Friedlander lee szarkowski john (54 resultados)

First Edition. First edition. Softcover. Text in English and German with contributions by Lee Friedlander, Robert Heinecken, Klaus Honnef, Joseph Kosuth, Ingeborg Luscher, Pedro Meyer, Manfred Mixner, Allan Porter, Peter M. Schlessinger, Georg F. Schwarzbauer, John Szarkowski, Peter Turner, and Manfred Willmann. Includes images by Lewis Baltz, Franco Fontan, Lee Friedlander, Luigi Ghirri, Ralph Gibson, Les Krims, Mary Ellen Mark, and others. A very good plus copy in wrappers with some bumping to the base of the spine. Otherwise a clean copy.…

Soft cover. Condición: Near Fine. First Edition Later Printing. Oversized softcover (9.50" x 11") has burgundy wrappers decorated & lettered in black & white to front & spine. Collection of images of prostitutes made by then-unknown photographer E. J. Bellocq in the Storyville, the "red-light district" of New Orleans, LA, where prostitution was legal in the early 20th century. All black-&-white, most full nudes, these were salvaged from a group of glass plates found after Bellocq's death & reprinted especially for this book by Lee Friedlander. The text, edited by MOMA's John Szarkowski, is based in part on interview conducted with people acquainted with Bellocq. Unpaginated. First published in 1970, this is the Fourth printing from 1979. Condition is Near Fine: exceptionally clean & bright with very mild rubbing to extremities. Binding strong & straight, pages white & completely unmarked. Our photos depict the exact book you will receive, never "stock" images of books we don't actually have! Same day shipping on all orders placed Weekdays by 2 pm (Pacific time); later orders, weekends & holidays ship very next business day. SORRY: book is too large for expedited domestic or any international shipping without preapproval of extra postage (at least double per USPS rates). Bellocq, E. J. (ilustrador).…

Softcover, unpaginated, very good condition; light rubbing to cover; no internal marks. Foreign shipping may be extra.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition.

Paperback. Condición: Very Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Oversize. Our copy published by The Museum of Modern Art, fourth printing, 1979. Book is Near Fine, with light rub mark on front. Glossy dust jacket is shelf rubbed, with horizontal crease at bottom edge on back of jacket.…

Soft cover. Condición: Near Fine. 2nd Edition. Black pictorial softcover. In a near fine condition.

Hardcover. Condición: Very Good. 1st Edition. 18pp followed by 33 b/w plates. Moderate wear to edges of price-clipped dust jacket (now protected with removable plastic cover) including several closed tears and some losses. Light foxing throughout (images unaffected). Previous owner's stamp to front free-endpaper. Overall a very acceptable tight copy of now scarce book. GL 03/25.…

Softcover, unpaginated, 33 plates, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: About fine. About fine. First Edition. Hardcover with complete Dj. Large sq. 4to. 83pp. All full page doutone paltes. Clean, unmarked and square. Bellocq, E.J. / Friedlander,Lee / Sontag, Susan (ilustrador).

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Near Fine hardcover in a Near Fine dust jacket. First Edition, First Printing with the full number line. Overall a bright and attractive copy.

No Binding. Condición: Very Good. 1st Edition. Printed folder with die cut cover. 7 loose b/w Friedlander images and 1 text sheet. Die cut window has some wear and one tear but mostly the lamination is bubbled and creased, hence only VG, the photos and text sheet are Near Fine. Somewhat uncommon. Book. …

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the title page by Lee Friedlander. Hardcover. Black cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Photographs and text by Michael Book, Lois Conner, Judith Joy Ross, Dawoud Bey, Linda Butler, Lee Friedlander, Gregory Conniff, Frank Gohlke, Larry Fink, Douglas Lucak, Nicholas Nixon and Barbara Bosworth. Essay by John Szarkowski. Additional text by Mark Schwartz. Includes an exhibition checklist and artist biographies. Designed by Michelle Moehler, Nesnadny & Schwartz. 180 pp., with 108 duotone plates and additional illustrations, beautifully printed on fine coated paper by Meridian Printing. 11-3/4 x 12-3/8 inches. Published on the occasion of an exhibition at The Cleveland Museum of Art. Fine in Fine dust jacket. Exhibition catalogue featuring landscapes, cityscapes, and portraits from the city of Cleveland, Ohio. Signed by Author. Signed. …

hardcover. Condición: Very Good. Spine of Dust Jacked Sunned, Small Tear Lower Front Margin.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. BELLOCQ, E.J: Storyville Portraits: Photographs from the New Orleans Red Light District Circa 1912 Museum of Modern Art 1979 First Edition, fourth printing with $16.50 printed price. hardcover, edited by John Szarkowski, with Lee Friedlander, reproduced from photos printed by Friedlander. ISBN 0870702505 NEAR FINE, clean, bright, unmarked, no writing, no bumps, no creases, no soiling, slightest bit of rubbing to maroon cloth-covered boards, in NEAR FINE dustjacket, no chips, no tears, very minor creasing and bump to upper edge of jacket, barely noticeable as jacket is protected in archival mylar. A very clean, collectible copy of the book which put Bellocq on the map.…

Hardcover. Condición: Fine. Near Fine. First Edition. First printing. 4to. [84] pp. Black cloth. Fine in Near Fine dust jacket. Slight rubbing to jacket's rear panel. Reproduced from prints made by Lee Friedlander with an introduction by Susan Sontag and interviews edited by John Szarkowski.

