gleizes metzinger (31 resultados)

Condición: COMO NUEVO- Muy Bien. Colección Arquitectura nº 21 - SOBRE EL CUBISMO -.

brossura paperback. Condición: Good. Buone condizioni. Copertina flessibile, con macchie e segni d'uso. Dorso usurato. Tagli sporchi. Pagine in buono stato. Nome dle precedente possessore scritto a penna sul frontespizio. paperback 83 2901696147 Buono (Good) . Book.

Couverture souple. Condición: Neuf. 2ème Édition. Paris 1980. 1 Volume/1. -- Neuf -- Broché cousu. Format in-8°( 23,4 x 18,2 cm )( 402 gr ) . -------- 83 pages suivies de 20 reproductions .***************** Réimpression du texte fondateur d Albert Gleizes et Jean Metzinger publié en 1912, pour le Salon de la Section d Or (Octobre 1912). ****************** ref 198fd ref 562.

Original Broschur, 8°, 70 Seiten und 16 Abbildungen im Anhang. Umschlag vergilbt, mit zahlreichen Anstreichungen und Notizen, sonst gut.

Softcover. Condición: Gut bis sehr gut.

.- Valencia. 1986. Soler. 8. . , . . .

Murcia, Comisión de Cultura del Colegio Oficial de Aparejadores y Arquitectos Técnicos / Galería-Librería Yerba / Consejeria de Cultura y Educación de la Comunidad Autónoma / Dirección General de Arquitectura y Vivienda del MOPU, 1986, 13x19 cms., 58 págs., rústica. Colección de Arquitectura nº 21. Algún subrayado a lápiz.

Softcover. Condición: Gut. 8°, 91 S., 2 Bl., mit 3 Tafeln Abb. Orig. Broschur. gut. Einband etwas Gebrauchsspuren. Papier etwas gebräunt. Cahier spécial de " Rimes et Raison" consacrè a Guillaume Apollinaire. Mit zwei Foto Abb. und 1 Abb. und zwei unveröffentliche Texte von Apollinaire. nnum. Ex. Orig. Broschur unbeschnitten.

Broché, couverture jaune. Condición: Bon exemplaire. Cézanne - Picasso - Derain - Braque - Metzinger - Laurencin - Gleizes - léger - Duchamp - Gris - Picabia Ilustrador. Edition originale. EDITION ORIGINALE de cette importante étude sur le cubisme. Hors texte, 26 reproductions d'oeuvres de Cézanne, Picasso, Derain, Braque, Metzinger, Laurencin, Gleizes, léger, Duchamp, Gris et Picabia. Pas de grand papier annoncé. Mention fictive. >Quelques marques du temps, mais bon exemplaire. JOINT une reproduction photographique, tirage argentique ancien portant au dos le tampon Galerie Simon. L'image représente une oeuvre de Juan Gris, portrait d'homme proche de celui reproduit dans l'ouvrage.

Reliure. Condición: Très bon. Nouvelle édition après celle de 1912, augmentée d'une longue préface de Gleizes et d'une postface de Metzinger titrée 1912 - 1946. Hors texte de 7 ESTAMPES originales de Marcel DUCHAMP, Albert GLEIZES, Marie LAURENCIN, Jean METZINGER, Francis PICABIA, Pablo PICASSO et Jacques VILLON et 4 gravures d'après Georges BRAQUE, André DERAIN, Juan GRIS et Fernand LEGER. Tirage à 455 exemplaires numérotés. Un des 400 sur pur fil de Lana. >Bel exemplaire relié par Mercher : Grand in-8 carré, dos de maroquin noir lisse titré au palladium, plats d'aluminium rapportés à bords irréguliers, couvert d'un jeu de papier noir et blanc à découpe géométrique laissant apparaître le métal, doublure et garde de même papier, couverture et dos conservés, étui (Mercher, 1964).

8°, Taschenbuch. Condición: Sehr gut. 175 S. + Bildanhang Einband mit minimalen Lagerspuren, innen sauber und sehr gut erhalten, ISBN: 3894067284 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 320.

hardcover. Condición: Acceptable. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is sgtarting to separate. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

hardcover. Condición: Acceptable. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is damaged at the corners (see photos). Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

hardcover. Condición: very good(-). Cezanne, Picasso, Derain, Metzinger, Laurencin, Gleizes, Leger; Ilustrador. First. Illustrated at rear with 25 black & white plates on coated paper, featuring works by Cezanne, Picasso, Derain, Metzinger, Laurencin, Gleizes, Leger; Duchamp; Gris & Picabia. 64 pages of text; 1 ad leaf at rear for Galerie Clovis Sagot. Slim wide 8vo, gilt-lettered black cloth (head of spine and joints repaired; internally clean). London: T. Fisher Unwin, (1913). Translated from the French, this is the first edition in English with author's name [Metzinger] misspelled on the cover. Overall a very good(-) copy of this scarce book -- the first book to use "cubism" as a term for the new artistic movement.

