAPERS, VOLUME 14 NUMBER 1. CONTEMPORARY ART IN THE SOUTHEAST with art and text by MAUREEN P. SHERLOCK, Howard Risotti, Linda Frye Burnham, William E. Weeks, Dennis Adams, Robie Conal, Edgar Heap of Birds, Group Material and others. 80 pages, plastic insert by Group Material. 10" x 13 1/2". 2" tear to back cover at the spine. Yellowing of pages in typical for newsprint. Good conjdition.

Softcover, staple-bound, 60 pages; very good condition; light rubbing to covers; no internal marks.

1981. (4to paperback) Near fine. 206pp. Photographs, illustrations, maps, tables, bibliography, appendices. Contributors include Jerome S. Cybulski (Bone Changes Suggesting Multiple Myeloma and Metastatic Carcinoma in Two Early Historic Natives of the British Columbia Coast), Roberta L. Hall (Human Skeletal Remains and Associated Cultural Material from the Hill Site, DfRu 4, Saltspring Island, British Columbia), John E. Lobdell (The Occurence of a Rare Cancer in a Prehistoric Eskimo Skeleton from Kachemak Bay, Cook Inlet, Alaska), John K. Lundy (Spondylolysis of the Lumbar Vertebrae in a Group of Prehistoric Upper Puget Sound Indians at Birch Bay, Washington), Jeffrey S. Murray (Prehistoric Skeletons from Blue Jackets Creek (F1Ua 4), Queen Charlotte Islands, British Columbia), N.S. Ossenberg (Mandibular Torus: A Synthesis of New and Previously Reported Data, and a Discussion of its Cause), William D. Wade (Klippel-Feil Syndrome in a Prehistoric Population of Northern Arizona). Publisher series: Mercury Series Archaeological Survey of Canada Paper No. 106. Locale: ; Alaska; Birch Bay--Washington; British Columbia; Canada; Cook Inlet--Alaska; Kachemak Bay--Alaska; Queen Charlotte Islands--British Columbia; Saltspring Island--British Columbia; United States. (Anthropology, Physical Anthropology).

Printed cardboard box contains loose pages and booklets: title sheet, introduction, Group Material statement; Critical Essays booklet, Catalogue booklet and 10 loose images of the installation. Contents complete; box and contents in as new condition; clean and crisp; sturdy untorn box, no internal marks. Foreign shipping may be extra.

43 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 11/12 of Real Life Magazine, edited by Thomas Lawson. Contents include: "Group Material," an interview by Peter Hall; "Radical Culture," by Mundy McLaughlin; "Past Present Future," by Julie Ault; "Particles, 1980-83," by Tim Rollins; "Kiss of Death," by Doug Ashford; "Paintings by Adolf Hitler," reprinted from LIFE, October 30, 1939; "The Secret Agent," an interview with Jacki Ochs by Robin Winters; "Repression and Resistance at the University of El Salvador, 1968-83," by Coosje van Bruggen; "Komar and Melamid," an interview by Thomas Lawson; "Epic Images and Contemporary History," by Joseph Nechvatal; "Alcohol and Advertising," by Elizabeth Winter; "Brie Popcorn," an interview with the directors of Nature Morte Gallery by Rex Reason; "Born in Flames," by Carole Spearin McCauley; "A Conversation with Lawrence Weiner," by Robert C. Morgan and "A Blinding Light," by Judith Kirschner. Reference : No. 7.7 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 195, 291. Very Good. Light soiling of covers, rubbing of spine edge, and very mild bumping of top right corner of publication. Light yellowing of pages. Contents clean and unmarked.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 104. A perfect gift for your loved ones. Reprinted from 1978 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 104.

142 pp.; 25.5 x 18 cm.; glue bound; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Next to last issue of File Megazine critiques the art market on the heals of the sale of Vincent van Gogh's masterpiece Sunflowers for a then record price of $39,921,750 on March 30, 1987 at Christie's. From the introduction editorial: "This issue of FILE we present as a commodity and it is a commodity. The artists in this issue use the language of the subject of commodification as the canvas upon which they layer their artworks." Contents include: "Dollar Bills," inside covers by Andy Warhol; "O.T.," endpapers by Rosemarie Trockel; "Misty Two," by Richard Prince; "Editorial," by General Idea; " Capital Pictures," by Marianne Staniszewski; artists' projects by Sylvia Kolbowski, Haim Steinbach, David Buchan and Barbara Kruger; "Generic Still Lifes," by Antonio Muntadas; "Personals," by Alan Belcher; "Anti-Baudrillard," by Group Material; "Ad(veritas)ments;" "Bunny Bleu" by Richard Prince and "Untitled (Cowboys) by Richard Prince on the back cover. References : No. 8708 in "General Idea : Editions 1967 - 1995" by General Idea, Barbara Fischer, AA Bronson, Fern Bayer, Jean-Christophe Ammann, Lionel Bovier, Cathy Busby, Christophe Cherix, Joshua Decter, Diedrich Diederichsen, Mike Kelley, John Miller, Philip Monk, Stephan Trescher. Toronto, Canada : Blackwood Gallery, University of Toronto at Mississauga, 2003, pp. 185. "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 176. Good. Bumping to top right corner of recto with rubbing of cover and spine edges. 8 mm. of rubbing to first page; 7.8 cm. dog-ear to top left verso corner; 2.9 cm. dog-ear to top right corners of pages 1-10; 7.9 cm. dog-ear to top right corner of pages 141-150. Contents otherwise clean and unmarked.

