gerald needham (27 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. 350 pp. Tightly bound. Spine not compromised. Text is Free of Markings. No ownership markings. ICON EDITION.

Paperback. Condición: Very Good. 350 pp. Tightly bound. Spine not compromised. Text is free of markings. ICON EDITION.

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Harper & Row Pub Date: 1/1/1988 Binding: hardcover Pages: 350 Reprint edition.

Softcover, 350 pages, as new condition; clean and crisp; no internal marks.

Condición: Very Good. Estado de la sobrecubierta: None. 350 pages. B&W illustrations throughout. Slight edge wear. Otherwise, clean and tight copy. Record # 452584.

Hard Cover. Condición: Very Good. X-library hardcover, by William L. Needham, Gerald Jahoda, Libraries Unlimited Corp, ISBN 087287348X, 1983, 135 pages including appendices, Very Good (library call number label on spine, library stamp on page block sides, library sticker on front inside board, stamp on end sheets and back inside board, overall cover wear).

Hard Cover. Condición: Good. No Jacket. 135pp, owner's name to fep, sticker remains to cover, binding slightly skewed.

Soft cover. Condición: Very Good. PHOTOS TIPPED IN PLATES Ilustrador. 1st Edition. A RARE TITLE BEAUTIFULLY PHOTOGRAPHED MANY TIPPED IN PLATES SOLID CLEAN BRIGHT AND UNMARKED PUBLISHED IN CONJUNCTION WITH AN EXHIBIT EVERY PIECE HAS A HISTORY AND DESCRIPTION A VERY WELL RESEARCHED BOOK FAINT DISCOLORATION WHERE GLUE FROM THE TIPPED IN PLATES LEAKED OVER SOME DISCOLORATION TO THE SPINE STILL QUITE A LOVELY BOOK NO BENDS OR FOLDS.

Soft cover. Condición: Very Good. 1st Edition. spine sunned.

Soft Cover. Condición: Fine. First Edition; First Printing. Numerous full page color plates. Text in English and French by Gerald Needham. ; As New. Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. A gently read book in excellent condition. As New. ; 4to.

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. Hardback book (220 pages) with color frontispiece, tipped in clor plates and b/w photographs/reproductions. Dust jacket shows light soiling/creases with tips bumped. Bookseller since 1995 (LL-Base2-C-1-Middle) rareviewbooks.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. 1st Edition. Dust jacket has light stains, foxing, light yellowing; pencil residue to front endpaper--pricing notes; otherwise a clean and sound copy of this book; no writing, highlighting, odors, stains, tears or folds. Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon. This is not an ex-library book.

Soft cover. Condición: Good. From the Library of John Russell Taylor.

Booklet. Condición: Fine. [12 p.]. 20 x 22 cm. 4 b&w illustrations. Staplebound booklet.

Hardcover. Condición: New.

First edition, first printing. Fine paperback.

Condición: Good. Oblong 8vo., printed wraps. 32 pp. Ill. 22 full color plates. Exhib. 1989. Minor cover wear; VG.

Hardcover. First Edition, First Printing. Very Good, with a Very Good dust jacket. A few short tears to jacket edges, toning. Interior is clean and unmarked. Profusely illustrated throughout. 4to, 10 3/4"h x 7 3/4"w.