Paperback, 42pp. 215 x 165mm. Russian translation. Good condition.Please contact us if you would like to see an image of the book.

Hardcover. Condición: Good. No jacket. Covers worn. Gift inscription on front flyleaf. Water damage on the top left corner of the glossy plates. Occasional pencil marks in text. As-Is. This is the first book to use the term "Cubism.".

Hardcover. Condición: Good condition. First Edition. 133 pages. Original hardcover binding is heavily worn, with the entirety of the front exterior hinge cracked, minor cracking to the rear exterior hinge, moderate chipping to the spine, and rubbing to the extremities; protected in custom-fitted archival Mylar. Complete with 25 black and white illustrations of works by Paul Cezanne, Pablo Picasso, Derian, Jean Metzinger, Marie Laurencin, Albert Gleizes, Fernand Leger, Marcel Duchamp, Juan Gris, and Francis Picabia. A few pages with minor creasing, minor soiling to a few pages, and page 18-19 with numerous spots of discoloration. Previous owner's name neatly on the front endpaper. First edition. When first published in France in 1912 as "Du Cubisme" it was the first major text on Cubism, predating "Les Peintres Cubistes" by Guillaume Apollinaire which was first published in 1913. Size: Octavo (8vo). Book.

Soft cover. Condición: Good. O.E. - translation of Du Cubisme - 18,5 x 13 cm - 128 pgs - original soft cover - illustrated bl/wh - very early translation of Gleizes' book 'Du Cubisme' in Russian - Compton mentions 2 translations in 1913 (p 21 the world bachwards) , there is one edited in St Petersburg (1 copy in OCLC) and one in Moscow 1 copy in KVK) - this is the Moscow edition - the inside is fine but the back is damaged, lacking a part of it (image available), in all very accetable considering the rarety - not in Getty, not in Moma.

Hardcover. First English Edition. Black cloth with gilt embossed title and border on front cover. Top edge gilt, 133, (4) pp. including 25 bw glossy plates Single leaf advertisement at the end,for the Galerie Clovis Sagot, Paris, advertising "Oeuvres de Fauves at Cubistes". Rear of this page with age-toning in the form of a square. A very scarce title containing many plates. Good- (Boards are edgeworn/scuffed/smudged/foxed; corners are worn through; spine strip is heavily worn at both ends; there is an additonal example of cubism, which appears to be cut out of a newspaper, mounted inside the back cover; endpapers and non-glossy pages are heavily foxed and toned; plates are bright and clear; occasional margin notes are present.).

Erste Ausgabe. Première Édition. 44 pages, 38 pages (26 planches). Auf Tafeln - hors texte: 26 reproductions d`oeuvres de Cézanne, Picasso, Derain, Braque, Metzinger, Laurencin, Gleizes, Léger, Duchamp, Gris et Picabia. - Ancien exemplaire de bibliothèque avec tampon et numéro séquentiel manuscrit. Bon état. Falls nötig, senden wir Ihnen gerne Bilder dieses Titels via E-Mail. Sprache: Französisch Gewicht in Gramm: 0 8°, spätere dunkelblaue Pappe, goldgeprägter Rückentitel. (Carton bleu foncé postérieur, titre estampé au dos.).

