Garden sarah (9 resultados)

Hb. Condición: VG-. Estado de la sobrecubierta: VG-. 168pp. Appendix, Illus. Marking FEP, fading, inscription FEP, DJ: rubbing, light wear.

Condición: good. The book has been read but is in good condition. It has very minimal damage to the cover, including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. The binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, and no writing in the margins. There are no missing pages. See the seller's listing for full details and a description of any imperfections.…

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condición: good. This book is in good condition, with minimal signs of wear and tear.

Soft cover. Condición: Very Good. 20 pages. Illustrated. The Leasowes restoration, 1997-2001 / Peter Hayden "The Renaissance of Russia's oldest botanic garden" / Peter Dudney "Culzean in Ayrshire" (BT#47).

Soft cover. Condición: Very Good. 44 pages. Bruce Ackermann on the Supreme Court "The Art of Stealth" / Andrew O'Hagan "In His Hot Head" / Tony Harrison "Florida Frost" (poem) / Joseph Frank "Why Sakhalin?" / Catherine Merridale "Die Tschechowa" / Mary Hawthorne "Disconnected Realities" / Marina Warner "Pick the small ones" / Sarah Manguso - 2 poems "The Black Garden" and "Wickedest Man" / David Simpson "Are we there yet?" / Peter Campbell at the Saatchi Gallery / J Hoberman "Subject, Spectator, Phantom" / Ferdinand Mount "Masses and Classes".…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st ed., 1st printing ; 303 pages : illustrations (chiefly color), color map, color plans ; 28 cm ISBN 9780060392079, 006039207X OCLC 37900285 ; LCCN 00698533 ; LC SB473 .M438 1997 Dewey 712.60973 ; red and black boards in color photographic dustjacket ; Contents: The new gardener -- The five senses -- The essential design elements -- Plants as design tools -- Plans for the whole garden ; For years Garden Design magazine has been bringing its unique vision of the garden to a smart, savvy readership through its lush, arrestingly beautiful photography and thought-provoking, informative articles. Now Garden Design captures this wisdom and style in a book that delights the senses and enriches the mind. This book of visions for the new gardener. The man or woman who -- like most of us -- longs to create a special place within the world of nature. Step-by-step, from essential design elements to offbeat flourishes, from the all-important conception of an overarching design plan (the hallmark of a successful garden, be it minimal and Japanese in style or an exuberant English countryside profusion of color and shape) to the basics of planting and cultivating, from the habits and personalities of both rare and common plants to suggestions on the best ways to make the most of limited growing space (crucial to land-deprived city dwellers). Cheryl Merser and the editors of Garden Design magazine explain the new garden: What is it, exactly? And what makes it grow? From first seed to first frost -- season after season -- The Garden Design Book takes us through the sometimes complex, sometimes blessedly simple, but always rewarding experience that is gardening. ; slight bump to title page, else FINE/FINE. Book.…

S/W-Druckbild (kl. 8 to, Theatre National de l Opera-Comique 1933-34), in Tinte eigenhändig signiert.

The text is on one side of a 13 x 16 cm piece of laid watermarked paper. The signature 'J. Kemble' is at bottom left, in slightly-darker ink than the fifteen lines of text. Lightly aged and with short closed tears at edges of two folds. Slight traces of brown-paper mount at top corners on reverse, which carries a capable ink drawing of 'the Caducean Trident' mentioned in the text: a dragon with two sets of wings, body stiff as a rod, encircled by two snakes. The text, which has a few deletions and interpolations indicating original composition, may refer to a prop required for a dramatic production by Kemble. It reads: 'Albion, having accepted from his cousin Mercury, God of Commerce, his original Caduceus, and, from his father, Neptune, his original Trident, requested of Vulcan to new mould them, making the two into one badge of sovereign authority, symbolical of commercial supremacy and marine dominion. In compliance with this request, Vulcan produced the Caducean Trident. The Dragon is the symbol of a military marine; vigilant, swift, terrible and potent; and the Serpents are the types of the sagacity, address and prudence of Commerce, which is the source and foundation of naval power; and therefore this symbolical sceptre of Albion is in a tridental form, well at [sic] its lower as well as its upper extremity.'. …