Finnegan cara (115 resultados)

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Condición: Good. Working for the government's Farm Security Administration in the 1930s, photographers set out across the country to capture the human face of the Depression. Walker Evans' portraits of sharecroppers and Dorothea Lange's images of migrant families today stand as the most popular images from the FSA's project. Yet, in their own time, the pictures functioned as urgent, powerful reminders that one-third of the nation was in a real crisis. Focusing on these and other well-known FSA photographs, Finnegan examines how popular magazines constructed complex and often contradictory messages about poverty. Picturing Poverty also explores a moment in American history when visual images took center stage as the nation struggled with economic, political, and social strife. By striving to understand the original context of the photographs, Finnegan shines new light on the meanings of poverty, the Depression, and the various roles of the media. At once a persuasive analysis of FSA images and a balanced commentary on the role of the media, Picturing Poverty is above all a look into the difficult issue of how the mass media presents social issues to Americans.…

Condición: Very Good. Very Good condition. Good dust jacket. (Art, Print culture, Photographs, Pictorial works) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condición: As New. Text clean and tight; Volume 1; 8vo 8" - 9" tall; 296 pages.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardback. Condición: Good. Working for the government's Farm Security Administration in the 1930s, photographers set out across the country to capture the human face of the Depression. Walker Evans' portraits of sharecroppers and Dorothea Lange's images of migrant families today stand as the most popular images from the FSA's project. Yet, in their own time, the pictures functioned as urgent, powerful reminders that one-third of the nation was in a real crisis. Focusing on these and other well-known FSA photographs, Finnegan examines how popular magazines constructed complex and often contradictory messages about poverty. Picturing Poverty also explores a moment in American history when visual images took center stage as the nation struggled with economic, political, and social strife. By striving to understand the original context of the photographs, Finnegan shines new light on the meanings of poverty, the Depression, and the various roles of the media. At once a persuasive analysis of FSA images and a balanced commentary on the role of the media, Picturing Poverty is above all a look into the difficult issue of how the mass media presents social issues to Americans.…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. Defining the Chief Executive via flash powder and selfie sticks Lincoln's somber portraits. Lyndon Johnson's swearing in. George W. Bush's reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define American presidents. Throughout history, presidents have actively participated in all aspects of photography, not only by sitting for photos but by taking and consuming them. Cara A. Finnegan ventures from a newly-discovered daguerreotype of John Quincy Adams to Barack Obama's selfies to tell the stories of how presidents have participated in the medium's transformative moments. As she shows, technological developments not only changed photography, but introduced new visual values that influence how we judge an image. At the same time, presidential photographs-as representations of leaders who symbolized the nation-sparked public debate on these values and their implications. An original journey through political history, Photographic Presidents reveals the intertwined evolution of an American institution and a medium that continues to define it. …

Condición: Very Good. Hardcover, 260 pages. Working for the government's Farm Security Administration in the 1930s, photographers set out across the country to capture the human face of the Depression. Walker Evans' portraits of sharecroppers and Dorothea Lange's images of migrant families today stand as the most popular images from the FSA's project. Yet, in their own time, the pictures functioned as urgent, powerful reminders that one-third of the nation was in a real crisis. Focusing on these and other well-known FSA photographs, Finnegan examines how popular magazines constructed complex and often contradictory messages about poverty. Picturing Poverty also explores a moment in American history when visual images took center stage as the nation struggled with economic, political, and social strife. By striving to understand the original context of the photographs, Finnegan shines new light on the meanings of poverty, the Depression, and the various roles of the media. At once a persuasive analysis of FSA images and a balanced commentary on the role of the media, Picturing Poverty is above all a look into the difficult issue of how the mass media presents social issues to Americans. Record # 361409.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardback in overall good shape with light general wear. Binding firm and square. Clean throughout.

Paperback. Condición: Brand New. 280 pages. 8.75x6.00x0.75 inches. In Stock.

Condición: New.

Condición: New.