gino severini (306 resultados)

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Small softcover, 40 pages of text in Italian followed by 82 illustrations; poor condition: book is split at midpoint with several pages loose; no internal marks. As is; reference copy.

Paperback. Condición: Used: Good. Good, no marks, binding good; 17 oz.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Gino Severini (Illustrations & Drawing by) Ilustrador. 2nd Edition. 76 pp. Solidly bound copy and dust jacket with moderate external wear, crisp pages and clean text. Dust jacket shows extensive wear and rips along the front and back. Relevant material included from previous owner.

paperback. Condición: Good. First Edition. 190 pp.; illustrations (some color); 28 cm (quarto). Light bowing; no ownership markings. Well packaged in a box; ships with tracking.

No Binding. Condición: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

No Binding. Condición: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Postcard.

Condición: COMO NUEVO-Muy Bien. DEL CUBISMO AL CLASICISMO.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft Cover. Condición: Good. Worn. Covers soiled and sunned. Short closed tear at rear cover. 40 pages. Short loose "addendum' present.

Trade Paperback. Condición: Used - Good. Gino Severini's first solo exhibition took place in London's Marlborough Gallery in 1913. Its reception ranged from adulation among the cognoscenti to bewildered reactions from the popular press. Though his paintings were shown in the context of Futurist group exhibitions or thematic shows of twentieth-century Italian art, there was never a museum exhibition in Britain devoted solely to his work. 'Gino Severini: From Futurism to Classicism,' part of the National Touring Exhibitions program of the Hayward Gallery, aims to redress this situation. The exhibition and the lavishly illustrated book that accompanies it bring into focus the essence of Gino Severini's highly distinctive talent, and the contribution he has made to modern art. 'Gino Severini' concentrates on the most significant decade of the artist's career: the years from 1910 until 1920. It follows the development of his art from his Futurist works of the early 1910s, with their rejection of the past and their emphasis on dynamism and the modern world, to his adoption of a Synthetic Cubist style during the war years and finally to the timeless and mathematically composed still lifes and figures he painted from 1919 onwards.Reflected in a broad range of contemporary themes from war to dancers, Severini's stance during a decade of political and artistic upheaval--made especially distinctive by the move from his native Italy to Paris--is exceptional. His development is a fascinating parallel to the directions taken by his Paris contemporaries including Picasso, Gris and Metzinger. This fully-illustrated book includes insightful essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. An exciting and provocative collection of works by Gino Severini from the most significant decade (1910-20) of his career, Gino Severini: From Futurism to Classicism traces the evolution of his art from his pre-war Futurist period to his adoption of a vigorous geometric ordering based on classical principles. Book has minor shelf wear.

Trade Paperback. Condición: Used - Good. Gino Severini's first solo exhibition took place in London's Marlborough Gallery in 1913. Its reception ranged from adulation among the cognoscenti to bewildered reactions from the popular press. Though his paintings were shown in the context of Futurist group exhibitions or thematic shows of twentieth-century Italian art, there was never a museum exhibition in Britain devoted solely to his work. 'Gino Severini: From Futurism to Classicism,' part of the National Touring Exhibitions program of the Hayward Gallery, aims to redress this situation. The exhibition and the lavishly illustrated book that accompanies it bring into focus the essence of Gino Severini's highly distinctive talent, and the contribution he has made to modern art. 'Gino Severini' concentrates on the most significant decade of the artist's career: the years from 1910 until 1920. It follows the development of his art from his Futurist works of the early 1910s, with their rejection of the past and their emphasis on dynamism and the modern world, to his adoption of a Synthetic Cubist style during the war years and finally to the timeless and mathematically composed still lifes and figures he painted from 1919 onwards.Reflected in a broad range of contemporary themes from war to dancers, Severini's stance during a decade of political and artistic upheaval--made especially distinctive by the move from his native Italy to Paris--is exceptional. His development is a fascinating parallel to the directions taken by his Paris contemporaries including Picasso, Gris and Metzinger. This fully-illustrated book includes insightful essays by Simonetta Fraquelli, curator, and Christopher Green, History of Art Professor at the Courtauld Institute of Art. An exciting and provocative collection of works by Gino Severini from the most significant decade (1910-20) of his career, Gino Severini: From Futurism to Classicism traces the evolution of his art from his pre-war Futurist period to his adoption of a vigorous geometric ordering based on classical principles. Book has minor shelf wear.

paperback. Condición: Good. Marks and writing in text. Otherwise good, tightly bound, lightly worn. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Encuadernación de tapa blanda. Condición: Muy bueno. Excelente conservación pero tiene algún subrayado flojo a lápiz, se borra fácil. 160 páginas.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover, 190 pages, very good condition; light scuff to cover; no internal marks. Foreign shipping may be extra for this book.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condición: Very Good. Gino Severini Ilustrador. 1st Edition. Exhibition catalogue of Hayward Gallery retrospective of the Italian modernist painter. With 38 full colour plates. Superficial scratching on back cover.

