EUR 9,35
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Añadir al carritoCondición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Idioma: Inglés
Publicado por Peter Lang, 2011. 252 pp., 2011
ISBN 10: 363161635X ISBN 13: 9783631616352
Librería: Antiquariaat Hortus Conclusus, Bergambacht, Holanda
EUR 25,00
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover book, in very good / fine condition. Text in English Please see description or ask for photos.
Idioma: Inglés
Publicado por Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2011
ISBN 10: 363161635X ISBN 13: 9783631616352
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 61,45
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New York, NY ; Oxford ; Wien : Lang, 2011
ISBN 10: 363161635X ISBN 13: 9783631616352
Librería: Borkert, Schwarz und Zerfaß GbR, Berlin, Alemania
EUR 23,80
Cantidad disponible: 1 disponibles
Añadir al carritoPp. Condición: Sehr gut. 251 S. : graph. Darst. ; 22 cm Tadelloses Exemplar. For over a hundred years a wildly held assumption has ruled the debate on the social composition of theatre audiences. This assumption states that in the period from the late eighteenth century to the Great War (1773?-1914) theatre audience was largely elite, till the French Revolution chased them to opera. The drama performances were sought by petty bourgeois and unskilled labour force, till, in 1870, the re-conquest of the stage by the upper bourgeoisie set in. In this study for the first time a large empirical research is presented to test this master narrative. Based on thorough archival research from the past twenty years, combined with robust statistical analysis, the conclusion with respect to this still dominant narrative can be short: it is to be fully rejected. Table of Contents - Chapter 1: A Prosopography of Nineteenth Century Rotterdam Thea-tre Patrons - Chapter 2: Art-loving Merchants and Transit-trade Proles? Share-holders of the Rotterdam Theatre - Chapter 3: Kill your Darlings - A Short View of the Rotterdam Tivoli-Theatre - Attempts to Falsify the Rotterdam Case: The Hague and Dordrecht(Prosopography) - Chapter 4: Checks and Balances (Prosopography) - Chapter 5: Attempts to Falsify the Results of the Anonymous Theatre-patrons - Chapter 6: Theatre as a Prison of Longue Durée ISBN 9783631616352 Sprache: Englisch Gewicht in Gramm: 437.
Idioma: Inglés
Publicado por Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2011
ISBN 10: 363161635X ISBN 13: 9783631616352
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 68,16
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2011
ISBN 10: 363161635X ISBN 13: 9783631616352
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 66,98
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2011
ISBN 10: 363161635X ISBN 13: 9783631616352
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 70,45
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2011
ISBN 10: 363161635X ISBN 13: 9783631616352
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 75,32
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Añadir al carritoCondición: New. In.
EUR 67,55
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Añadir al carritoGebunden. Condición: New. For over years a wildly held assumption has ruled debate on social composition of theatre audiences. This assumption states that in the period from late eighteenth century to Great War theatre audience was largely elite, till French Revolution chased them t.
EUR 67,55
Cantidad disponible: 2 disponibles
Añadir al carritoBuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - For over a hundred years a wildly held assumption has ruled the debate on the social composition of theatre audiences. This assumption states that in the period from the late eighteenth century to the Great War (1773 -1914) theatre audience was largely elite, till the French Revolution chased them to opera. The drama performances were sought by petty bourgeois and unskilled labour force, till, in 1870, the re-conquest of the stage by the upper bourgeoisie set in. In this study for the first time a large empirical research is presented to test this 'master narrative'. Based on thorough archival research from the past twenty years, combined with robust statistical analysis, the conclusion with respect to this still dominant narrative can be short: it is to be fully rejected.
Idioma: Inglés
Publicado por Peter Lang Ltd. International Academic Publishers Aug 2011, 2011
ISBN 10: 363161635X ISBN 13: 9783631616352
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
EUR 67,55
Cantidad disponible: 2 disponibles
Añadir al carritoBuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -For over a hundred years a wildly held assumption has ruled the debate on the social composition of theatre audiences. This assumption states that in the period from the late eighteenth century to the Great War (1773 -1914) theatre audience was largely elite, till the French Revolution chased them to opera. The drama performances were sought by petty bourgeois and unskilled labour force, till, in 1870, the re-conquest of the stage by the upper bourgeoisie set in. In this study for the first time a large empirical research is presented to test this 'master narrative'. Based on thorough archival research from the past twenty years, combined with robust statistical analysis, the conclusion with respect to this still dominant narrative can be short: it is to be fully rejected. 252 pp. Englisch.