Geers kendell (92 resultados)

hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Condición: Very Good.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Condición: As New. 1st Edition. Corner lightly bumped, else as new.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Hardcover without dustjacket as issued in printed plastic slipcase, 302 pages; in English; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

First Edition. First edition. Exhibition brochure for a show that ran September 11 through October 11, 1998. Single sheet folded three times to create 8 pages. Features an essay by Chrissie Iles. Includes color illustrations, list of previous exhibitions, and a selected bibliography. A very near fine copy. Uncommon with only 5 copies listed in OCLC.…

Exhibition invite, 6 x 8 inches; very good condition; an unmailed copy.

Softcover, 240 pages, in English; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 104 pages, in English and Italian; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Fine. SLIGHT STAINING ON TOP OF PAGES.

Paperback. Condición: Very Good. Printed Project, Issue 07 : Unconditional Love: Curated by Kim Levin, who asked participating artists to submit plans for an impossible-to-realize future project or a never-been-realized past project for this exhibition-style issue. Those who rose to the challenge include Maurizio Cattelan, Marina Abramovic, Tania Bruguera, Luca Buvoli, Andrea Fraser, Kendell Geers, Oleg Kulik, Maurice O'Connell, Santiago Sierra, Nedko Solakov, Tavares Strachan, and Ekaterina Degot. With certain pages selectively torn out. 132 pages, color and black and white reproductions. Very good condition.…

2 vol. : 1 vol. 207 pp. ; 1 vol. 175 pp.; 2 vol. : 30.5 x 21.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with show held November 6, 1999 - March 26, 2000. Essays by Richard Armstrong, Madeleine Grynsztejn, Jonathan Crary, Jean Fisher, Saskia Sassen, Slavoj ?i?ek, and Alyson Baker. Artists include Franz Ackermann, Matthew Barney, Janet Cardiff, John Currin, Hanne Darboven, Thomas Demand, Mark Dion, Willie Doherty, Olafur Eliasson, Kendell Geers, Felix Gonzalez-Torres, Ann Hamilton, José Antonio Hernández-Diez, Pierre Huyghe, Alex Katz, William Kentridge, Bodys Isek Kingelez, Suchan Kinoshita, Martin Kippenberger, Kerry James Marshall, Takashi Murakami, Shirin Neshat, Ernesto Neto, Chris Ofili, Gabriel Orozco, Markéta Othová, Laura Owens, Edward Ruscha, Gregor Schneider, Ann-Sofi Sidén, Roman Signer, Sarah Sze, Sam Taylor-Wood, Nahum Tevet, Diana Thater, Luc Tuymans, Kara Walker, Jeff Wall, Jane & Louise Wilson and Chen Zhen. Includes biographies, bibliographies, contributor biographies, and a checklist of the exhibition. Fine. Due to large size and weight additional shipping charges may be required for international orders. …

Condición: Very Good. First Edition. VG : in very good condition with red plastic slipcase. 280mm x 210mm (11" x 8"). 302pp. Heavy book extra shipping needed for overseas. Illustrated hardback board cover.

Hardcover without dustjacket as issued, 240 pages, in English, French and German; very good condition; light rubbing to cover, no internal marks. Foreign shipping may be extra.

Paperback. Condición: Fair. 168 pages. Heavy, extra postage required unless posted within South Africa. The wraps are bit edge worn and shelf rubbed. Damp stains and waviness. Pen annotation in the text. Tightly bound. A reading copy. Fair copy. [P.K.]. Our orders are shipped using tracked courier delivery services.…

Condición: New. 2018. Hardcover. . . . . .

Soft cover. Condición: As New. Text in English. Soft, lightly thumbed, cover. 421 (5) pgs.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Encuadernación de tapa dura. Condición: Bien. L628. Bom Publishers (T) Ro.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Good. South African artist Kendell Geers (1968, Johannesburg) has become one of the most controversial artists of our times. By blowing up museum walls and burning down statues, Geers has made a name for himself as aesthetic terrorist. Fear, violence, danger and sex are omnipresent in Geers' work.In concert with a European travelling exhibition, Geers presents IRRESPEKTIV, a fully illustrated monograph highlighting the main aspects of his oeuvre. The catalogue covers installations, photographs, drawings and performances from the beginning of his career until the present. IRRESPEKTIV includes texts by Lieven de Cauter and Rudi Laermans, Christine Macel, Warren Siebrits and Andrea Vinassa, and an interview between Jrme Sans and Kendell Geers. Published by BOM publishers in cooperation with the S.M.A.K. (Ghent, Belgium), B.P.S.22 (Charleroi, Belgium), the Baltic Centre for Contemporary Art (Gateshead, UK), Muse d' art contemporain de Lyon (France) and MART (Rovereto, Italy). Copyright © Actar D.…

Hardback. Condición: New. South African-born Belgian artist Kendell Geers changed his date of birth to MAY 1968 as a performance, effectively giving birth to himself as a work of art. His artistic practice weaves together African animism, European mysticism, and socio-political activism with humor, irony, and contradiction. He uses his identity as a White African like a key to unlock and critique our understanding and reading of history, art, and language. This book, which focuses on his works created between 1988 and the present, looks at the influence of avant-garde traditions from Dada and Surrealism to Punk, intertwined with the powerful legacy of traditional African art on his work. Spiritually charged, politically poignant, and socially engaged, the work cannot be categorized as either European or African, but is rather a prolonged metaphysical dialogue between cultures, archetypal signs, and sacred symbols. Included are works in a diversity of media, including painting, sculpture, performance, photography, installation, and conceptual art.Distributed for Mercatorfonds. …

Condición: New.