Paperback. SIGNED. First edition, first printing. Friedlander, Burley, and James spent seven years visiting and revisiting the parks, private estates, subdivisions, and cemeteries designed by Frederick Law Olmsted (1822-1903,) from the best known, such as Central Park in New York and the Emerald Necklace in Boston, to the lesser-known Lake Park in Milwaukee and Mountain View Cemetery in Oakland. This volume was the winner of multiple awards. Portfolios of photographs by Lee Friedlander, Robert Burley, and Geoffrey James; preface by Phyllis Lambert; essays by Paolo Costantini and John Szarkowski; interviews with the photographers conducted by David Harris. SIGNED BY FRIEDLANDER on the half title; no inscription. 119 pages; 65 color and duo-toned b&w plates; 10.25 x 10.25 inches. List of the sites photographed. Condition: Fine/As New paperback with French flaps in a custom-made acetate jacket. Books ship the next business day, wrapped in padding, in a box.…

Paperback. Condición: Very Good +. Second edition. SIGNED. Small oblong quarto [24 cm] Black and white illustrated wraps, with only very minor wear to the wraps. Self portraits spanning a period of six years and not done as a specific preoccupation, but rather, happening as a peripheral extension of the photographer's work. Signed by Lee Friedlander on the half title and again on the page following the title page.…

Soft cover. Condición: As New. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed by Friedlander. Soft cover. Photographically illustrated stiff wrappers. Photographs by Lee Friedlander. Text by John Szarkowski. Designed by Catherine Mills Design, Seattle. 96 pp. with 77 plates printed by Meridian Printing, Rhode Island from duotone separations made by Richard Benson. 9-1/4 x 9-1/8 inches. This first edition was limited to 3300 total copies, of which 600 hardcover copies were signed and numbered for the limited edition. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From the publisher: "Lee Friedlander has documented a lifetime in photographs, creating a thick and diverse body of work which has left an indelible imprint on the medium he helped to fortify. Among his most important subjects - once at the beginning of his career, and now thirty years later - is himself. With the photographic cornerstone of a monograph, Self-Portrait, originally published in 1970, Friedlander created an archetype for self-imaging. Three decades later Friedlander re-acquainted himself with the far side of the camera." Signed by Author. Signed. …

Hardcover. Condición: New. Estado de la sobrecubierta: New. 3rd Edition. Price is net to all; promotional discounts do not apply. 1970/2005. Third edition (revised edition, originally published in 1970 by Haywire Press), first printing. Signed in black ink on the title page by Friedlander. Hardcover. Full black cloth-covered boards, with title debased on cover and stamped in silver on spine, with photographically illustrated dust jacket. Photographs and text (original preface written in February 1970 and revised preface written July 1997 for the second edition) by Friedlander. Afterword by John Szarkowski. Original design by Friedlander and Marvin Israel, adapted for this edition by Amanda Washburn. Unpaginated (104 pp.) with 46 plates (including four plates added for the second edition), and 3 additional plates, including a portrait of John Szarkowski and Richard Benson made in 1997 by Friedlander, printed on 150 gsm Parilux Silk paper, and bound, by Meridian Printing, East Greenwich, Rhode Island, from duotone separations made by Richard Benson. 9-5/8 x 10-1/2 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. From MOMA: "Originally published in 1970, this remarkable book was redesigned and reprinted in 1998 in a larger format and with a new afterword by John Szarkowski. Now, on the occasion of Friedlander's retrospective at MoMA, the Museum is reissuing the book in its original design, but in the larger format and including the afterword. In Self Portrait, Friedlander focuses on his own physical presence, even if it is sometimes signaled only by his shadow. The result is a rich and surprising landscape of the artist's life and mind." Signed by Author. …

Hardcover. Condición: Fine. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Limited edition of 600 numbered copies, signed by Friedlander. Hardcover. Cloth, with tipped-in plate, no dust jacket as issued. Photographs by Lee Friedlander. Text by John Szarkowski. 96 pp. with 77 duotone plates, beautifully printed by Meridian Printing, Rhode Island from separations made by Richard Benson. 9-1/4 x 9 inches. Out of print. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine. From the publisher: "Lee Friedlander has documented a lifetime in photographs, creating a thick and diverse body of work which has left an indelible imprint on the medium he helped to fortify. Among his most important subjects - once at the beginning of his career, and now thirty years later - is himself. With the photographic cornerstone of a monograph, Self-Portrait, originally published in 1970, Friedlander created an archetype for self-imaging. Three decades later Friedlander re-acquainted himself with the far side of the camera." Signed by Author.…

Paperback. Condición: New.

flessibile. Condición: Buono (Good). Testo in inglese. 18 p., con 33 tavole fotografiche fuori testo in b/n, f.to cm 28x24, brossura. Stato molto buono: copertina con leggeri segni di usura e del tempo, rilegatura e pagine in ottimo stato. Book.

