Friedman martin intro (10 resultados)

Soft cover. Condición: Good. 1st Edition. Stiff color illus. wraps. Moderate shelf/handling wear, rubbed corners. Several stress creases to square binding. Interior shows highlighting and marginal notations throughout. Reading/reference copy. 252 pp. 1st thus: 1969. Size: 8vo - over 7¾" - 9¾" tall. Book. …

softcover. Condición: Good. Chicago. softcover. Good. Catologue of an exhibition: September 10 through November 10, 1977. 45 pages. Includes illustrations, some in color. The first two leaves have become detached, and are laid in, else in nice condition. 051705A.

Soft cover. Condición: Fine. 1st Edition. Stiff white wraps, lettered/illus. in red, black, gray, blue, and yellow. Covers slightly tanned toward edges, otherwise as issued. 1st ed. 255 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.

Hardbound. Condición: VG/VG. Black cloth with silver lettering; illus. dj; 255 pp. 140 illus. in color, numerous in bw; includes a brief history and 6 essays about the print-making facility Contents as follows: Kenneth Tyler, the artisan as artist / Judith Goldman -- Robert Motherwell's graphics / Jack Flam -- Spontaneity and the print / E.C. Goossen -- Variations on geometry / Robert Murdock -- Pop, post-pop, and beyond / Elizabeth Armstrong -- Frank Stella at Bedford / Richard H. Axsom -- A history of papermaking / Leonard B. Schlosser -- Paperworks at Tyler Graphics / Ruth E. Fine. …

First Edition Thus Softcover near fine in pict covers; edges of cover faded/discolored else a tight square unmarked copy.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Black cloth, lettered in white. Scattered underlining and notations in pencil through interior, otherwise only slight shelf wear. Dust jacket VG with mild surface rubbing, top edge rubbing with small chip and short tear along top rear edge, now in mylar. 1st ed. 148 pp., illus. Size: 8vo - over 7¾" - 9¾" tall. Book.…

Octavo softcover (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

paperback. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

SOFTCOVER. Condición: Fine. 1st Edition, 2nd Impression. Substantial catalogue for the large Walker Arts Center, touring exhibition. Large heavy 4to. in colour printed stiff glossy card covers, 255pp on glossy art paper, colour plates, numerous illustrations in text, index etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (covers slightly tanned) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condición: Fine. Near Fine. 1st Edition. Two volumes.430pp., 255pp. Dark Blue cloth, silver lettering. Hundreds of color and black and white illustrations throughout. Light creasing on the front panel of the dust jacket of the Catalogue Raisonne, otherwise like new in like new jackets.The Catalogue Raisonne, with over 900 illustrations, nearly all in color, this handsome volume demonstrates the extraordinary range and quality of work produced at Tyler Graphics Ltd during the first twelve years of existence. Editions and unique exaqmp[les by twenty-nine major artists have been documented in individual entries. Works by David Hockney, Ellsworth Kellym and Kenneth Noland are displayed. The Extended Image offers a brief history of Tyler Graphics and of the Tyler Graphics Archive, written by Martin Friedman, director of the Walker Art Center from 1961 to 1990, where the archive is housed. Judith Goldman's lively profile of Kenneth Tyler follows, vividly conveying the creativity and determination of this irrepressible master printer. She traces his career from his early days as an art student at the Art Institute of Chicago though his experiences at Tamarind Lithography workshop and Gemini G.E.L. in Los Angeles to his establishment of Tyler Graphics Ltd. in Bedford Village, New York. In the first six essays on the work itself Jack Flam perceptively places Robert Motherwell's collaborations with Tyler in the context of the artist's long involvement with Abstract Expressionism. This is followed by E. C. Goossen's skillful analysis of gestural works by Helen Frankenthaler, Joan Mitchell, and Nancy Graves. Robert M. Murdock's discerning essay focuses on geometric abstraction by artists including Jack Tworkov, Ellsworth Kelly, and Michael Heizer. Elizabeth Armstrong, who organized this volume, incisively investigates the work of Pop artists such as Richard Hamilton, Ckaes Oldenburg, and Roy Lichtenstein. Richard H. Axsom devotes his fine essay to Frank Stella's diverse projects at the Tyler Workshop. The book concludes with Leonard B. Schlosser's capsule history of papermaking and Ruth E. Fine's fascinating discussion of the innovative paperworks made by David Hockney, Kenneth Noland, Alan Shields, and many others. Book.…