Gatsas georg (14 resultados)

Paperback. Condición: New. Georg Gatsas first visited our gallery at 35 Saint James Place in lower Manhattan soon after we moved in. When we met we discussed his practice and I was compelled to share with him what I was learning about the history of the neighborhood in which the gallery is located. This led him to a six month long undertaking which he eventually titled Five Points. My interest in the history of lower Manhattan was inevitable because remnants of the beginnings of modern New York are evident at every turn. Despite having grown up in the city, I had somehow never been situated in a neighborhood where history was so apparent. Through this newfound interest I compiled a small library, and one book stood out as something that might interest Georg Gatsas, who was a curious Swiss artist new to the Chinatown area at that time. He quickly connected the dots. He realized that this very neighborhood was one of the last refuges for artists 'downtown'. His project to document artists in the neighborhoods surrounding the gallery was prescient because of its ability to place itself within the neighborhood's history, as well as the history of how it is documented. Gatsas' New York creates a trajectory of images going as far back as Jacob Riis' How the other half lives, whose photographs of the blight of this neighborhood (made possible by the invention of flash photography) prompted city officials to tear down most of the Five Points between 1885 and 1895. What makes Georg Gatsas' work particularly significant is that it is a historical document. This approach puts the art back into artifact. Now we are looking at his images much in the way others must have looked at images of people in the same places over one hundred years ago. I enjoy imagining someone like Georg Gatsas in one hundred years looking at the book you are reading now, I wonder what they might have to say or might be able to learn about these places, people and things. - James Fuentes, New York City, October 2009. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Georg Gatsas first visited our gallery at 35 Saint James Place in lower Manhattan soon after we moved in. When we met we discussed his practice and I was compelled to share with him what I was learning about the history of the neighborhood in which the gallery is located. This led him to a six month long undertaking which he eventually titled Five Points. My interest in the history of lower Manhattan was inevitable because remnants of the beginnings of modern New York are evident at every turn. Despite having grown up in the city, I had somehow never been situated in a neighborhood where history was so apparent. Through this newfound interest I compiled a small library, and one book stood out as something that might interest Georg Gatsas, who was a curious Swiss artist new to the Chinatown area at that time. He quickly connected the dots. He realized that this very neighborhood was one of the last refuges for artists downtown. His project to document artists in the neighborhoods surrounding the gallery was prescient because of its ability to place itself within the neighborhoods history, as well as the history of how it is documented. Gatsas New York creates a trajectory of images going as far back as Jacob Riis How the other half lives, whose photographs of the blight of this neighborhood (made possible by the invention of flash photography) prompted city officials to tear down most of the Five Points between 1885 and 1895. What makes Georg Gatsas work particularly significant is that it is a historical document. This approach puts the art back into artifact. Now we are looking at his images much in the way others must have looked at images of people in the same places over one hundred years ago. I enjoy imagining someone like Georg Gatsas in one hundred years looking at the book you are reading now, I wonder what they might have to say or might be able to learn about these places, people and things.- James Fuentes, New York City, October 2009. Over a six-month period, Swiss artist Georg Gatsas photographed many of the artists living in New York's Lower Manhattan. Sparked by the history of the area as a haven for creativity, Gatsas produced a historical document in the tradition of social photographer Jacob Riis—charting places, people and moments that seem otherwise bound for oblivion. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2010. 1st Edition. paperback. . . . . .

Condición: New. 2010. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 48 pages (13 ill. coul et 30 ill. n&b) - Un portrait de Lower Manhattan au travers d'une série de photographies d'artistes qui résident dans le quartier (musiciens, plasticiens, cinéastes. de Martin Rev à Tom Jarmusch en passant par Rita Ackermann) : un projet artistique qui constitue en même temps un document historique. …

