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Fine ruth e et al (6 resultados)

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  • Editorial: Washington, 2000

    • Tapa dura

    Librería: Argosy Book Store, ABAA, ILAB, New York, NY, Estados Unidos de AmericaArgosy Book Store, ABAA, ILAB

    Vendedor de 5 estrellas
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    Miembro de asociación: ABAAILAB

    Condición: Usado

    EUR 13,79

    Envío por EUR 5,36 
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    Cantidad disponible: 1 disponible

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    hardcover. Color & b/w illus., 143pp., 4to, cloth, d.w.; top of d.w. creased. (Washington, 2000).

  • Editorial: The Museum

    Librería: Wonder Book, Frederick, MD, Estados Unidos de AmericaWonder Book

    Vendedor de 5 estrellas
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    Miembro de asociación: ABAAILAB

    Condición: Usado - Aceptable

    EUR 16,52

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    Cantidad disponible: 1 disponible

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    Condición: Good. Good condition. (art, printmaking, sculpture) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

  • Idioma: Inglés

    Editorial: Pennsylvania Academy of the Fine Arts; University of California Press, Philadelphia and Berkeley, 2015

    0520288009 / 9780520288003

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    • Primera edición

    Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS

    Vendedor de 5 estrellas
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    Condición: Usado - Excelente

    EUR 73,10

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    Cantidad disponible: 1 disponible

    Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 286 pages, illustrations (chiefly colour), portraits; 29 cm. Published in conjunction with the exhibition at the Pennsylvania Academy of Fine Arts, Philadelphia, November 13, 2015 to April 3, 2016; and other venues. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "This beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909-1979). Lewis was the sole African American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory. His art derived inspiration from music (jazz and classical) and nature (seasonal change, plant forms, the sea). Also central to his work were the dramatic confrontations of the civil rights movement, in which he was an active participant among the New York art scene. Bridging the Harlem Renaissance, Abstract Expressionism, and beyond, Lewis is a crucial figure in American abstraction whose reinsertion into the discourse further opens the field for recognition of the contributions of artists of color. Bringing much-needed attention to Lewis's output and significance in the history of American art, Procession is a milestone in Lewis scholarship and a vital resource for future study of the artist and abstraction in his period. / Ruth Fine retired in 2012 after a long and distinguished career at the National Gallery of Art, Washington, highlights of which included the development and coordination of The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States and exhibitions of the art of Helen Frankenthaler, Jasper Johns, Roy Lichtenstein, John Marin, and Georgia O'Keeffe, among others. In 2003 Fine organized the acclaimed exhibition The Art of Romare Bearden, which traveled from Washington to four additional venues. She is chair of the Roy Lichtenstein Foundation board." - Publisher. *** CONTENTS: Preface, by David C. Driskell; The spiritual in the material, by Ruth Fine; Drawings and paintings on paper; Jammin' at the press, by David Acton; Prints checklist, by David Acton and Ruth Fine; Lewis on Lewis: On teaching. On art; Susan Stedman commentary; Beyond category: before Afrofuturism there was Norman Lewis, by Jeffrey C. Stewart; The presence of Norman Lewis, by Jacqueline Francis; One world or none: hints of the future in Norman Lewis's abstract expressionism, by Andrianna Campbell; Norman Lewis: presence and absence in the exhibition history, 1933-1980, by Helen M. Shannon. Size: 4to. Collectible.…

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    Idioma: Inglés

    Editorial: Guggenheim Museum, New York, 1997

    0892071869 / 9780892071869

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    Librería: DIAMOND HOLLOW BOOKS / MILES BELLAMY, ANDES, NY, Estados Unidos de AmericaDIAMOND HOLLOW BOOKS / MILES BELLAMY

    Vendedor de 5 estrellas
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    Condición: Usado - Bueno

    EUR 151,70

    Envío por EUR 6,47 
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    Cantidad disponible: 1 disponible

    Softcover. Condición: VG. This is a Very Good copy in thick wrappers, 629 pages, just minor wear to covers, edges a tad soft. It belonged to the late great Jill Johnston (1929-2010), critic, radical lesbian feminist and champion of the avant-garde and bears her distinctive stamp in blue ink on half-title page which reads "Write first. then live." J.J., as well her pencil initials (twice) on same page and on the red ffep. Jill went back with Bob to the Judson days. Profusely Illustrated (ilustrador).…

  • Idioma: Inglés

    Editorial: Abrams, New York, 2003

    0810946408 / 9780810946408

    • Tapa dura
    • Primera edición

    Librería: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, Estados Unidos de AmericaJames & Mary Laurie, Booksellers A.B.A.A

    Vendedor de 3 estrellas
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    Miembro de asociación: ABAAMWABAILAB

    Condición: Usado

    EUR 160,89

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    Cantidad disponible: 1 disponible

    Hardcover. Condición: Book fine, Dust jacket fine. 1st. Published in association with the National Gallery of Art, Washington, DC. 334 pp. 244 color plates, and 86 black-and-white illustrations. Bound in the publisher's original black cloth with the spine stamped in grey.

  • Idioma: Inglés

    Editorial: Kawamura Memorial Museum of Art,, 1998

    • Tapa blanda
    • Primera edición

    Librería: Bookworks, Chicago, IL, Estados Unidos de AmericaBookworks

    Vendedor de 5 estrellas
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    Condición: Usado - Muy bueno

    EUR 156,25

    Envío por EUR 5,35 
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    Cantidad disponible: 1 disponible

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    Soft cover. Condición: Near Fine. 1st Edition. First Edition, 1998. English/Japanese text. Clean and tightly bound with fine contents and plates. Light edge wear at the cover margins and minor bumping to corners. Encased in the original fine transparent slipcase as issued. Laid-in is a letter from the Estate of Roy Lichtenstein concerning this catalog. International shipping may require added postage charges.…