frazier king (13 resultados)

Trade Paperback. Condición: Very Good. Estado de la sobrecubierta: None. Vol 16, No 10; 10.75 X 8 X 0.30 inches; 68 pages.

Red Trade Paperback. Condición: Very Good. Volume has light wear; tight, text clean. 192 p. [otob: 29].

Hardcover. Condición: Near fine. Quarto. 11 3/4 x 9 5/8". 231pp. Full page illustrations from Frazier's photography collection; photographer, process and size indicated on facing page. White cloth with mounted photograph on cover. Issued without dust jacket. One bumped corner.

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: new. Hardcover. This bookis a visual and writtenexploration of the constructed photograph as created in the last decades of the 20thcentury and the first decades of the 21stcentury. Itdocuments a collection built byFrazier King, that was exhibited by FotoFest International in the Collector's Eye II Exhibition. An essay by Mr. King's essay reflects on76 images of a variety of constructed photographsincluded in the collection.The narrative explores how Mr. King's own work with this type of image has resulted ina collection of constructed photographs and explains the varied nature of this category of image. Thereader gets a personal and inside glimpse ofthe dynamics of photographic reviews such as FotoFest Meeting Place and how artists, collectors and curators interact in this venueand the relationships they form.In addition to an essay by Mr. King this volume includes an essay by Wendy Watriss, co-founder and Senior Artistic Advisorof FotoFest, on the significance of collecting and the role of the collector. The third essay is by Madeline Yale Preston, an independent curator based inLondon, who addresses therole of the collector as curatorand the historical evolution andimportance of the constructed photograph. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condición: As New. 1st Edition. 120 pp., xvii. Following the Introduction, Contents divided into 7 sections, with many "reinscriptions"of Phillis Wheatley Peters' poems, preceding the presentation of the poems themselves: [1] OF ANTECENDENTS AND LEGACIES; [2] OF CHIDHOOD; [3] OF LIFE AFTER DEATH; [4] ON RECOVERY OF HEALTH; [5] TOWARD A NEW DAY; [6] INTO THE FUTURE; [7] OF CELEBRATIONS AND LIBERATIONS; Contributor Biographies, pp. 115-120. White wrappers with image of an arm and hand, using a quill pen, to create concentric large circles of lavender spiraling around the front cover, spilling partly onto the rear cover; Title lettering in black letters on top third front cover; Subtitle and Editors' names in smaller black letters across lower third front cover. Presentation copy inscribed by Editor, "Danielle": "For - - - -Sister writer! / Warm," dated "6.18.24/ Worcester".

Hardcover. Condición: new. Hardcover. This bookis a visual and writtenexploration of the constructed photograph as created in the last decades of the 20thcentury and the first decades of the 21stcentury. Itdocuments a collection built byFrazier King, that was exhibited by FotoFest International in the Collector's Eye II Exhibition. An essay by Mr. King's essay reflects on76 images of a variety of constructed photographsincluded in the collection.The narrative explores how Mr. King's own work with this type of image has resulted ina collection of constructed photographs and explains the varied nature of this category of image. Thereader gets a personal and inside glimpse ofthe dynamics of photographic reviews such as FotoFest Meeting Place and how artists, collectors and curators interact in this venueand the relationships they form.In addition to an essay by Mr. King this volume includes an essay by Wendy Watriss, co-founder and Senior Artistic Advisorof FotoFest, on the significance of collecting and the role of the collector. The third essay is by Madeline Yale Preston, an independent curator based inLondon, who addresses therole of the collector as curatorand the historical evolution andimportance of the constructed photograph. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Lg quarto, white cloth boards, dark blue lettering to spine, dark blue lettering & illus plate to front board, 231pp, illus/photos, Near FINE (sl soiling to boards).

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

hardcover. Condición: New. Cloth bound with black & white illustration to the upper board. New copy picked straight from printer's box. Shrinkwrapped copy. Priority orders will be dispatched by Royal Mail TRACKED 24 or courier (particularly if over 2kg). Standard mail will be dispatched by Royal Mail TRACKED 48 (up to 2kg), heavier items by courier . Overseas orders will be dispatched by Royal Mail International.Tracked. PLEASE CONTACT ME FOR MY PRIVACY POLICY.

Hardcover. Condición: new. Hardcover. This bookis a visual and writtenexploration of the constructed photograph as created in the last decades of the 20thcentury and the first decades of the 21stcentury. Itdocuments a collection built byFrazier King, that was exhibited by FotoFest International in the Collector's Eye II Exhibition. An essay by Mr. King's essay reflects on76 images of a variety of constructed photographsincluded in the collection.The narrative explores how Mr. King's own work with this type of image has resulted ina collection of constructed photographs and explains the varied nature of this category of image. Thereader gets a personal and inside glimpse ofthe dynamics of photographic reviews such as FotoFest Meeting Place and how artists, collectors and curators interact in this venueand the relationships they form.In addition to an essay by Mr. King this volume includes an essay by Wendy Watriss, co-founder and Senior Artistic Advisorof FotoFest, on the significance of collecting and the role of the collector. The third essay is by Madeline Yale Preston, an independent curator based inLondon, who addresses therole of the collector as curatorand the historical evolution andimportance of the constructed photograph. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Broché. Condición: Neuf.

Hardcover without dustjacket as issued, 60 pages, in English and Spanish; very good condition, light scuffs to covers; inscribed and signed by Abraham Votroba on 1 blank page; no other internal marks. Foreign shipping may be extra.