Galembo phyllis (90 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 4to, hardcover, dust jacket, 243pp., ills. First edition. VG+/VG: a clean and sound book in a clean jacket with a crease and light wear at the head of the front panel. Extra postage may be asked (4).

Hardcover. Condición: Near Fine. 2nd Ed; 2016; Aperture; HC in NF condition with tight binding; No ink marks or highlighting to text; No edge wear and retained high gloss finish to dust jacket; Color photos throughout pages.

Pamphlet. Condición: As New. Like New. Pamphlet with stiff jacket. Exhibition catalogue, illustrated throughout. Modest shelfwear.

Paperback. Condición: Good.

Hardcover. First edition, first printing. A photo-tour of 100 years of American Halloween costumes, complemented by a history of the holiday and Halloween fashion. Photographs by Phyllis Galembo; essays by Galembo and Mark Alice Durant; foreword by Valerie Steele. 128 pages; color illustrations throughout; 8.75 x 11.5 inches. Condition: Very Good+ hardcover with a bump to one tip, spots of wear to the tips, light signs of handling, and a remainder mark to the bottom edge in a Near Fine dust jacket with light shelf wear. Ships the next business day, wrapped in padding, in a box.…

Softcover. Condición: Fine. 1st Edition. Quantity Available: 1. Category: Anthropology; Haiti; ISBN: 089815989X. ISBN/EAN: 9780898159899. Pictures of this item not already displayed here available upon request. Inventory No: 22745.

Condición: Like New. paperback. Text block, wrappers and binding are in like new condition, without markings of any kind. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped.

Paperback. Condición: Good.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Soft cover. Condición: Very Good. Front cover has a crease to bottom corner, some small areas of lamination starting to lift, some overall shelf-wear. ISBN sticker on rear cover. Binding tight and text clean.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Binding tight w/ minor edgewear to dj and ex-lib stamp to title page, otherwise clean.

Hardcover. Condición: New. Estado de la sobrecubierta: Very Good. Book is in new condition; dust jacket rear has 2-inch tears at both top edges. Front of dust jacket is fine. (Throw the dust jacket away and have a new book!).

Hardback. Condición: Good. Some forty scholars examine California's prehistory and archaeology, looking at marine and terrestrial palaeoenvironments, initial human colonization, linguistic prehistory, early forms of exchange, mitochondrial DNA studies, and rock art. This work is the most extensive study of California's prehistory undertaken in the past 20 years. An essential resource for any scholar of California prehistory and archaeology.…

Soft cover. Condición: Very Good. 1st Edition. Albany: Opalka Gallery, 2011. Softcover exhibition catalog in stiff wrappers. Personally inscribed and signed by the photographer. No other marks to the book. Condition: Very Good. Some rubbing to the corners. Inscribed by Author(s).

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Good. Square 4to. xiii, 170 pp. Color photographs throughout. Illustrated wraps. Small black ink-stamp to bottom edges, edge-wear, bumping to corners, minor rubbing. Good.

Hardback. Condición: Good. Some forty scholars examine California's prehistory and archaeology, looking at marine and terrestrial palaeoenvironments, initial human colonization, linguistic prehistory, early forms of exchange, mitochondrial DNA studies, and rock art. This work is the most extensive study of California's prehistory undertaken in the past 20 years. An essential resource for any scholar of California prehistory and archaeology.…

First Edition. First edition. Large softcover. 169 pages. Features a foreword by David Byrne and essays by Robert Farris Thompson, Joseph Nevadomsky, Norma Rosen, and Zeca Ligiero. A collection of color photographs taken in Nigeria. A very good plus copy in wrappers with some very minor wear. Internally a clean copy. …

First Edition. First edition. Hardcover. 208 pages. Features an introduction by Chika Okeke-Agulu. A collection of over 100 color photographs by Phyllis Galembo. A clean and tight very near fine copy in a near fine dust jacket with some very minor wear. A very nice copy.

