Search preferences
Ir a los resultados principales

Filtros de búsqueda

Tipo de artículo

  • Todos los tipos de productos 
  • Libros (4)
  • Revistas y publicaciones (No hay ningún otro resultado que coincida con este filtro.)
  • Cómics (No hay ningún otro resultado que coincida con este filtro.)
  • Partituras (No hay ningún otro resultado que coincida con este filtro.)
  • Arte, grabados y pósters (No hay ningún otro resultado que coincida con este filtro.)
  • Fotografías (No hay ningún otro resultado que coincida con este filtro.)
  • Mapas (No hay ningún otro resultado que coincida con este filtro.)
  • Manuscritos y coleccionismo de papel (No hay ningún otro resultado que coincida con este filtro.)

Condición Más información

Más atributos

Idioma (2)

Precio

Intervalo de precios personalizado (EUR)

Ubicación del vendedor

  • Filiger, Charles:

    Idioma: Francés

    Publicado por Paris, 1962

    Librería: Antiquariat Bookfarm, Löbnitz, Alemania

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

    Contactar al vendedor

    EUR 21,45

    Envío por EUR 40,00
    Se envía de Alemania a Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Añadir al carrito

    [6], 15 Bl Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. 1963/1720, L16255 Sprache: Französisch Gewicht in Gramm: 120.

  • Imagen del vendedor de I. Charles Leduc, 1831-1911. II. Émile Jourdan, 1860-1931. III. Charles Filiger, 1863-1928. [Petite Encyclopédie des Peintres de Bretagne]. 3 Livres. a la venta por Bookinerie

    Collectif. Illustrés par Charles LEDUC. Émile JOURDAN. Et Charles FILIGER.

    Publicado por Éditions Le Télégramme. Petite Encyclopédie des Peintres de Bretagne. Avec la Collaboration du Musée de Pont-Aven., 2001

    Librería: Bookinerie, LAVAL, Francia

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

    Contactar al vendedor

    Original o primera edición

    EUR 37,00

    Envío por EUR 37,00
    Se envía de Francia a Estados Unidos de America

    Cantidad disponible: 3 disponibles

    Añadir al carrito

    Couverture souple. Condición: Très bon. Edition originale. 3 brochures sous couvertures blanches imprimées & illustrées en couleurs, *** format italien, 13,5x19 cm, *** reproductions en couleurs des uvres des artistes peintres bretons Charles Leduc, Émile Jourdan et Charles Filiger, très bon état. *** 3x32 pages = 96 pages. ***** Le lot de 3 brochures de la Collection Petite Encyclopédie des Peintres de Bretagne : *** I. Charles Leduc, 1831-1911. *** II. Émile Jourdan, 1860-1931. *** III. Charles Filiger, 1863-1928. ***.

  • Imagen del vendedor de L'Ymagier. First Edition. a la venta por Wittenborn Art Books

    Jarry, Alfred, 1873-1907 (aka Alain Jans); Remy de Gourmont, 1858-1915; James Abbott McNeill Whistler, Paul Gauguin, Eric Forbes-Robertson, L. Roy, Jossot, A. Seguin, O'Connor, Charles Filiger, Georges d'Espagnat, Emile Bernard

