gerard schuster (92 resultados)

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Joseph Smrkowski, John Heartfield, Madame Aussoir, Jean-Claude Silbermann, Gustave Moreau, Andre Breton, Jean-Francois Bury, Jacques Derain, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of the revolutionary manifesto of Tull, Benjamin Mendoza, Jacques Bazin, Jacques Vache, Jean-Claude Silbermann, Robert Benayoun, Hassan Fathy, Maurice Blanchard, Pierre Boujut, Earl Spartre, Stephen Schwartz, Christian Rochefort, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Tel Quel, the Kings of Bretagne, Alain Legrand, Yves Ellequet, Henri-Francois Rey, E. Kienholz, M. Fontenet, the Ministre de Travail, Georges Bataille, Jindrich Styrsky and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Walter Benjamin, the Student Revolution of 1968, Jean-Paul Sartre, Herve Telamaque, Regis Debray and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Charles Fourier, Benjamin Peret, William Shakespeare, Josef Stalin, Eva Beuys, Joseph Beuys, Lilo Klapheck, Konrad Klapheck, a month-by-month horoscopic calendar for 1970, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Softcover. Condición: Near Fine. First Edition. Scarce in any condition and state, an influential if short-lived chronicle of French social and art history. Produced handsomely and colorfully in folio format, horizontally folded, but measuring 12 3/4" x 13 3/4" wide and tall, respectively, when unfolded. coupure was a French-language art and literature, politics and culture magazine of sorts that ran from 1969-72. Each issue was comprised of eight pages on two unstitched-together sheets, except for the infamous No. 4, a two-page issue that was printed on one sheet only. Boldly illustrated with photos and collages in black-and-white, duotone and also full-color. One of the three editors, Jean Schuster, is said to have been entrusted by the leading Surrealist and activist André Breton the task of "safeguarding" the Surrealist movement and legacy, he in effect having disbanded Surrealism in order to replace, he said at the time, "historical" with "eternal" Surrealism. With Gerard Legrand and Jose Pierre Gerard Legrand launched coupure. Not every Surrealist took it lying down, of course; much mayhem ensued, beginning with Jean-Louis Bédouin's opening salvo published in Le Monde that foreswore Breton's right and authority to have done so. Each issue is itself a collage, a motley assortment of news and features, photographs and snippets, art pieces and current events, obituaries and manifestos. The infamous No. 4 (titled "La cause de peuple") was banned, declared illegal and then confiscated by French authorities because of its depiction in Maoist terms of French government and military officials. This issue treats of Sharon Tate and Bernadette Devlin, Georges Pompidou, Carlos Franqui, the photography of Nicole Pierre and Man Ray, poetry, and odd pieces from Le Monde.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Soft cover. Condición: Good. quelques pliures/accrocs/taches sans consequence sur la lecture. état général très correct.

Soft cover. Condición: Good. marques de pliage bon état général.

Paperback. Condición: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases, just a few hardly noticeable rubs Hence a non-text page shows a small 'damaged' stamp. Despite such this book looks and feels unread. Thus the contents are crisp, fresh and tight. And so a very nice book in great condition, now offered for sale at a reasonable price.

Condición: New.

Condición: New. In.

Paperback. Condición: New.

Editeur le Terrain Vague, Bieff, N°3 (15 janvier 1959), broché, environ 31x24cm, 6 p., des rousseurs sur la couverture, quelques taches de liquide sur le second plat, dos frotté, intérieur propre.

Couverture souple. Condición: Très bon état. In-folio en feuillets 50 cm sur 32. 8 pages. Plié en deux Très bon état d'occasion. Titre de la Une : Scandale. in-folio.

Condición: New. Describes the theory and practice of seismic interferometry for academic researchers, oil industry professionals and advanced students. Num Pages: 274 pages, black & white illustrations. BIC Classification: PHVG; RBC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 245 x 173 x 16. Weight in Grams: 480. . 2006. Reprint. paperback. . . . .

Condición: Bon. édition originale. N° 7- janvier 1972. Revue surréaliste qui ne comptera que 7 numéros. 1 volume in folio en feuille, 50 x 32 cm, ancienne pliure (en deux) comme d'habitude.

Condición: Bon. édition originale. N° 2- janvier 1970. Revue surréaliste qui ne comptera que 7 numéros. 1 volume in folio en feuille, 50 x 32 cm, ancienne pliure (en deux) comme d'habitude.

Condición: Bon. édition originale. N° 3- mai1970. Revue surréaliste qui ne comptera que 7 numéros. 1 volume in folio en feuille, 50 x 32 cm, ancienne pliure (en deux) comme d'habitude.

Condición: Bon. édition originale. N° 6- avril 1971. Revue surréaliste qui ne comptera que 7 numéros. 1 volume in folio en feuille, 50 x 32 cm, ancienne pliure (en deux) comme d'habitude.

Condición: Bon. édition originale. N° 5- novembre 1970. Revue surréaliste qui ne comptera que 7 numéros. 1 volume in folio en feuille, 50 x 32 cm, ancienne pliure (en deux) comme d'habitude.

Condición: New. pp. 274.

Condición: New. Describes the theory and practice of seismic interferometry for academic researchers, oil industry professionals and advanced students. Num Pages: 274 pages, black & white illustrations. BIC Classification: PHVG; RBC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 245 x 173 x 16. Weight in Grams: 480. . 2006. Reprint. paperback. . . . . Books ship from the US and Ireland.

Couverture souple. Condición: Très bon état. In-folio en feuillets 50 cm sur 32. 8 pages. Plié en deux. Très bon état d'occasion. in-folio.

Couverture souple. Condición: Très bon état. In-folio en feuillets 50 cm sur 32. 8 pages. Plié en deux. Très bon état d'occasion. in-folio.

Couverture rigide. Condición: Très bon état. In-folio relié 50 cm sur 32. 8 pages. Plié en deux. Très bon état d'occasion. in-folio.

Condición: Bon. édition originale. N° 1- octobre 1969. Premier numéro de cette revue surréaliste qui ne comptera que 7 numéros. 1 volume in folio en feuille, 50 x 32 cm, ancienne pliure (en deux) comme d'habitude. Rousseurs sur première page.

Condición: Bon. édition originale. N° 1- octobre 1969. Premier numéro de cette revue surréaliste qui ne comptera que 7 numéros. 1 volume in folio en feuille, 50 x 32 cm, ancienne pliure (en deux) comme d'habitude.

Condición: New.

Condición: New. In.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seismic interferometry is an exciting field in geophysics utilising multiple scattering events to provide unprecedented views of the Earth's subsurface. This is a comprehensive book describing the theory and practice of seismic interferometry with an emphasis on applications in exploration seismology. Exercises are provided at the end of each chapter, and the text is supplemented by online MATLAB codes that illustrate important ideas and allow readers to generate synthetic traces and invert these to determine the Earth's reflectivity structure. Later chapters reinforce these principles by deriving the rigorous mathematics of seismic interferometry. Incorporating examples that apply interferometric imaging to synthetic and field data, from applied geophysics and earthquake seismology, this book is a valuable reference for academic researchers and oil industry professionals. It can also be used to teach a one-semester course for advanced students in geophysics and petroleum engineering.