Soft cover. Condición: Very Good. INSCRIBED & SIGNED BY AUTHOR TO TITLE PAGE: "FOR BRIAN, KEEP THE SPIRIT, NYC 2001.". INSCRIBED & SIGNED BY AUTHOR.

Hardcover with dustjacket, 128 pages; good condition; dj has stains and small tears; inscribed and signed by Phyllis Galembo with a drawing of a Jack o Lantern on title page; no internal marks. Foreign shipping may be extra.

Softcover, 114 pages; very good condition; light rubbing to covers; inscribed and signed by Phyllis Galembo and dated 1998 on title page; no other internal marks. Foreign shipping may be extra.

Soft cover. Condición: Fine. Limited Edition. Full title: "Aso-ebi: Cloth of the Family, Benin City, Nigeria, Christmas and New Years 1991-1994". Photographs and introduction by Phyllis Galembo; essay by Dympna Ugwu-Oju; catalogue design and typography by Zheng Hu. According to Galembo's website, this book was limited to 300 copies. The title page is signed by Phyllis Galembo with gift inscription on front flyleaf, addressed to Rowland Abiodun, Professor of African Art from Amherst College (who is thanked by Galembo in her written introduction to the book), dated 1997. The book was self-published by Galembo, funded by The Catalogue Project (1996) of the New York Foundation for the Arts. The book a softcover in Fine condition, with a stapled binding. The book has 16 total pages, with 10 color photographs accompanying Ugwu-Oju's essay. The book provides vibrant photographic examples of what kind of aso-ebi textiles are worn on during the end-of-the-year holidays in Benin City, Nigeria, across a variety of age groups. The book is lightly bumped at its corners, causing the tips of the corners of the pages and cover to be lightly curved. The spine is lightly rubbed at its ends. There's some rubbing of the cover ink along the spine. The text and photos are bright, clean and unmarked. The binding is in excellent condition. Signed by Author(s). …

Hardcover. Condición: new. Hardcover. For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade eventstraditional African ceremonies and contemporary costume parties and carnivalswho use costume, body paint and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maske, meaning to wear a mask, this album features a selection of more than 100 of the best of Galembo's masquerade photographs to date, organized in country-based chapters, each with her own commentary. Now back in print by popular demand, the book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the 21st century. Maske is an album of Phyllis Galembos powerful and thrilling masquerade photographs, from Nigeria, Benin, Ghana, Sierra Leone, Burkina Faso, Zambia, and Haiti. Introduced by art historian Chika Okeke-Agulu, Galembos pictures describe traditional masqueraders and carnival characters and are themselves works of vivid artistic imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events-traditional African ceremonies and contemporary costume parties and carnivals- who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning "to wear a mask", this album features a selection of over a hundred of the best of Galembo's masquerade photographs to date organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo's photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.…

paperback. Condición: Very Good. A trade paperback in excellent condition, clean with a tight binding and an unmarked text.From a private smoke free collection.Shipping within 24 hours, with a tracking number and delivery confirmation.

Hardcover. Condición: Very Good. First Edition. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover. Photographer Phyllis Galembo was invited to Nigeria in 1985 to document the research of her friend and colleague, Norma Rosen, on the design and use of traditional Edo altars, ritual objects, and ceremonial dress. From this and subsequent journeys comes this collection of spectacular photographs and essays on Nigerian and Brazilian shrines and ritual figures. The first section of this book contains rare photographs of traditional priests and priestesses and the shrine objects they use. Both the essay by Rosen, an ordained Olokun priestess, and Galembo's powerful photographs illuminate some of West Africa's elaborate cultural and religious traditions. The second section explores the Brazilian form of ancient African spiritual religion brought to the New World during the Atlantic slave trade of the sixteenth century. The connection between the Ivory Coast of Africa and the New World has been acknowledged in works on the history, anthropology literature, folklore and music of the two areas, but never has visual documentation of this depth and quality been made available. This books breaks new ground in the study of African Diaspora while it provides powerful photographs that are, above all, a celebration of the senses.…

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.