Soft cover. Condición: Good. Dust Jacket Included. 1st Edition. English text.; Paperback (with dust jacket).; 19.5 x 27 cm.; 0.8 kg.; 220 pages with black and white and a few colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Tear and chip at the bottom of the dust jacket spine. The Paperback shows also a chip and tear at the bottom. Tear at the bottom of the dust jacket back cover. Interior with minor signs of wear.; Catalog from an exhibition shown at The Cleveland Museum of Art, July 9-Aug. 31, 1975; The Rutgers University Art Gallery, Oct. 4-Nov. 16, 1975; and The Walters Art Gallery, Dec. 10, 1975-Jan. 26, 1976.; "Japonisme: Japanese Influence on French Art 1854-1910 marks a milestone in examining relationships periodically existing between the Far East and the West. As the exhibition and accompanying catalog suggest, contacts with the Far East led to fruitful periods of artistic interchange. The creation of chinoiseries during the eighteenth century is one such example. While contacts were maturing with China, Portuguese and Dutch traders searching for a faster way to reach the Orient contacted Japan and established trading ties. At first these ties were cordial, but misuse of the arrangements forced Japan to adopt a policy of seclusion. While some goods reached European ports during this bleak period and collections of Japanese objects were formed in Holland, it was not until the nineteenth century that Japan reached out to again establish normal relations with Western nations. Then, under the stimulus of Commodore Matthew C. Perry's trip to Japan, the doors of the country were thrown open to all Western nations. Throughout the 1850's and 1860's, art objects poured into the West, turning attention from the fading tradition of chinoiseries toward a fuller appreciation of Japonisme the study of the culture, history, and art of Japan. Lacquers, fans, bronzes, kakemonos, ceramics, illustrated books, and single ukiyo-e prints became prized possessions, frequently fought over by collectors in their quest to obtain all that was new and novel from this exotic country. The result of this constant association with and study of Japanese art objects is recorded in the French prints, paintings, and decorative-art objects assembled for this exhibition." excerpt from the foreword by Sherman E. Lee, Director, The Cleveland Museum of Art; Richard Randall, Director, The Walters Art Gallery, Baltimore; and Phillip Dennis Cate, Director, Rutgers University Art Gallery.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Very good. Estado de la sobrecubierta: Very good. xvii, [1], 350 pages. Footnotes. Illustrations. Bibliography. Index. The dust jacket is in a plastic sleeve. Gerald Needham was an Associate Professor of Art History at York University, Toronto. He has written on Japonisme, the Impressionists, and prints and photography in the nineteenth century. The Realist movement in French art flourished from about 1840 until the late nineteenth century, and sought to convey a truthful and objective vision of contemporary life. Realism emerged in the aftermath of the Revolution of 1848 that overturned the monarchy of Louis-Philippe and developed during the period of the Second Empire under Napoleon III. As French society fought for democratic reform, the Realists democratized art by depicting modern subjects drawn from the everyday lives of the working class. Rejecting the idealized classicism of academic art and the exotic themes of Romanticism, Realism was based on direct observation of the modern world. In keeping with Gustave Courbet's statement in 1861 that "painting is an essentially concrete art and can only consist in the representation of real and existing things," Realists recorded in often gritty detail the present-day existence of humble people, paralleling related trends in the naturalist literature of Émile Zola, Honoré de Balzac, and Gustave Flaubert. The elevation of the working class into the realms of high art and literature coincided with Pierre Proudhon's socialist philosophies and Karl Marx's Communist Manifesto, published in 1848, which urged a proletarian uprising. "This is the first thorough history and analysis of Realism in the 19th Century art from the 1830s to the 1880s when the Impressionist group broke up. The book begins with the origins of Realism at the start of the century and ends with the last phase of Realism after 1880. In addition to artists from England and France, the book includes artists from Germany, Scandinavia, Russia, and Italy. A distinctive feature is the coverage of prints and the graphic arts that played a crucial role in the development of realism, ranging from popular illustrations in magazines and books to painter's etchings and engravings. Photography an as art form and an influence is examined as are such new visual media as the Panorama and Diorama. Some of the artists included are : Corot, Constable, Gericault, Daumier, Boudin, Cassatt, Krohg, Hunt, Monet, Manet, Renoir, Courbet, Millet, Klinger, Menzel, Signorini, Van Gogh, Pissarro, Whistler, Degas, Lieberman, Shevchenko, Repin, Caillebott"--back cover. First Edition [Stated], First Printing [Stated].

Hardcover. Condición: New.

Paperback. Condición: As New.

3. Cleveland, Museum of Art (and others), (1975), 27 x 19 cm, 220 pp, hardback, with orig. printed wrapper, 308 items and b/w ills + some col. tipped-in coloured plates, bibliographies. ISBN 0-910386-22-6 .

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1966 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 52 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 52 Galstan, Gerald Needham.