Paperback. Condición: new. Paperback. Georg Gatsas first visited our gallery at 35 Saint James Place in lower Manhattan soon after we moved in. When we met we discussed his practice and I was compelled to share with him what I was learning about the history of the neighborhood in which the gallery is located. This led him to a six month long undertaking which he eventually titled Five Points. My interest in the history of lower Manhattan was inevitable because remnants of the beginnings of modern New York are evident at every turn. Despite having grown up in the city, I had somehow never been situated in a neighborhood where history was so apparent. Through this newfound interest I compiled a small library, and one book stood out as something that might interest Georg Gatsas, who was a curious Swiss artist new to the Chinatown area at that time. He quickly connected the dots. He realized that this very neighborhood was one of the last refuges for artists downtown. His project to document artists in the neighborhoods surrounding the gallery was prescient because of its ability to place itself within the neighborhoods history, as well as the history of how it is documented. Gatsas New York creates a trajectory of images going as far back as Jacob Riis How the other half lives, whose photographs of the blight of this neighborhood (made possible by the invention of flash photography) prompted city officials to tear down most of the Five Points between 1885 and 1895. What makes Georg Gatsas work particularly significant is that it is a historical document. This approach puts the art back into artifact. Now we are looking at his images much in the way others must have looked at images of people in the same places over one hundred years ago. I enjoy imagining someone like Georg Gatsas in one hundred years looking at the book you are reading now, I wonder what they might have to say or might be able to learn about these places, people and things.- James Fuentes, New York City, October 2009. Over a six-month period, Swiss artist Georg Gatsas photographed many of the artists living in New York's Lower Manhattan. Sparked by the history of the area as a haven for creativity, Gatsas produced a historical document in the tradition of social photographer Jacob Riis—charting places, people and moments that seem otherwise bound for oblivion. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. Georg Gatsas first visited our gallery at 35 Saint James Place in lower Manhattan soon after we moved in. When we met we discussed his practice and I was compelled to share with him what I was learning about the history of the neighborhood in which the gallery is located. This led him to a six month long undertaking which he eventually titled Five Points. My interest in the history of lower Manhattan was inevitable because remnants of the beginnings of modern New York are evident at every turn. Despite having grown up in the city, I had somehow never been situated in a neighborhood where history was so apparent. Through this newfound interest I compiled a small library, and one book stood out as something that might interest Georg Gatsas, who was a curious Swiss artist new to the Chinatown area at that time. He quickly connected the dots. He realized that this very neighborhood was one of the last refuges for artists 'downtown'. His project to document artists in the neighborhoods surrounding the gallery was prescient because of its ability to place itself within the neighborhood's history, as well as the history of how it is documented. Gatsas' New York creates a trajectory of images going as far back as Jacob Riis' How the other half lives, whose photographs of the blight of this neighborhood (made possible by the invention of flash photography) prompted city officials to tear down most of the Five Points between 1885 and 1895. What makes Georg Gatsas' work particularly significant is that it is a historical document. This approach puts the art back into artifact. Now we are looking at his images much in the way others must have looked at images of people in the same places over one hundred years ago. I enjoy imagining someone like Georg Gatsas in one hundred years looking at the book you are reading now, I wonder what they might have to say or might be able to learn about these places, people and things. - James Fuentes, New York City, October 2009. …

Gr.8°, 25 Bl., zahlr. s/w- Photographien., Broschur., Tadell. Sprache: Englisch- A portrait of Lower Manhattan through a series of photographs by artists living in the neighbourhood (musicians, visual artists, filmmakers ? from Martin Rev to Tom Jarmusch and Rita Ackermann): an artistic project that also serves as a historical record.- Georg Gatsas ist griechisch-schweizerischer Abstammung und wächst im Kanton St. Gallen auf. Im Jahr 2000 schliesst er die Matura in St. Gallen ab. Während eines längeren Aufenthaltes in New York beginnt er im Jahr 2002 als Autodidakt mit dem Fotografieren und porträtiert die New Yorker Untergrundmusikszene. Aus diesen fotografischen Serien resultieren seine ersten nationalen und internationalen Einzelausstellungen in der Kunsthalle St. Gallen (The Process, 2003), in der Stiftung Binz 39, Zürich (The Process IV, 2006) und im Swiss Institute, New York (The Process VI, 2007). Gatsas erhält seit 2004 viele Stipendien und Auszeichnungen, darunter Atelier-Aufenthalte in New York (2009), London (2012 und 2014) und Johannesburg (2016/2017). 2007 Eidgenössischer Preis für Kunst. Im Jahr 2017 wird er mit dem Manor Kunstpreis St. Gallen ausgezeichnet, der eine Einzelausstellung im Kunstmuseum St. Gallen und eine Monografie umfasst. Gatsas lebt und arbeitet in Basel, wo er 2018?2020 den Masterstudiengang Bildende Kunst an der Hochschule für Gestaltung und Kunst absolviert. 900 gr. Schlagworte: Photographie.…

hardcover. Condición: Very Good.

Soft cover. Condición: Good. Vox Populi, Participant Inc., 2011. Softcover; 279 pages, illustrated throughout. No writing to book. Covers are rubbed along edges and some wear to tips of corners. Internally Fine. A legendary anthology based on the work of cinema director and cult legend Timothy Carey (1929-1994), Dead Flowers features recent scholarship on this brilliant actor and filmmaker.…

Brossura. Condición: nuovo. New with otiginal Shrink Wrap.

Hardcover. Condición: New. This fourth installation in the World Images series (begun in 2005) accompanies the exhibition at Helmhaus Zurich and includes photographic series by Darren Almond, Edward Burtynsky, Georg Gatsas, Aglaia Konrad, Uriel Orlow, Beat Streuli, Mette Tronvoll and Ester Vonplon.