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  • Idioma: Inglés

    Editorial: The MIT Press, Cambridge, Mass., 1998

    0262061961 / 9780262061964

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    • Primera edición

    Librería: Bowman Books, Wooster, OH, Estados Unidos de AmericaBowman Books

    Vendedor de 5 estrellas
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    Condición: Usado - Excelente

    EUR 17,89

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    Cantidad disponible: 1 disponibles

    Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. xii, 329pp. Publisher's black cloth with red lettering on the spine; this hardcover binding is clean, tight, and square. The interior and text are clean and unmarked. The dustjacket is bright, attractive, and whole. NOT ex-library. A clean, tight copy in like jacket; as new. Illustrated with bibliography and index.

  • Idioma: Inglés

    Editorial: MIT Press, Cambridge, MA, 1998

    0262561298 / 9780262561297

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    Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS

    Vendedor de 5 estrellas
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    Condición: Usado - Excelente

    EUR 30,94

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    Cantidad disponible: 1 disponibles

    Paperback. Condición: Fine. 329 pages, illustrations (some colour); 22 cm. Published in collaboration with the University of Iowa Museum of Art, Iowa City. Tight, clean copy. *** "Few artists spanned the movements of early twentieth-century art as completely as did Hans Richter. Richter was a major force in the developments of Expressionism, Dada, De Stijl, Constructivism, and Surrealism, and the creator, with Viking Eggeling, of the abstract cinema. Along with Theo van Doesburg, L szl Moholy-Nagy, El Lissitzky, and a few others, he is one of the artists crucial to an understanding of the role of the arts in the reconstruction era following World War I. Most American scholars have focused on Richter's film work and have favored a strictly formalist approach that separates art and politics. The contributors to this book rewrite Richter's history to include his pivotal role in the development of the early twentieth-century avant-garde and his political activism. When Richter's work, particularly that of his earlier, European career, is viewed in its historical and political context, he emerges as an artist committed to the power of art to change the fabric of social, political, and cultural affairs." - Publisher. *** CONTENTS: Hans Richter: prophet of modernism, by Stephen C. Foster; Abstraction, autonomy, and the contradiction in the politicization of the art of Hans Richter, by Timothy O. Benson; Hans Richter, Munich Dada, and the Munich Republic of workers' councils; Hans Richter: constructivist filmmaker, by Justin Hoffmann; Hans Richter and the constructivist international, by Bernd Finkeldey; Richter's films and the role of the radical artist, 1927-1941, by Marion von Hofacker; Hans Richter in America: traditional avant-garde values/shifting sociopolitical realities, by Estera Milman; Appendix: demonstration of the "universal language", by Hans Richter. Size: 8vo. Collectible.

  • Editorial: MIT 1998, 1998

    • Tapa dura
    • Primera edición

    Librería: Herland Books, Denver, CO, Estados Unidos de AmericaHerland Books

    Vendedor de 4 estrellas
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    Miembro de asociación: RMABAIOBA

    Condición: Usado

    EUR 22,42

    Envío por EUR 6,09 
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    Cantidad disponible: 1 disponibles

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    Hardcover First Printing. First Edition. Illustrated. Fine in fine dust jacket in mylar cover.