frommel eds (8 resultados)

Tapa blanda. GALERA, P. A. / S. FROMMEL, EDS.: EL PATIO CIRCULAR EN LA ARQUITECTURA DEL RENACIMIENTO. DE LA CASA DE MANTEGNA AL PALACIO DE CARLOS V. ACTAS DEL SIMPOSIO. SEVILLA, 2018, 382 p.figuras, 970 gr. Encuadernacion original. Nuevo. (TB-6-2) 970 gr. Libro.

Condición: New. "Bibliotheca Hertziana - Musei Vaticani" - Volume rilecgato in tela con titolo al piatto e al dorso, sovraccoperta originale, 560 pagine profusamente illustrate in nero. Interventi, tra gli altri di: A. Chastel, S. Ferino Pagden, A. Nesselrath, K. Oberhuber, G. Dewez, G. C. Argan. Copia pari al nuovo poco o niente consultata; spedizione in 24 ore dalla conferma dell'ordine. Book.

Roma, Campisano editore & [Paris], Hermann, [2022]. 266 pp. 16 col. ills on plts & 85 b./w. ills on [64] plts. Orig. softcover (pictorial wrappers). 8vo. - Top edge of corner versy sl. worn / dam. Papers presented at 3 conferences held in Munich, Germany, in Paris, France, and in Rome, Italy, between 2014 and 2016. - Contributions in Italian, French, German, and English.

Condición: Usado- bueno.

Hardcover. Size: 9"x12", 399pp., illustrated in b&w. Text in German. Corners lightly bumped, small stamp to front free endpaper, else near new, clean, tight and bright condition / minor edge wear to otherwise bright very good dust jacket.

Hardback, 2 vols, 584 pages, Size:216 x 280 mm, Illustrations:528 b/w, Language: English. ISBN 9781912554393. Summary These volumes complete the catalogue of the Sangallo workshop drawings collection housed at the Uffizi Gallery in Florence. Antonio da Sangallo the Younger (1484-1546) and his workshop were involved in St. Peter's Basilica, the Palazzo Farnese, and Villa Madama in Rome; vast fortification projects in Castro, Florence, Perugia, and Rome; and dozens of other secular and religious buildings throughout Italy. After Bramante, it was the Sangallo workshop that most strongly influenced sixteenth- and seventeenth-century Italian architecture. Andrea Palladio, Giacomo della Porta, Carlo Maderno, Francesco Borromini and Gianlorenzo Bernini are among those indebted to him. In all of the projects touched by the Sangallo workshop one senses an intense laboratory in action. This volume focuses on the study of ancient architecture, as well as the drawings for palaces and the Vatican. An international team of scholars has written entries for the drawings. The volume also includes essays by Christoph L. Frommel and Pier Nicola Pagliara, as well as a translation of the Codex Stosch-Rothstein by Ian Campbell. TABLE OF CONTENTS Volume III A Acknowledgments Sangallo and Antiquity C.L. Frommel Commentaries on the Drawings Codex Rootstein Hopkins Bibliography Index of Places and Buildings Index of Proper Names List of Sheets Included in Volume III Volume III B The Drawings 0 g.

New York, The Architectural History Foundation, 2000. 504 pp., ills. in b/w., 4to, cloth/d-j. Spine d-j. sl. discol.

Pages: iv + 483 pages, Size:180 x 265 mm, Illustrations:20 b/w, 238 col. Language(s):English, French, Italian. *new. ISBN 9782503608525. If specialists of painting look at figures - their movements and expressions -, architectural scholars examine drawings and buildings. Yet the convergence of these two disciplines remains largely marginalized. The aims of the publication is to remedy this situation, covering a wide range from painted fa ades and interiors of buildings to representations of architecture on paintings and frescoes. The theme contributes to the breaking down of boundaries between imagination and realization in the field of architecture and favors a more profound understanding of the permeability of the two spheres. Many different approaches are addressed in this publication, including examples from the sixteenth century in Italy and The Netherlands and the early eighteenth-century in France and Britain. The contributions in this publication are arranged according to four main themes. The first one focuses on The Temple of Solomon and the Old Testament, a favorite subject of the genre Architecturae Pictae. The second theme brings together several contributions which reflect on the significance that can be ascribed to architecture in paintings, some of which investigate the theoretical concepts that inform both architecture and painting. In the third theme, a number of case studies in Italy, the Low Countries, France and Britain, the contributions are much different from one other both in terms of content and methodology. As a final theme, a special topic is addressed, focusing on the important patrons of these buildings and liked to see themselves immortalized in painted architecture. TABLE OF CONTENTS Introduction Part I: The Temple of Solomon and the Old Testament Pedro A. Galera Andreu and Felipe Serrano Estrella, From the Temple of Solomon to Celestial Jerusalem: Symbolic Architecture in Spanish Baroque Painting Francesco Guidi, Notes on Pellegrino Tibaldi, El Escorial, and the Temple of Jerusalem Luis Rueda Galan, The Paradox of Villalpando?s Temple of Solomon in Northern European Painting Eckhard Leuschner, Architecture in Pictures with Old Testament Subject Matter in Seicento Rome and Naples Part II: On Meaning in Painted Architecture and Architectural Theory Sabine Frommel, L?architecture peinte dans des sc nes bibliques et des r cits antiques au XVIIe si cle. Mutations des langages et des valeurs s mantiques Mathieu Lett, Charles Le Brun et la repr sentation peinte de l?architecture. Utilit , convenance et ambitions savantes Francisco Ollero, Painted Architectures, Paintings in Architecture. The Perspectives of Francisco Guti rrez Cabello (1616-c.1670) Part III: Architectural Representations in Paintings during the Sixteenth and Seventeenth Centuries in Europe: Case Studies Giuseppe Bonaccorso, Architettura picta e architettura di carta. Enigmatiche convergenze nel progetto di Carlo Fontana per una chiesa nel Colosseo Sonia Cavicchioli, L?architettura come soggetto nell?invenzione pittorica del Domenichino Lauro Magnani, Architetture dipinte e rinnovamento urbano a Genova nel secondo Cinquecento Annarosa Cerutti Fusco, Finte architetture nell'opera pittorica di Pietro da Cortona a Roma nel Pontificato di Urbano VIII Barberini. Temi e interpretazioni Piet Lombaerde, Painted Architecture in the Age of Rubens: The Case of the Southern Low Countries in the Late Sixteenth and Seventeenth Centuries Bernard M. Vermet, On the Relations between Bertholomeus van Bassen and Dirck van Delen and the Role of Their Personal Contacts Rapha l Tassin, L?architecture dans l??uvre de Claude Gell e le Lorrain. R alit recompos e ou recherche d?id al? Lydia Hamlett, Painted Architecture in the British Baroque Part IV: Architectural Representations in Paintings for the Courts of Popes, Cardinals, and Kings Neela Struck, Picturing Projects: The Painterly Staging of Roman Buildings under Pope Paul V Arnold Witte, Mediating Architectural Prestige: Cardinals? Portraits, 1570-1650 Daniela del Pesco, L?architettura dipinta durante il regno di Luigi XIV Bibliography Index 0 g.