Pappschachtel mit 8-seitigem gefalteten Heft (deutsch), zwei weiteren Heften und losen Blättern (Introduction, Catalogue, Critical Essays, zusammen 36 Seiten), 10 farbigen Kartontafeln, Schachtel an einer Ecke leicht eingerissen, sonst sehr guter Zustand. Sprache: eng.

Softcover. Condición: VG. Published to accompany an exhibition held at the Temple Gallery, 1619 Walnut Street, Philadelphia held from October 1st November 14th, 1987. It includes essays by Donald Kuspit, Michael Ratner, Margaret Ratner and Hon. Bruce McM. Wright. Consists of various printed materials laid-in to a box. The first is a single folded-sheet title-page; followed by a single-sheet, followed by a staple-bound collection of the Critical Essays (20 pp.) by one art crritic and three Constitutional Scholars; followed by 10 single-sheet thickstock color plates of the installation; followed by a staple-bound Catalogue of (8) pp., numbered essentially from (23) to (38) with some pages not numbered. Brown cardboard box has the Pre-amble to the Constitution printed on its cover.

[12] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size 90000; unsigned and unnumbered; offset-printed Inserts is a project by Group Material with artworks by Mike Glier, Jenny Holzer, Barbara Kruger, Carrie Mae Weems, Felix Gonzalez-Torres, Nancy Spero, Nancy Linn, Hans Haacke, Richard Prince, and Louise Lawler. Each artist was given a full page for their project. The project was organized by Doug Ashford, Julie Ault, and Felix Gonzalez-Torres for Group Material. Inserts was sponsored by the Public Art Fund and published as a supplement to the Sunday New York Times, May 22, 1988, and placed within 90,000 copies of the newspaper below 23rd Street and in the Greenpoint / Williamsburg / Bushwick section of Brooklyn. "We had originally planned Inserts for the Daily News which is a more local less intellectual paper than The New York Times. We had been negotiating with the Daily News for about a year but never actually signed a contract. And then when we finally went to them with the mock-ups of artwork we wanted to produce they rejected it on the basis that 'it wasn't art it was editorial.' So then we took the project to The New York Times and worked with the 'advertising acceptability director' there, who was concerned that the piece by Carrie Mae Weems' work would be misunderstood by members of the audience as racist and wouldn't know it was made by an African-American artist, but eventually they accepted the project." -- Julie Ault. Very Good / Fine. Yellowing of covers and pages. Bumping to bottom right corner of publication with light edge-wear. Contents clean and unmarked.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1972 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 30 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 30.

Poster, measuring 17 x 17 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

2 vol. : [1] pp. ; [1] pp.; 2 vol. : 27.7 x 21.5 cm. ; 8.9 x 12.3 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered Letter addressed to Mr. Jerald Ordover on March 29, 1991, from Anne R. Pasternak, the then curator of Real Art Ways. The letter describes Group Material's first large-scale artwork - a bus placard "provocatively addressing the AIDS crisis and the role of the insurance company" and then U.S. President George H.W. Bush. "The placard represents Group Materials's continuing dedication to creating and presenting art which enhances social awareness broaching how and where art should be seen." The letter advertises a signed, limited edition of the print for sale. Includes original color photograph of the edition on the tail end of a Hartford city bus. Very Good. Letter folded in three, light creasing and handling marks, light edge wear. Mild impassion from paperclip on photograph.

[7] pp.; 27.7 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Written recording of a panel discussion held at White Columns on January 25, 1987. The participants were Judith Barry, Peter Halley, William Olander, Julie Wachtel, and Oliver Wascow. Very Good. Light handling marks and edge wear.

Sin Encuadernar. Condición: Muy bien. Arbeitsgemeinschaft Fleetinsel Hamburg, Hamburg, (Germany), 1997. Reprint. Bolsa de polietileno impresa por ambas caras. El Group Material fue a Hamburgo, invitado por el Kunstverein, para producir un proyecto fuera del museo como parte de su exposición D&S. 44,5x37.

Sin Encuadernar. Condición: Muy bien. 1ª Edición. Committee for the Visual Arts, New York, 1982. 1ª Edición. Tarjeta postal del Group Material, colectivo de artistas conceptuales y activistas con sede en Nueva York y que se mantuvo activo de 1979 a 1996. 10x15 (apaisada).