G kiallmark (11 resultados)

Soft cover. Condición: Poor. Disbound. Engraved music. Some pencil/ink annotations but all music legible. General browning and edge wear. Some tears throughtout with no losses.

paper wrappers. Condición: Fine. 1st UK edition. ND c1828 7pp.P/N 1127. Disbound copy. Engraved title-page with plate engraved music. Words by James Stewart.

Softcover. Condición: Good. Unknown edition. Folio. Originally a single sheet printed on the recto only and folded in half creating two pages of content. Separated at the fold with edgewear, corresponding dampstains to the bottom margins of both pages, and foxing, a complete but good only copy. For voice and piano.…

Softcover. Condición: Good. Unknown edition. Folio. Originally a single sheet printed on the recto only and folded in half creating two pages of content. Separated at the fold but very neatly trimmed, corresponding dampstains to the bottom margins of both pages, music shop stamps, and foxing, a complete but good only copy. For voice and piano.…

Softcover. Condición: Very Good. Unknown edition. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Notched and worn along the fold from once being bound within an album, music shop stamps on the front, foxing, and light bumping to the corners, still a very good copy.…

Softcover. Condición: Very Good. Unknown edition. Folio. A single sheet printed on the recto only and folded in half making for two pages of content. Notched and worn along the fold from once being bound within an album, dampstaining along the fold affecting the interior, and foxing and offsetting throughout, a good only copy. For voice and piano. Plate number, 83.2. Written in pencil underneath the music is the phrase, "Zoë mou sas agapo" repeated twice. This is from Lord Byron's original poem "Maid of Athens, Ere We Part" and is Greek for "My life, I love you"; here the publisher has chosen to print the English as the refrain instead of the original Greek, an artistic decision the original owner of this piece apparently disagreed with. *OCLC* locates numerous holdings of this song published by various publishers in the nineteenth century, but does not locate any holdings of this edition published by Tripp & Cragg.…

Softcover. Condición: Good. Unknown edition. Folio. Single sheet printed on the recto and folded in half making for two pages of content. Separated along the fold, notched and worn along the fold from once being bound within an album, offsetting, foxing, and a dampstain in the bottom left corner of the first page affecting throughout, a good only copy. For voice and harp or piano. *OCLC* locates only a single holding and it appears to be equally scarce in the trade.…

Softcover. Condición: Near Fine. Unknown edition. Folio. Single bifolium making four pages. Offsetting throughout, notched in the spine from once being bound within an album, light soiling and edgewear, and separating a bit at the bottom of the spine, still very good. For voice and piano. *OCLC* locates five holdings. …

Softcover. Condición: Very Good. Unknown edition. Folio. Single bifolium making four pages. Notches in the spine from once being bound within an album, scattered foxing throughout, very good or better. For voice and piano. There are a few different versions of this song recorded by *OCLC*, all dated around the 1820's and '30's, but no record of this version published by E.H. Wade.…

Hardcover. Condición: Good. No Dust Jacket. Various. Collection bound in worn decorated half-leather (upper spine panel is missing) with red spine-label, partially split hinges and worn and stained boards with cloth much lifted from back board. Missing front end-paper and front page to piano manual. Rear end-paper is missing. Inner hinges are split but text block is attached. There are some tears, some repaired tears and some staining, pages are darkened but score is clear, a few occasional light passages of pencil annotation. Instructions for the Pianoforte (59 pages) comprising Preface by J B Cramer, Index, Elementary Instructions, Fingering of Scales Exemplified, 26 Elementary Exercises, 49 Lessons, Examples of Fingering, Appendix, A Dictionary (No title-page). Piano works comprising: The Royal Galopades and Devonshire Waltz with original figures as danced at Almack's and the Nobilty's Balls arranged for the Piano-forte by Edw. Willis; Set of The Queen's Country Dances as Performed at the Court Balls arranged with the proper figures by Rd. Guinness, Principal Leader of the Quadrille Band at the Royal Palaces (vignette title-page); The Lancers' Quadrilles or Duval of Dublin's second set with proper figures in French and In English (various composers including Spagnoletti) vignette title-page; The Countess of Farnham's Waltz by Spagnolli and also the Stop Waltz; Pretty Maiden by C E Horn; Weippert's Twenty-Ninth Set of Admired Quadrilles from Scottish Melodies arranged for Harp or Pianoforte arranged by John Wieppert; The Invincible's Quadrilles by David Lee (vignette title) figures in French, tear in page 1; Three Waltzes by Mozart; The Plough Boy arranged as a Rondo by J L Dussek; Portuguese, Hespanha, Brazilian, Spanish National Airs and Waltz by G J Hatteroth; Scotch Air with Introduction and Variations by Philip Knapton; The Battle of Prague, Sonata by Kotzwara; O Dear What Can the Matter Be? with variations and Coda by J W Holder Vocal scores include: Eighty Practical Lessons for Vocalist or The Rudiments of Solfeggio by John Parry (vignette title-page, 25 pages); I'll not bequile thee from thy home, song from the Fairy Lake, poetry by Charles Selby, Music by Alexander Lee; Those Bright Blue Eyes, poetry by J C E, music by Lee (vignette title); Forget Me Not, a favourite song by Mozart; O, the Roast Beef of England, a national song of England; Saw Ye my Wee Thing or Mary of Castle Carey arranged by Alexander Lee; The Confession with pianoforte or flute by an Amateur; O, weel may the keel row by Jas. McEwen; Woodman, spare that tree! by G P Morris and Henry Russell (vignette title); The Blackbird by Mr Hook; The Fairy Tempter by Samuel Lover; Sleep on Thy Pillow by Alexander Lee (title vignette); The Maid of Athens, by Lord Byron, music composed by G Kiallmark; Like the Gloom of Night Retiring from the Heir of Vironi by Henry R Bishop; Let me Wander Not Unseen from L'Allegro by Handel, Poetry by Milton arranged by Henry Bishop 1836; The Hallelujah Chorus from Handel's Messiah; Communion Service, a Sanctus and Response by R Pearson; Lord of All Pow'r and Might by Madan, arranged as a duet for Soprano's with chorus by R Andrews; Miriam's Song "Sound the Loud Timbrel" by Thomas Moore; What is Prayer by Montgomery and H Phillips; The Church, a sacred song by Caroline Balls; Angels Ever Bright and Fair from Theodora by Handel, arranged by Henry R Bishop, 1837; New Edition with a verse on the Royal Marriage, God Save the Queen, the national Anthem [1840], newly arranged for one or four voice parts with piano forte accompaniment (all parts present) by Charles H Purday. Publishers are: Sykes and Sons, Leeds; Jefferys and Co., London; Willis & Co. London; Goulding and D'Almaine, London; Alexander Lee & Lee Regency Musical Warehouse; R Andrews Music Academy; George Ward; J Balls & Son; H Wray; Duncombe Book and Music Seller; J Duff & C Hodgson; Z T Purday; Andrew's Musical Repository & New Musical Circulting Library, Manchester; Cramer Addison and Beale; A Lawson Item Type: Sheet Mu. …

Pas de couverture. Condición: bon. RO50010129: fin XVIIIème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Mouillures. 9 pages. Imprimé sur du papier à la forme. . . . Classification Dewey : 780.26-Partitions.