gray sarah willard (12 resultados)

Taschenbuch. Condición: Neu. The Mapping Viewpoint in Australian Landscape Imagery | 1945-2010 | Sarah Willard Gray | Taschenbuch | 92 S. | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783838390352 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. Abstracting from the Cultural Landscape | A Sense of Place | Sarah Willard Gray | Taschenbuch | 72 S. | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783838387192 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In this book I examine the question as to how my creative work is informed and inspired by a sense of place through a political and historical engagement with the environment. This political engagement was created by my heartfelt desire to bring to the attention of local people the environmental threat that was being placed on two special historical areas where I live on the Southern Highlands of New South Wales, Australia. Of extreme importance was the need to protect this land, sacred to the Gundungurra Indigenous people, from development. The land in question was the early 19th century village of Bong Bong, the first European settlement on the Southern Highlands that contains both indigenous and early settlement artifacts. Through an engagement with the cultural/social history and current politics of the environment I have achieved a body of work that reflects a very personal 'sense of place'- a clear working process which translates well to the canvas and page. This book also contains photographs of my paintings and monotypes that are abstractions from this historic landscape. 72 pp. Englisch.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The purpose of this book is to analyse and discuss the use of aerial or mapping perspective in Australian landscape imagery from 1945-2010. The growing awareness of American Abstract Expressionism in Australia in the 1950s saw a period of landscape painting and photography that changed the way artists worked with the landscape motif. This allowed a unique representation of landscape that was no longer an adaption of a European tradition. This fresh approach to an established genre of artistry was made possible by the flattening of the picture plane and the absence of linear and atmospheric perspective as notated in the 15th century by Leonardo Da Vinci, Filippo Brunelleschi, Leon Battista Alberti and others. My study of ancient and contemporary Aboriginal art, using a mapping viewpoint, prompted my investigation into non-indigenous artists who also used this method in their work between 1945-2010. 92 pp. Englisch.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Gray Sarah WillardMy field of University study covers subjects in Western and Aboriginal art history and painting. I completed my last degree, Master of Creative Arts-Research, and at present I am involved with research and creative .

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Gray Sarah WillardMy field of University study covers subjects in Western and Aboriginal art history and painting. I completed my last degree, Master of Creative Arts-Research, and at present I am involved with research and creative .

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The purpose of this book is to analyse and discuss the use of aerial or mapping perspective in Australian landscape imagery from 1945-2010. The growing awareness of American Abstract Expressionism in Australia in the 1950s saw a period of landscape painting and photography that changed the way artists worked with the landscape motif. This allowed a unique representation of landscape that was no longer an adaption of a European tradition. This fresh approach to an established genre of artistry was made possible by the flattening of the picture plane and the absence of linear and atmospheric perspective as notated in the 15th century by Leonardo Da Vinci, Filippo Brunelleschi, Leon Battista Alberti and others. My study of ancient and contemporary Aboriginal art, using a mapping viewpoint, prompted my investigation into non-indigenous artists who also used this method in their work between 1945-2010.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 92 pp. Englisch.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -In this book I examine the question as to how my creative work is informed and inspired by a sense of place through a political and historical engagement with the environment. This political engagement was created by my heartfelt desire to bring to the attention of local people the environmental threat that was being placed on two special historical areas where I live on the Southern Highlands of New South Wales, Australia. Of extreme importance was the need to protect this land, sacred to the Gundungurra Indigenous people, from development. The land in question was the early 19th century village of Bong Bong, the first European settlement on the Southern Highlands that contains both indigenous and early settlement artifacts. Through an engagement with the cultural/social history and current politics of the environment I have achieved a body of work that reflects a very personal ''sense of place''- a clear working process which translates well to the canvas and page. This book also contains photographs of my paintings and monotypes that are abstractions from this historic landscape.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 72 pp. Englisch.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In this book I examine the question as to how my creative work is informed and inspired by a sense of place through a political and historical engagement with the environment. This political engagement was created by my heartfelt desire to bring to the attention of local people the environmental threat that was being placed on two special historical areas where I live on the Southern Highlands of New South Wales, Australia. Of extreme importance was the need to protect this land, sacred to the Gundungurra Indigenous people, from development. The land in question was the early 19th century village of Bong Bong, the first European settlement on the Southern Highlands that contains both indigenous and early settlement artifacts. Through an engagement with the cultural/social history and current politics of the environment I have achieved a body of work that reflects a very personal 'sense of place'- a clear working process which translates well to the canvas and page. This book also contains photographs of my paintings and monotypes that are abstractions from this historic landscape.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The purpose of this book is to analyse and discuss the use of aerial or mapping perspective in Australian landscape imagery from 1945-2010. The growing awareness of American Abstract Expressionism in Australia in the 1950s saw a period of landscape painting and photography that changed the way artists worked with the landscape motif. This allowed a unique representation of landscape that was no longer an adaption of a European tradition. This fresh approach to an established genre of artistry was made possible by the flattening of the picture plane and the absence of linear and atmospheric perspective as notated in the 15th century by Leonardo Da Vinci, Filippo Brunelleschi, Leon Battista Alberti and others. My study of ancient and contemporary Aboriginal art, using a mapping viewpoint, prompted my investigation into non-indigenous artists who also used this method in their work between 1945-2010.