Relié. 1 volume. In-8. 44 pp. Reliure postérieure bradel demi-box rose. Dos lisse avec titre doré à la chinoise. Tête dorée. Couverture conservée.Ouvrage illustré de 26 planches reproduisant des oeuvres de Paul Cézanne, Pablo Picasso, André Derain, Georges Braque, Jean Metzinger, Marie Laurencin, Albert Gleizes, Fernand Léger, Marcel Duchamp, Juan Gris et Francis Picabia. Très bel état. ÉDITION ORIGINALE enrichie d'un ENVOI AUTOGRAPHE SIGNÉ DE L'AUTEUR à Bernard Gheerbrant, "ce petit texte qui a été écrit pour nous débarrasser des "pourquoi du comment" dont nous étions harcelés en 1911. Très sympathiquement, Albert Gleizes, 1953".Cubistes tous deux, les peintres Albert Gleizes et Jean Meitzinger s'associent et livrent avec cette étude le premier ouvrage de théorie consacré au cubisme, mouvement né en 1909 avec Les demoiselles d'Avignon dont ils entendent défendre les principes :"Au sauvage qu'émerveille de verroteries nous prêterons un goût rudimentaire, mais nous aurions mille fois raison d'assimiler au sauvage le prétendu civilisé qui n'apprécierait par exemple que la peinture italienne ou que les meubles Louis XV."Bernard Gheerbrant, éditeur et libraire, frère de l'écrivain-explorateur Alain Gheerbrant, collectionna sa vie durant les peintres de son temps.

Softcover. Condición: Near Fine. Prints by Marcel Duchamp, Albert Gleizes, Marie Laurencin, Jean Metzinger, Francis Picabia, Pablo Picasso, and Jacques Villon , and after Georges Braque, Andre Derain, Juan Gris and Fernand Leger. 4to. Pp. 79, [3]. Unbound gatherings as issued, housed in printed wrappers lettered in brown and yellow. Encased in a stiff card chemise with a printed label to the spine and in the original slipcase, which is worn at the opening ends. The book and contents in fine condition, the wraps a little creased at the edges, else fine and unmarked. This is copy no. 433 of 435. Contents complete. Lovely copy.

Condición: Good. Original yellow wraps; repaired along spine and lower front corner; 19 x 24cm. 44pp and unnumbered plates by (Paul Cézanne (1), Pablo Picasso (1), André Derain (1), Georges Braque (1), Jean Metzinger (5), Marie Laurencin (2), Albert Gleizes (5), Fernand Léger (5), Marcel Duchamp (2), Juan Gris (1), Francis Picabia; text pages foxed. Presentation copy from Gleizes to Paul Lombard.Christie's: "1912 was a halcyon year for French Cubism. It was the year that the French Cubist school formed their group La Section d'Or; it was the year of the first of three ground-breaking exhibitions that united the Cubists artists and presented them to the public; and it was the year that Jean Metzinger together with his colleague Albert Gleizes published Du Cubisme ? the most comprehensive and coherent survey to date of the theories and aims of the new movement.Metzinger and Gleizes developed many of their ideas about the new painting from the weekly discussions held in the home of Jacques Villon in the Paris suburb of Puteaux, where they were joined by Villon's brothers Marcel Duchamp and Raymond Duchamp-Villon, Robert Delaunay, Henri Le Fauconnier, Robert de la Fresnaye, Juan Gris, Fernand Léger and the Russian sculptor Alexander Archipenko.".GLEIZES et METZINGER. Du "cubisme". Deuxième édition. Paris, Figuière, (1912). In-8. Envoi a. s. de Gleizes à Paul Lombard.Provenance Estate of Paul Lombard. Né en 1889, Paul Lombard a été rédacteur en chef de la revue L'Homme libre, journal de Clémenceau, et critique littéraire sous le pseudonyme de Louis Méritan. Paul Lombard est de ces critiques qui, comme l'a montré Thierry Laget (Proust, Prix Goncourt, Gallimard, 2019), reprochaient à l'Académie Goncourt d'avoir décerné leur prix à un écrivain trop vieux, trop riche : "Au lieu de cela, cette année, le prix Goncourt [?] échoit à M. Proust [qui] n'est pas jeune : il a conquis en peu de jours une notoriété dont j'ignore le secret ; le prix Goncourt, même s'il l'a mérité, ne lui sera d'aucune utilité", déplore-t-il dans L'Homme libre du 11 décembre 1919 (p. 2). Probablement aurait-il préféré que Les Croix de bois de Dorgelès remportât de prix, d'autant que l'écrivain avait été un collaborateur régulier de L'Homme libre.Expertise by Ségolène Beauchamp, 86bis rue de Bellébat, 45000 Orléans and Pierre Prévost, 75 rue Michel Ange, 75016 Paris.

Ristampa dell'edizione pubblicata nel 1912 da Eugene Figuiére, testo francese, prefazione di Daniel Robbins (1978), brossura, formato 18x24, pagine 148, illustrato con tavole in nero fuori testo, ottime condizioni - 45403 9781518706325 1.