Couverture souple. Condición: Très bon. Description : Qu'il s'agisse du quotidien le plus banal ou d'événements exceptionnels, les grands photographes dans leur subjectivité même, témoignent d'irremplaçable façon. La collection Photo Poche se veut une histoire de la photographie. Photo Notes est une collection d'histoires, racontées en photographies. En termes techniques, l'image qu'on tire d'un négatif porte le nom d'épreuve, un nom lourd de sens. Photo Notes sera aussi une collection d'épreuves. Depuis une vingtaine d'années, Lee Friedlander n'a cessé de bousculer les convenances. Ses paysages sociaux, ses portraits, ses rues et ses monuments mais aussi ses arbres et plus récemment ses nus ont constamment remis en cause les principes de la vision contemporaine. Les autoportraits que nous montrons ici datent de 1970. Rarement série eut plus d'originalité dans le propos et d'impact sur ses contemporains. Lee Friedlander s'y montre novateur et doublement prédateur par la façon dont il appréhende un décor et par celle dont il se l'approprie en l'envahissant de sa propre image. Portraits réels ou virtuels, reflets croisés, ombres portées provoquent subtilement l'attention du spectateur, brouillent les pistes en mêlant les plans et posent une question qui restera sans réponse : «Qui est Lee Friedlander ?».…

Soft cover. Condición: Fine. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. First edition, first printing. Signed on page 27 in black ink by Friedlander. Soft cover. Photographically illustrated stiff wrappers with French folds; no dust jacket as issued. Photographs by Robert Burley, Lee Friedlander and Geoffrey James. Edited and with a prologue by Phyllis Lambert. Essays by Paolo Costantini and John Szarkowski. Interviews with the artists by David Harris. Includes a list of plates and notes on the contributors. Designed by Katy Homans. 120 pp., with 46 black-and-white plates and 19 four-color plates. 10-1/4 x 10-1/4 inches. Published on the occasion of an exhibition at the Canadian Centre for Architecture, Montréal. Fine. A mint, signed copy. From the publisher: "In 1988 the Canadian Centre for Architecture began an extraordinary photographic commission: to photograph the present state of the parks, private estates, subdivisions, and cemeteries designed by Frederick Law Olmsted (1822-1903), North America's most important landscape architect. Photographers Robert Burley, Lee Friedlander, and Geoffrey James spent seven years visiting and revisiting Olmsted's landscapes -- from the best known, such as Central Park in New York City and Boston's Emerald Necklace, to the lesser known, such as Lake Park in Milwaukee and Mountain View Cemetery in Oakland. The object was to investigate the place of these parks in the city today, examining them photographically from many different viewpoints. Viewing Olmsted is an introduction to the complex archive of 936 photographs that was formed at the CCA from this commission." Signed by Author. Signed.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Subtitled "Photographs from the New Orleans Red-Light District, circa 1912." Preface and reproduced from prints made by Lee Friedlander. MOMA, dist. by NYGS, edited by Szarkowski. Pages are clean, binding tight, slight foxing on bottom and top edges. DJ has 1/4" tear on upper left front, edge corners are worn. International shipping guidelines have changed. Additional shipping may be required.…

Hardcover. Condición: Very Good. Hardcover. 4to. Published by Random House, New York. 1996. 83 pgs. Illustrated with 33 Black and White Plates. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities (spine ends lightly scuffed). Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The famous book of portraits of prostitutes in turn-of-the-century New Orleans and the inspiration for the Louis Malle film Pretty Baby. The text is by John Szarjowski, former director of photography at the Museum of Modern Art. John Ernest Joseph Bellocq (18731949) was an American professional photographer who worked in New Orleans during the early 20th century. Bellocq is remembered for his haunting photographs of the prostitutes of Storyville, New Orleans' legalized red light district. These have inspired novels, poems and films. EB; 12 X 0.5 X 12.25 inches; 83 pages.…

Hardcover. First American Edition. Quarto, 83 pages. In Very Good condition with a Very Good dust jacket. Spine black with red and white lettering. Dust jacket protected in mylar covering. Minor shelf wear. Scuffing to rear cover. Textblock clean. Features full-page photographs throughout. Shelved in Case 11. 1378311. Shelved Dupont Bookstore.…

Condición: Gut. 4°, 18 Textseiten und 34 Bildtafeln, illustr. OKart. - Einbandkanten leicht berieben sonst guter Zustand - 1970. AB555 Sprache: Englisch Gewicht in Gramm: 510.