Idioma: Inglés
Publicado por White Lotus Company, Limited, 1996
ISBN 10: 9748496597 ISBN 13: 9789748496597
Librería: Majestic Books, Hounslow, Reino Unido
EUR 20,40
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. pp. 152.
Idioma: Inglés
Publicado por White Lotus Company, Limited, 1996
ISBN 10: 9748496597 ISBN 13: 9789748496597
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 24,75
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. pp. 152.
Idioma: Inglés
Publicado por White Lotus Company, Limited, 1996
ISBN 10: 9748496597 ISBN 13: 9789748496597
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 20,54
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. pp. 152.
Original o primera edición
EUR 18,06
Cantidad disponible: 1 disponibles
Añadir al carritoSoft Cover. Condición: New. First Edition. This book is a study of symbols of power and legitimacy. King Prasat Thong, a usurper, attempted to justify his claim to the throne of Ayutthaya by reviving at Wat Chaiwatthanaram the Khmer-influenced prang in a form that had not been used for two hundred years. The author explores the cultural, historic, political and religious context from which Wat Chaiwatthanaram emerged. She describes its functions on religious and political levels and the interrelationships between Buddhism and kingship and related conceptions of legitimacy. Prasat Thong followed King Ramathibodhi, the venerated founder of Ayutthaya, who had used the prang in his architecture. At Wat Chaiwatthanaram the prang, along with other unusual features, such as the eight conical men (meru), the large crowned Buddha images, and the twelve stucco relief panels, together created a unified visual statement designed to proclaim his ultimate right to reign as King. 152 pp., 20 pp. color illus. Size: 21 x 15 cm.
Librería: Masalai Press, Oakland, CA, Estados Unidos de America
EUR 45,15
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good. 135 pp., illustrations, bibliography. This book is a study of symbols of power and legitimacy. King Prasat Thong, a usurper, attempted to justify his claim to the throne of Ayutthaya by reviving at Wat Chaiwatthanaram the Khmer-influenced prang in a form that had not been used for two hundred years. The author explores the cultural, historic, political and religious context from which Wat Chaiwatthanaram emerged. She describes its functions on religious and political levels and the interrelationships between Buddhism and kingship and related conceptions of legitimacy. Prasat Thong followed King Ramathibodhi, the venerated founder of Ayutthaya, who had used the prang in his architecture. At Wat Chaiwatthanaram the prang, along with other unusual features, such as the eight conical men (meru), the large crowned Buddha images, and the twelve stucco relief panels, together created a unified visual statement designed to proclaim his ultimate right to reign as King. 2 labels inside back cover 0.0.
Idioma: Inglés
Publicado por Bangkok : White Lotus Press, 1996
ISBN 10: 9748496597 ISBN 13: 9789748496597
Librería: Joseph Burridge Books, Dagenham, Reino Unido
EUR 24,18
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good. xvi, 135 p. : ill. (some col.) ; 22 cm. 'Study chiefly on art and architecture of Wat Chaiwatthanaram at Phra Nakhon Si Ayutthaya, ancient capital of Thailand with reference to its builder King Prasat Thong's relation with Cambodia.'.
Idioma: Inglés
Publicado por White Lotus Press, Bangkok, 1996
ISBN 10: 9748496597 ISBN 13: 9789748496597
Librería: SEATE BOOKS, APO, AP, Estados Unidos de America
EUR 46,02
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. Estado de la sobrecubierta: no dj. This book is a study of symbols of power and legitimacy. King Prasat Thong, a usurper, attempted to justify his claim to the throne of Ayutthaya by reviving at Wat Chaiwatthanaram the Khmer-influenced prang in a form that had not been used for two hundred years. The author explores the cultural, historic, political and religious context from which Wat Chaiwatthanaram emerged. She describes its functions on religious and political levels and the interrelationships between Buddhism and kingship and related conceptions of legitimacy. Prasat Thong followed King Ramathibodhi, the venerated founder of Ayutthaya, who had used the prang in his architecture. At Wat Chaiwatthanaram the prang, along with other unusual features, such as the eight conical men (meru), the large crowned Buddha images, and the twelve stucco relief panels, together created a unified visual statement designed to proclaim his ultimate right to reign as King. Book.