Valencia, 1986. Editado por Colegio Oficial de Aparejadores y Arquitectos Técnicos. Rústica Editorial. Colección de Arquilectura nº 21. 58pp.,19x14cm. Ensayo.

Rustica original ilustrada. Condición: MUY BUEN EJEMPLAR. 1ª Ed. Castellano. Pág: 58 18x12,5 5785.

Condición: Sehr gut. 1. Aufl. 70 S. + 16 S. mit Bildern, 22cm x 15cm farb. ill. brosch. Eb., dieser mit minimalen Gebrauchsspuren, ansonsten sehr guter Zustand. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch Gewicht in Gramm: 1000.

Soft Cover. Condición: Very Good. Ubertragen aus dem Franzosischen und herausgegeben von Fritz Metzinger." The pages are very clean and tight. Binding and cover are very good. 70 pages of text plus 16 plates. The text is in German.

230x185mm, 44pages, 26 planches en n/b, demi-percaline, couverture d'origine contrecollée sur le plat supérieur, Achevé d'imprimé 27 décembre 1912. indiquation "neuvième édition". (Neuvième édition probablement fictive). Envois Europe (uniquement avec numéro de suivi) jusqu?à 150 EUR: Sans frais additionnels. TVA prélevée via IOSS & envoi en DDP (droits payés). Exceptions (taxes postales locales à la charge de l?acheteur) : Italie, Lituanie (~2 EUR ) & Roumanie (~25 RON). Contact via notre page d'accueil en cas de problème. / No hidden customs fees for Europe (sending only with tracking number) up to 150 EUR order (IOSS & DDP shipment). Local postal fees apply to buyers in IT, LT (~2 EUR) & RO (25 RON). Contact us via our homepage if needed.

FIRST EDITION. PRESENTATION COPY. 240 x 185 mm. (9 1/2 x 7 1/2"). 44 pp., [2] leaves. STRIKING 3-D OPTICAL ILLUSION BINDING BY A. CONTRERAS (stamp-signed on front turn-in), WITH AN ALL-OVER DESIGN OF CUBES rendered in black, white, and silver morocco, smooth spine. In older (probably original) brown woodgrain drop-back box backed with black buckram. With 26 black & white photographic reproductions of works by Cézanne, Picasso, Derain, Braque, Metzinger, Laurencin, Gleizes, Léger, Duchamp, Picabia, and original owner Juan Gris, printed on glossy white paper. WITH A HALF TITLE INSCRIPTION (in French) OF GREAT IMPORTANCE FROM ONE OF THE CO-AUTHORS (translated as): "To the painter Juan Gris, with all my best wishes, Metzinger." Occasional underlinings in blue pencil. Text leaves with overall light browning and occasional foxing (due to paper stock), lower corner of half title restored (and fore edge with minor chipping), otherwise a fine copy, the plates clean and bright and the binding unworn. Penned by two Cubist artists, this is a highly resonant association copy of the first major treatise on the Cubism movement, presented to noted Cubist painter Juan Gris, and later put into an illusionistic binding composed of variably colored cubes that seem to jump off the surface. Albert Gleizes (1881-1953) and Jean Metzinger (1883-1956) had painted in both Post-Impressionist and Fauvist styles before their interest in exploring form and structure as well as light and color led them to the style that would become Cubism. Influenced by Cézanne's "brick-by-brick" technique and Poincaré's writings on space and time, the new movement sought to examine objects from a mobile perspective, and to depict multiple views of a subject in one painting. In "On Cubism," they explain: "An object has not one absolute form; it has many. It has as many as there are planes in the region of perception." The work features black & white illustrations of Cubist paintings by the authors and by fellow pioneers Picasso, Braque, Derain, and Juan Gris, to whom this copy was presented by Metzinger. Born in Madrid as José Victoriano González-Pérez (1887-1927), Gris studied engineering before moving to Paris to pursue art. First working as an illustrator for periodicals, he was inspired by Metzinger to begin painting seriously. His training in engineering helped him appreciate the importance of mathematics in painting, a realization triggered, according to art historian John Richardson, by Metzinger's painting "Le Goûter [Tea Time]," exhibited at the Salon d'Automne in 1911. Our volume was later in the collection of, and probably bound for, Chilean architect and collector Carlos Alberto Cruz (1939-2022). We have been unable to find more information on our binder, "A. Contreras," but it seems possible that he was also Chilean, as the Valparaiso-based Cruz owned a number of bindings signed with that name.