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Publicado por The Jewish Museum, 2000
ISBN 10: 0873340795ISBN 13: 9780873340793
Librería: BookHolders, Towson, MD, Estados Unidos de America
Libro
Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First or Reprint ] Publisher: The Jewish Museum Pub Date: 1/1/2000 Binding: Paperback Pages: 64 First or Reprint.
Publicado por Universe Publishing, 1985
ISBN 10: 0876638809ISBN 13: 9780876638804
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro Original o primera edición
Condición: Good. 1st. Used book that is in clean, average condition without any missing pages.
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Usado desde EUR 11,00
Encuentre también Original o primera edición
Publicado por Universe Books, New York, 1985
Librería: Schoen Books, South Deerfield, MA, Estados Unidos de America
Miembro de asociación: SNEAB
Condición: Good +. series of superb essays, published with Jewish Museum Location:1614 236 73cs 126 pp. 1614 236 73cs.
Publicado por Yale University Press, 2009
ISBN 10: 030014153XISBN 13: 9780300141535
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Nuevo desde EUR 56,61
Usado desde EUR 11,74
Encuentre también Tapa dura Original o primera edición
Publicado por Universe Books, New York, 1985
ISBN 10: 0876638809ISBN 13: 9780876638804
Librería: Monroe Street Books, Middlebury, VT, Estados Unidos de America
Libro Original o primera edición
Condición: Very Good. Estado de la sobrecubierta: None. 127 pages. Softcover. Color and b/w illustrations throughout. In excellent condition for its age. Only a little yellowing to covers, otherwise clean inside and out. Original price tag remains on back cover Published to accompany exhibition at The Jewish Museum - New York. Record # 30691.
Publicado por Zone Books, 2021
ISBN 10: 1942130503ISBN 13: 9781942130505
Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Libro
Hardcover. Condición: new.
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Nuevo desde EUR 19,46
Usado desde EUR 26,39
Encuentre también Tapa dura
Publicado por American Anthropology Association, 1994
Librería: marvin granlund, Emeryville, CA, Estados Unidos de America
Miembro de asociación: IOBA
Softcover. Condición: Very Good. Very Good black paperback about 8½x11 inches with minor cover edgewear and lightly bumped at the top corner. 182 pages, unmarked. Judith L. Goldstein, Fred Myers, Margaret Cohen, Romy Golan, Victor J. Caldarola, Andrew A. Painter, Dorothy Zinn, Richard Wilk, Elizabeeth Hahn, Mayfair Mei-Hui Yang, John L. Caughey, Faye Ginsburg, Brackette F. Williams, Michel Taussig, Paul Stoller, Martin Jay ; ALBL OV1; 11 X 8.50 X 0.70 inches; 182 pages.
Publicado por Yale University Press New Haven and London, 1998
Librería: J. R. Young, Birmingham, Reino Unido
Original o primera edición
11¾"x10" (30x25.5cm). First edition. Published on occasion of exhibition of 92 works produced in the period 1900-1926. ppX+300 with essays, numerous full-page, folding and other colour illustrations plus a number of illustrations in monochrome, commentaries on exhibits, chronology, bibliography, and index. Hardback / hard cover: blue boards, backstrip titled etc in gilt. Upper corner shared by backstrip and front board moderately bumped, slightly affecting corresponding corners of contents up to page 70. Clean and tight. VERY GOOD copy in VERY GOOD unclipped dust jacket a little creased along parts of upper and lower edges of rear panel, and with a few minor indentations on both front and rear panels. (Heavy item, overseas shipping at cost.).
Publicado por ABRAMS March 1995, 1995
ISBN 10: 0810937344ISBN 13: 9780810937345
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Libro
Hardcover. Condición: Used - Like New. BEAUTIFUL COPY!!! wrapped in complimentary Brodart dust jacket protector.
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Usado desde EUR 24,14
Publicado por Yale University Press, 2000
ISBN 10: 0300079443ISBN 13: 9780300079449
Librería: GridFreed, North Las Vegas, NV, Estados Unidos de America
Libro
paperback. Condición: New. In shrink wrap.
Publicado por Tel Aviv Museum of Art, Tel Aviv, 2008
Librería: The Book Gallery, Jerusalem, Israel
IN ENGLISH AND HEBREW. 23.5x21cm. 61 pages. Softcover. In good condition. The book is in : Hebrew English.
