firmin sandra (16 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Near Fine. 1st. 159 pages, illustrations (some colour); 27 cm. Published on the occasion of the exhibition, "'Kim Jones: A Retrospective," held at UB Art Gallery, University at Buffalo, the State University of New York, October 19 to December 17, 2006, and other venues. Near fine. Firm binding, clean inside copy. Remainder mark/tail edge. *** "Caked in mud, bearing a lattice appendage of sticks attached to his back, wearing a headdress and a nylon mask, artist Kim Jones's alter ego Mudman began appearing on city streets, on the beach, and in galleries around Southern California in the 1970s. Jones emerged from the performance art movement, and the unsettling, itinerant figure of Mudman connected the abstract, formal investigations of process- and material-based artists with the intense physicality of body-based performances. Mudman was both artistic persona and artistic construction. Part walking sculpture, part shaman, part urban cult figure, Mudman became a powerful icon for an era in some ways defined by the Vietnam war and a fascination with alternative lifestyles and non-Western religious practices. Now living and working in New York City, Jones has become known more recently for his War Drawings, exhaustively detailed pencil and erasure drawings in which x-men and dot-men endlessly engage and disengage. Mudman is the first comprehensive survey of Jones's performances, installations, and drawings from the 1970s to the present, documenting both his artwork and his process. Published in conjunction with a retrospective of Jones's work, Mudman includes essays that examine the artist's early career, the relation of his work to male fantasies of conflict and the memory of trauma, and his use of the palimpsest and metamorphosis in his drawings." - Publisher. *** CONTENTS: Foreword, by Wendy A. Baker and Sandra H. Olsen, Ph.D.; Introduction and Acknowledgments, by Sandra Q. Firmin and Julie Joyce; Sunset to Sunrise: Kim Jones in Los Angeles, by Julie Joyce; Teaching a Dead Hand to Draw: Kim Jones, War, and Art, by Kristine Stiles; Acting Out, by Robert Storr; [Essay], by Sandra Q. Firmin; Exhibition Chronology; Bibliography; Exhibition Checklist; Lenders to the Exhibition; Photography credits. Size: 4to.

Soft cover. Condición: Very Good. 1st Edition. Very good, clean, tight condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Softcover, 160 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Very Good. 64 pages, perfectbound in illustrated wraps, with slight creasing. Monographs & Retrospectives Adams, Bruce; 4to - over 9¾" - 12" Tall - Oblong.

Soft cover. Condición: Good. 1st Edition. Softcover, 94 pgs. 11" x 8.5". Essays, interview, color illus. Moderate cover wear, else fine.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. , . NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.Author: Sandra Q. FirminFormat: Paperback Number of Pages: 159Caked in mud, bearing a lattice appendage of sticks attached to his back, wearing a headdress and a nylon mask, artist Kim Jones's alter ego Mudman began appearing on city streets, on the beach, and in galleries around Southern California in the 1970s. Jones emerged from the performance art movement, and the unsettling, itinerant figure of Mudman connected the abstract, formal investigations of process- and material-based artists with the intense physicality of body-based performances. Mudman was both artistic persona and artistic construction. Part walking sculpture, part shaman, part urban cult figure, Mudman became a powerful icon for an era in some ways defined by the Vietnam war and a fascination with alternative lifestyles and non-Western religious practices. Now living and working in New York City, Jones has become known more recently for his War Drawings, exhaustively detailed pencil and erasure drawings in which x-men and dot-men endlessly engage and disengage.Mudman is the first comprehensive survey of Jones's performances, installations, and drawings from the 1970s to the present, documenting both his artwork and his process. Published in conjunction with a retrospective of Jones's work, Mudman includes essays that examine the artist's early career, the relation of his work to male fantasies of conflict and the memory of trauma, and his use of the palimpsest and metamorphosis in his drawings. Paperback.

Condición: Très bon état. in-4, broché, couv. illustrée, 156 pp., nombreuses photos en noir et en couleurs. Texte en anglais. Très bon état.

Hardcover. Condición: Very Good. 1st Edition. One of 1,500 copies. Blue cloth and yellow boards with trace edgewear and soil, and slightly bumped spine ends and corners. Binding sound, interior clean. Color and b/w photos. No prev owner names, stickers or stamps. Not ex-library. 256 pp.

Soft cover. Condición: Near Fine. No Jacket.

Condición: Good. 8vo. Square. 53 pp. Soft Cover. Color plates throughout. Inserted is a signed letter by Charles Clough to Eungie Joo, The C lufffalo Institute, dated 10 February 2022. Very Good, minor rubs to covers.

Albright-Knox Art Gallery Ilustrador.

Soft cover. Condición: Very Good. Albright-Knox Art Gallery Ilustrador. No marks. Minimal wear. Tight binding. Catalog for show on seminal avant garde movement that flourished in Buffalo in the 1970s, spanning music composition, poetry, media study, fiction, theory and visual art.

Soft cover. Condición: Very Good. Albright-Knox Art Gallery Ilustrador. 1st Edition. Out of print and uncommon catalogue published on the occasion of the exhibition at Albright-Knox Art Gallery in 2012. Signed by organizer and contributor Heather Pesanti. Beautifully produced 200+ pg catalogue full of color imagery chronicling a rich and fertile period of avant garde creativity centered in Buffalo, NY, which spanned mediums and genres to produce some of the most formative artists of the last century. This copy in excellent overall condition. Binding is solid, sturdy, square. Lightly bumped at the upper corner of the front cover and the ensuing 20 or so pages. Slightly rubbed and scuffed at the foot and head of the spine but hardly so. Otherwise covers are very lightly rubbed in parts but generally quite clean and attractive. Interior is bright, clean, crisp. Besides the signature (and a slight bleed onto the facing page) there are no marks at all. Now in mylar. Signed by Author(s).

Paperback. Condición: Fine. Fine in Wraps: Flawless. The binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome, like-new copy, structurally sound and tightly bound, showing no discernible imperfections. Bright and clean. Corners sharp. NOT a Remainder, Book-Club, or Ex-Library. 4to (10 x 8 x 0.5 inches) . Profusely illustrated in color with a few duotone photographs. High production values: three fold-out pages. Essays by Jarrett Earnest, S. Brent Platte and Sandra Q. FirminLanguage English. Weight: 14.6 ounces. First Edition (1994) , unstated. Paperback: Pictorial Wraps. ; Small 4to 9" - 11" tall; 122 pages.