Forrest alison c (2 resultados)

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  • Condición: Usado - Muy bueno

    EUR 40,68

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    Hardcover. Condición: Near Fine. Near Fine. First Printing - First Thus. (viii) 182 pp. Black boards lettered in red on the spine; headband; illustrated in colour. Lightly rubbed on the corners of the dustjacket; no interior markings. The Contents are: Introduction: Populist Culture and Pop Art: Essays: The Pulps: Their Weaknesses Were Their Strengths by Roger T. Reed; The Cover Artists and Their Publishers by Fred Cook; Yes, I Was There by Shirley Steeger. Science Fiction, Science Fact and Fantasy: Painted Answers: Essays: When Pulp Art Was in Flower by Forrest J. Ackerman; Collecting Pulp Paintings: Dramatic Imagery and Color by Steve Kennedy; The Science Fiction Pulps by Sam Moskowitz. The New Knights: Essays: The Pulps and Their Illustrators: A Brief Survey by Walt Reed; The Lure of the Pulps: An Artist's Perspective by Jim Steranko; Remembering Rafael de Soto by John de Soto. The Noblest Savage: Essays: Important Pulp Paintings in the Burroughs Collection by Danton Burroughs; A Conversation with J. Allen St. John, Dean of Fantasy Illustrators by Darrell C. Richardson; The Paper They're Printed on by Alison M. Scott. Ladies in Terror: Essays: Painting the Story by John Locke; The Art That Dared to be Wild by James van Hise; Remembering Norman Saunders by Zina Saunders. To Dare the Devil: Aviation, War and Western Art: Essays: The Cover Art of the Air War Pulps by George Hocutt; Editing the Western Pulps by Bruce Cassidy; and Where Have All the Paintings Gone? by Charles G. Martignette; followed by appendices and an index. Size: 4to. Book.

  • Editorial: Department of History, Queen's University NONE, Kingston, Ontario

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    Librería: Spafford Books (ABAC / ILAB), Regina, SK, CanadaSpafford Books (ABAC / ILAB)

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    Miembro de asociación: ABACILAB

    Condición: Usado

    EUR 12,83

    Envío por EUR 20,21 
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    [NONE] 1993. (Mass market paperback) Fine. 152pp. 8vo. Left history is published twice a year. Articles. Essays. Reviews. Illustrated (monochrome) covers, titles printed in white on black to the front and spine. Fine copy, seemingly unread.