Publicado por Macula Editions, 2018
ISBN 10: 2865891038ISBN 13: 9782865891030
Librería: FIRENZELIBRI SRL, Reggello, FI, Italia
Libro
Broché. Condición: NUOVO. Tradution de Sophie Yersin Legrand. Dans cet ouvrage richement illustré, Romy Golan explore les oeuvres murales, qu'elles soient peinture, photographie, tapisserie, etc. , en Europe des années 1920 aux années 1950. Prenant pour point de départ l'installation des Nymphéas de Monet à l'Orangerie, elle termine avec les immenses tapisseries de Le Corbusier pour le site de Chandigarh, en Inde. Entre les deux, elle brosse un large portrait de ce qu'elle considère comme le paradoxe des peintures murales, qui ne sont pas sûres de véritablement faire partie des murs et qui rejouent de manière ironique le contraste, crucial au sein du discours sur l'architecture, entre le bien ou l'intégré, et le mauvais ou pur ornement complémentaire. La peinture murale monumentale fut un point central du débat critique du XXe siècle : de nombreux artistes et critiques la virent comme un correctif aux fléaux du modernisme pictural, à la fragmentation de l'image par les cubistes, un antidote à la marchandisation de la peinture de chevalet, à la perte du sens de la finalité publique de l'art, à l'érosion de l'aura et plus généralement à l'aliénation de l'homme dans la condition moderne. D'autres, artistes et critiques, virent très bien que la peinture murale n'apportait de solution à aucun de ces problèmes et qu'un retour au format mural tel qu'il existait dans le monde prémoderne serait une posture anachronique et futile d'où le caractère hésitant, auto-discréditant des oeuvres dont il est question dans ce livre. Pour nous montrer cela, Romy Golan nous met sous les yeux des objets aussi étranges que des mosaïques conçues pour être démontées, des peintures qui ressemblent à des photographies de grand format, des tapisseries qui font office de murs de laine portatifs. Il est vrai qu'aujourd'hui, les oeuvres murales (si l'on excepte celles que l'on trouve dans la rue) n'ont que peu d'attraits et évoquent un art désuet, ou alors connoté politiquement et d'une époque désormais révolue. En bref, la peinture murale n'intéresse pas grand monde, sans parler de la mosaïque, de la tapisserie, du photomural. C'était sans compter la lecture de cet ouvrage qui replace tout l'art mural dans son contexte artistique, politique, social en une grande fresque qui couvre en particulier la France, l'Italie, l'Allemagne et l'URSS. Romy Golan y montre que la relation incertaine de ces objets au mur est symptomatique des dilemmes qui troublèrent l'art, les artistes et les architectes européens en plein coeur du XXe siècle. cm.19x28, pp.390, Macula Editions cm.19x28, pp.390, Broché.
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Nuevo desde EUR 33,00
Publicado por Acquavella Contemporary Art, 1990
Librería: ANARTIST, New York, NY, Estados Unidos de America
Softcover exhibition catalog, 52 pages, very good condition, clean and crisp; no internal marks.
Publicado por Yale University Press, 1995
Librería: Librodifaccia, Alessandria, AL, Italia
Condición: Buone. inglese Condizioni dell'esterno: Discrete con difetti, macchie strappi Condizioni dell'interno: Buone.
Publicado por New York, NY: Universe Books, Jewish Museum of New York., 1985
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Arte / Grabado / Póster
Condición: Good. 4to. 128 pp. Soft cover. Very Good. Color and black & white plates throughout.From the Library of the Pasquale Iannetti, including loan card.
Publicado por Yale University Press, 1995
ISBN 10: 0300063504ISBN 13: 9780300063509
Librería: SecondSale, Montgomery, IL, Estados Unidos de America
Libro
Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Nuevo desde EUR 140,28
Usado desde EUR 61,22
Encuentre también Tapa dura
Publicado por Yale University Press, New Haven, 2009
Librería: Lost Horizon Bookstore, Santa Barbara, CA, Estados Unidos de America
Hardcover. Condición: Fine. Estado de la sobrecubierta: fine. Hardcover. Quarto. 256pp. Illustrated. "Explores murals and mural-like works in Europe from the end of the First World War to the late 1950s, beginning with Monet's work on the 'Nympheas' installation in the Musee de l'Orangerie and ending dramatically with Le Corbusier's huge tapestries in Chandigarh, India." Still in original publisher's shrinkwrap.
Publicado por Harry N. Abrams, Inc. New York, 1997
ISBN 10: 0810932717ISBN 13: 9780810932715
Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de America
Libro
Cloth. Condición: New. Estado de la sobrecubierta: Fine Condition. 432 pp., 332 illustrations most in color. Foreword by Graham W.J. Beal. Published on the occasion of the exhibition from the Los Angeles County Museum, Los Angeles CA February 23-May 11, 1997, Montreal Museum of Fine Arts, Montreal June 19-September 7, 1997 and the Neue Nationalgalerie, Berlin October 9, 1997-January 4, 1998. Checklist of the exhibition. Selected Bibliography and Index.
Publicado por Yale University Press, USA, 1998
ISBN 10: 0900946652ISBN 13: 9780900946653
Librería: SAVERY BOOKS, Brighton, East Sussex, Reino Unido
Libro
Soft cover. Condición: Very Good. SOFTCOVER. Over 1KG. Clean & tight. No inscriptions. Flat pages. Flat spine. Flat covers. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner, securely boxed in cardboard. ref N25. Monet in the 20th Century.
