George seurat (10 resultados)

Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

27 S., PBd., 4° sehr guter Zustand. Bücher.

Hardcover. Condición: Very Good. No Jacket. 193 pages : illustrations (some color) ; 30 cm ; ISBN: 3791309668 ((hardcover ed.)); 9783791309668 ((hardcover ed.)); 3791324896; 9783791324890; National Library: 901222917; 379-13096 LCCN: 90-33501 ; LC: ND237.P85; Dewey: 760/.092 ; OCLC: 21228605 ; To accompany an exhibition at the Whitney Museum of American Art, New York, May 31, 1990-Sept. 2, 1990 and at other museums./ Includes bibliographical references (pages 179-180) and indexes. ; [this exhibition has been organized by the Williams College Museum of Art, Williamstown, Massachusetts ; exhibition itinerary: Whitney Museum of American Art, New York, May 31, 1990 - September 2, 1990 . The Phillips Collection, Washington, DC, May 18, 1991 - August 25, 1991] ; cloth ; no dustjacket ; tiny ding on spine ; Contents: La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works ; "Maurice Prendergast's joyous, light-filled canvases have made him one of America's best-loved painters. His unique perception endowed his sensuous experiments in pattern and textures, in atmosphere and light with a stature achieved by few artists. Working in the last decade of the nineteenth century and the first several decades of the twentieth, he perfected his distinctive style, becoming one of the great colorists of all time. This major reappraisal contributes a wealth of new scholarship. Based on letters, sketchbooks, contemporary articles and reviews, it also brings to life an exciting and pivotal era, for Prendergast was in the forefront of modern painting in America. He exhibited as one of The Eight, becoming known as one of the "Red Hots, " and participated in the Armory Show. His experiences, including living and working in Europe, allowed him to draw on a wide variety of sources - including Cezanne, Signac, the Renaissance Italian painter, and Watteau. Out of these he created his own truly unique idiom." ; VG. Book.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st. 63pp.&60illus.; HB dk.blue w/red; some rub; pencil PONft.endpaper; some pencil margin,otherwise clean,tight pgs. DJ red w/blue; rubbed w/spine sunned; chips&tears. The making of Seurat's greatest painting. 60 original sketches reproduced as illustrations. Seurat, George (ilustrador).…

hardcover. Condición: fine. very good(+). Color plates. Slim 4to, Yellow cloth, white spine, d.w. Tucson:University of Arizona Art Gallery,1968. Fine in very good(+) dust wrapper. Seurat (ilustrador).

Hardcover. Condición: New. Art to Hear; Known as "the notary" by his contemporaries for his very proper disposition, Georges Seurat (1859-1891), was nonetheless a trailblazing artist, who devised mesmerizing effects in paint, creating what Museum of Modern Art, New York director Alfred Barr described as a "strange, almost breathless poise." Seurat's most famous painting, "La Grande Jatte" (1884), exemplifies the airy suspension of which "Pointillism" (as his style of painting-by-dabs was named) is uniquely capable, a sensation well suited to evoking in paint the sedate pace of Paris' new leisure class. For Seurat, Pointillism was also a way to attain for painting the mathematically explicable harmony of music: "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations," he declared in a letter to a friend. Seurat's style lent itself especially well to the portrayal of figures in space, and the endowing of those figures with volume and atmosphere. No other visual theme so well illustrates the tremendous innovations in Seurat's paintings and drawings as this handling of the figure, a theme which is at the heart of this new appraisal.…

4°. 16 S. mit 50 farbigen und 5 s/w. Tafeln. Originalleinwand mit goldgeprägtem Deckeltitel. Erschien als Privatdruck in einer Auflage von 500 Exemplaren. - Einband mit leichten Kratzspuren Sprache: deutsch.

464 (4) Seiten, durchgehend illustriert, Orig.-Einband mit Orig.-Umschlag, im Orig.-Schuber, 4°. - Sehr gutes Exemplar. Kommentar: *Opulenter Katalog.

Lichtdruck aus Pan IV, 1898, 26x18,5 cm, links unten typografisch bezeichnet.

Lichtdruck aus Pan IV, 1898, 25x19 cm, links unten typografisch bezeichnet.