Hardcover. Condición: As New. First U.S. Edition. Fine and accessible autobiography by Gino Severini (1883-1966) as translated by Jennifer Franchina from the original Italian. First Edition Thus, First Printing, with "1" in number line present. Fine-looking, structurally sound hardcover, little discernible wear, bright interior, unmarked. Bright and shiny dust jacket, illustrated, little worn. xv, 310 pp. From the publisher's blurb, "In 1906 the Italian futurist painter Gino Severini arrived in Paris with no money, no name, and very few acquaintances, only to become a key protagonist in the artistic and literary circles that would spearhead the modernist movement. His autobiography from this period, translated for the first time into English, tells the story of the Parisian art world he knew so well, and offers a unique account of the individuals and ideas that created modernism."Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Reliure dos en cuir. Condición: Bon+. Dessins De Gino Severini, Mela Muter; Tableaux de André Beaudin, F. Borés Ilustrador. Exemplaire de bibliothèque de la Collège Marguerite Bourgeoys / Congrégation de Notre-Dame à Montréal. Size: in-8o. Book.

Paperback. Condición: Used: Good. Good, no marks, binding good; (32 x 24 cm.)., 1967. Exposition juillet-octobre 1967. 34 reproductions en noir et blanc et 1 en couleurs. Préface de Bernard Dorival. Biographie; 10 oz; 12.5 x 9 inches.

Condición: Good. Gino Severini Ilustrador. 4to. 40 works described and reproduced in color. Biography, chronological biography. Fine in wraps.

Reliure dos en cuir. Condición: Bon+. Dessins De Gino Severini, Mela Muter; Tableaux de André Beaudin, F. Borés Ilustrador. Exemplaire de bibliothèque de la Collège Marguerite Bourgeoys / Congrégation de Notre-Dame à Montréal. Size: in-8o. Book.

Softcover. Condición: Fine. Original Edition. San Fransico: Pasquale Iannetti Art Galleries, n.d. [2006].Original Edition. 11" x 8.5". Color-pictorial stiff wrappers, fine condition. Retrospective catalog of 40 work shown in full color. Price list laid in, with prices of those for sale (several are not). ; 11 X 8.5 inches.

Soft cover. Condición: Good. 1st Edition. Softcover: 11 x 8.5 x .5 in., Front and back cover: signs of rubbing on front, top right corner worn on front cover, 1 in. indent on left side of back cover, edgewear, scratches on back cover; Pages: highlighting of text on some pages, otherwise in very good condition; Overall good condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, xv, 310 pages, illustrations; 25 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "In 1906 the Italian futurist painter Gino Severini arrived in Paris with no money, no name, and very few acquaintances, only to become a key protagonist in the artistic and literary circles that would spearhead the modernist movement. His autobiography from this period, translated for the first time into English, tells the story of the Parisian art world he knew so well, and offers a unique account of the individuals and ideas that created modernism. Here we encounter painters and sculptors such as Matisse, Picasso, Modigliani, Braque, Gris, Dufy, Leger, Delaunay, Duchamp, Lipchitz, and De Chirico the literary figures Marinetti, Paul Fort, Apollinaire, Cocteau, Reverdy, and Jarry and also the philosopher and writer Maritain, composers Eric Satie and Igor Stravinsky, and the impresario of the Ballets Russes, Sergei Diaghilev. Severini shared their experiences in the studios, galleries, and cafe;s of Montmartre and Montparnasse, and re-creates the passionate debates that animated those gatherings. We witness not only the maturing of Severini's art and aesthetic theory but also the intellectual and political turbulence that brought forth a wealth of approaches to art in the first two decades of this century, including futurism, cubism, surrealism, constructivism, dadaism, and metaphysical painting. Beginning with an honest, humorous description of his financially ill-fated family in Tuscany, Severini goes on to describe the triumphs and mistakes of his adolescence in the Roman art scene, where he fraternized with Balla and Boccioni. His down-to-earth tone pervades his anecdotes and assessments of the Parisian art world, enabling a casual reader to grasp the many issues at stake. As Severini's status as an important painter gains widespread recognition, this autobiography serves as a valuable resource for critics and a thoroughly delightful, engaging account for anyone interested in learning more about this artist who sheds new light on many of the crucial movements of the century. / Gino Severini was born in Cortona Italy in 1883 and died in Paris in 1966." - Publisher. Size: 8vo. Collectible.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Trade Paperback. Condición: Good. A clean, unmarked book with a tight binding. Previous owner's name inside and glue mark on front endpapers from something fomerly pasted down that had been removed. Light wear and smudges to cover. 8 1/4"w x 11"h. 190 pages. Illustrated. Keywords: Italian Futurism, Marinetti, Futurists, Painter, Exhibition Catalog, Cubism, War Art.