Publicado por Yale University Press, 1995
Librería: Llibres Bombeta, Terrassa, BCN, España
Encuadernación de tapa dura. Condición: Bien. Estado de la sobrecubierta: Bien.
Publicado por Yale University Press 1995, 1995
Librería: Peter J. Hadley Bookseller ABA ILAB, Ludlow, Reino Unido
Original o primera edición
Near Fine in publishers cloth in dustjacket littlefadedon rear panel. 1st edition. Illustrated throughout. For most of the 19th century and the first decade of the 20th century, France was deemed to embody the very essence of artistic modernism. However, this study argues that, after World War I, traumatized by the experience of the trenches and then by the stranglehold of the Depression, France suffered a crisis of confidence so profound that it initiated a period of cultural, political and economic retrenchment that lasted into the Vichy years. The image that France acquired of itself - as a rural, feminine, feudal society - was not only reflected in the art of the period but was to a large extent fashioned and conditioned by it. Golan argues that reactionary issues such as anti-urbanism, the return to the soil, regionalism, corporatism and doubts about the new technology became central to cultural and art-historical discourse. Focusing on the overlap of avant-garde and middle-of-the-road production, she investigates the import of these issues not only in painting, sculpture and architecture (concentrating on the work of Leger, Picasso, Le Corbusier, Ozenfant, Derain, the Surrealists and the so-called "naifs"), but also in the decorative arts, in the spectacle of world and colonial fairs, and in literature. Throughout she finds evidence that artists turned from the aesthetics of the machine age towards a more organic, naturalistic art. This leads her to ask whether the famous and momentous shift of the avant-garde from Paris to New York in 1939 did not, in fact, begin two decades earlier, in 1918. According to Golan, it is in democratic France of this period, rather than in Fascist Italy or Nazi Germany, that one finds the a demonstration of the hidden interaction of art and ideology. ISBN 0300063504.
Publicado por Éditions du Centre Georges Pompidou Paris, France, 1991
ISBN 10: 2858505691ISBN 13: 9782858505692
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
Libro
512 pp.; 31 x 21.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Enormous exhibition catalogue published in conjunction with show held April 25 - August 26, 1991. With essays by Julien Gracq, José Pierre, Agnès de la Beaumelle, Isabelle Monod-Fontaine, Paule Thévenin, Maria Luisa Borràs, François Chapon, Margit Rowell, David Sylvester, Karin von Maur, Marie-Laure Bernadac, Jean Suquet, Philippe Bernier, Jean-Michel Goutier, Marguerite Bonnet, Romy Golan, René Alleau, José Pierre and Jean Schuster. Also includes list of works and bibliography. Profusely illustrated with color and black-and-white images. Text in French. Very Good. 1.5 cm. dent to recto edge and verso edge. 15.4 cm. scratch to verso. Moderate wear to bellyband including 2.1 cm. and 6 mm. tears and 5 mm. and 2 mm. areas of loss. Contents are clean and unmarked. Due to very large size and weight additional shipping charges may be required for international orders.
Publicado por Yale University Press 1995, 1995
Librería: Peter J. Hadley Bookseller ABA ILAB, Ludlow, Reino Unido
Mint in publishers cloth in like dustjacket (still shrink wrapped). For most of the 19th century and the first decade of the 20th century, France was deemed to embody the very essence of artistic modernism. However, this study argues that, after World War I, traumatized by the experience of the trenches and then by the stranglehold of the Depression, France suffered a crisis of confidence so profound that it initiated a period of cultural, political and economic retrenchment that lasted into the Vichy years. The image that France acquired of itself - as a rural, feminine, feudal society - was not only reflected in the art of the period but was to a large extent fashioned and conditioned by it. Golan argues that reactionary issues such as anti-urbanism, the return to the soil, regionalism, corporatism and doubts about the new technology became central to cultural and art-historical discourse. Focusing on the overlap of avant-garde and middle-of-the-road production, she investigates the import of these issues not only in painting, sculpture and architecture (concentrating on the work of Leger, Picasso, Le Corbusier, Ozenfant, Derain, the Surrealists and the so-called "naifs"), but also in the decorative arts, in the spectacle of world and colonial fairs, and in literature. Throughout she finds evidence that artists turned from the aesthetics of the machine age towards a more organic, naturalistic art. This leads her to ask whether the famous and momentous shift of the avant-garde from Paris to New York in 1939 did not, in fact, begin two decades earlier, in 1918. According to Golan, it is in democratic France of this period, rather than in Fascist Italy or Nazi Germany, that one finds the a demonstration of the hidden interaction of art and ideology. ISBN 0300063504.