    Publicado por Paris: L'Ymagier, 9 rue de Varenne-1896., 1894

    Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

    Contactar al vendedor

    Ejemplar firmado

    EUR 8.873,66

    Envío por EUR 8,62
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponibles

    Añadir al carrito

    Condición: Good. 2 vols. 278, 244pp with hors texte plates. Complete with 8 issues. Original symbolist paper covered boards with later half goatskin spine and corners. 20 x 26cm. With 11 handcolored folding plates printed by Pellerin à Epinal (several with repaired tears); original lithographs and woodcuts by Whistler, Jarry, Bernard et al. Lacking the print by Rousseau. See complete list below.________________________Vol 1: 1894. 278 pp?.N°1 : comprising a leaf bearing a title and a miniature by Filiger printed in mauve, a Head of a Martyr by R.G. (Rémy de Gourmont), a drawing by Émile Bernard printed in blue, forty old images and vignettes; on large folio Épinal folding images printed in colors (620 x 380 mm and 615 x 395 mm): Jesus sur la Croix? - - N°2 : with a woodcut in red by Armand Séguin (1869 - 1903) Les Bretonnes [ Breton women] , an original print by E. Forbes-Robertson (Adam and Eve), numerous woodcuts, of which two from Indochina printed on 2 ll. of folded China paper, lithograph "L'Annonciation" signed R.G. (Rémy de Gourmont) printed in black, an original lithograph by Alfred Jarry (Caesar-Antichrist), "Bedouin", an unpublished drawing by Emile Bernard and two folding Épinal images: Le miroir du P"echeur des Pyramides (400 x 580 mm) and Bonne Bière de Mars (420 x 509 mm. Lacking: an original lithograph by Douanier Rousseau (War) ?.-- - N° 3 :. Numerous illustrations in text and hors texte, among them:, La Madeleine, after a woodcut printed in dark orange by Paul Gauguin, "The Bishop", an original woodcut in dark green by Georges d'Espagnat, an original woodcut in black by Alice Feurgard, an original drawing printed in blue by Emile Bernard, an original drawing printed in dark green by Jossot, an original woodcut in bistre by M. Delcourt,; an Épinal folding image printed in colors , Saint Claude? - - - N° 4 :. Numerous illustrations to text and hors texte, including: an original sketch cut onto mahogany wood. "Sainte Gertrude" by Alain Jans (Alfred Jarry),;a woodcut "La Peur" in black by Georges d'Espagnat, an original drawing printed in black by Roderie O'Conor,; an original drawing printed in blue by Émile Bernard, a folded woodcut (very pale, 455 x 198 mm), two folding Épinal images printed in colors : Saint Nicolas and Notre-Dame des Sept Douleurs?.Volume II. Issues 5-8. 224 pages?.- N°5 : . Numerous illustrations to text and hors texte, including: an unpublished original print and folding plate by Jean-Baptiste Auguste Clésinger of Two Bulls printed in black (281 x 430 mm), an original unpublished lithograph by James Abbott McNeill Whistler on China paper between silk paper guards: "Girl With Bowl," Stratis & Tedeschi, 118; Way, 82; Levy 121; first bearing a title, folding facsimile of a vernacular colored image entitled Le vrai portrait du Juif-Errant?[A true portrait of the Wandering Jew?] (485 x 304 mm), folded fragment of an enormous former engraving (368 x 305 mm). Printed by Lefevre-Corbinière?.- - N° 6 :. Numerous illustrations to text and hors texte, including a folding Épinal image in colors (Les 3 Chemins de l'Etnernité). ?.- - - N° 7 : . Numerous illustrations to text and hors texte, including an original woodcut of Jesus on the cross with Crying Woman, by Émile Bernard printed in red on strong grey tinted paper; (previous page with clean tear) a folding Épinal image in colors showing St. Blaise et St. Guerinand and a color lithograph: L'Arche de Noé. (Noah's Ark from the 12cth Century? - - - N° 8 : . Numerous illustrations to text and hors texte, including: L'Annonciaiton by Emile Bernard; a color Epinal folding plate of Napoleon 1er; a vernacular image of a procession in colors in the form of a folding banner (280 x 475 mm; triangle),; an original woodcut"Les Pendus" by Georges D'Espagnat and a red woodcut: Santo Cristo , with Christ wearing a skirt?.From the Van Gogh Museum:At the fin de siècle, printmakers often turned to primitive art forms and popular visual culture for sources of inspiration.In this vein, the French Symbolist writers Alfred Jarry and Remy de Gourmont founded L'Ymagier, an ambitious art review. Here, they presented the works of contemporary printmakers next to examples of medieval woodcuts and popular prints known as Épinal.L'Ymagier's interest in religious Épinal and medieval woodcuts was rooted in a fervent desire to achieve a more authentic form of modern art. For Jarry, archetypal Christian symbols, such as the Passion and the Virgin Mary, possessed universal meaning of continued importance to contemporary artists.This interest in the past was shared by the artists of the School of Pont-Aven, who looked to the traditions and rituals of the Breton peasants for creative inspiration.L'Ymagier helped to revive contemporary interest in the woodcut technique for artists like Edvard Munch and Emil Nolde.Juliet Simpson:Remy de Gourmont's and Alfred Jarry's journal, L'Ymagier, published in eight issues between October 1894 and January 1896. In attempting to create a 'book of symbols' structured explicitly around the image, notably the popular image, the L'Ymagier project develops the verbal-visual problematic exemplified by the Symbolist 'illustration'. It also raises some very fundamental questions about artistic homologies in general, which test Symbolist theories of synthesis to their limits. As I hope to show, Gourmont's and Jarry's appropriation of the popular image as the inspiration ror L'Ymagier becomes a strategy for destabilizing hierarchies or images and texts (including Symbolist ones), which has both radical aesthetic and political implications.Bolliger, Dokumentations-Bibliothek Zur Kunst Des 20. Jahrhunderts, II, 243; VI, 829;Library of Congress Control Number41040620.

  • Imagen del vendedor de Le latin mystique : les poètes de l'antiphonaire et la symbolique au moyen âge par Remy de Gourmont , préface de J.-K. Huysmans , miniature de Filiger 1892 [Leather Bound] a la venta por Gyan Books Pvt. Ltd.

    EUR 35,55

    Gastos de envío gratis
    Se envía de India a Estados Unidos de America

    Cantidad disponible: Más de 20 disponibles

    Añadir al carrito

    Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1892. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 406, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 406 406.