ferrini bruce (19 resultados)

hardcover. Condición: Very Good. Very Good. Lightly used, may have light reading wear and/or publisher's or previous owner's markings, but NO markings in text. Pasadena's finest new and used bookstore since 1992.

Soft cover. Condición: Good. No Jacket. Softcover without dust jacket. Fading noted along edges of covers. Minimal wear to corners. Gift Inscription to front end paper reading Mary, With love and appreciation for a wonderful year! Your Board of Directors 1989-90 J.L.A. Pages clean and unmarked with many illustrations of old works. Included are Bibles and Bible Commentaries, Psalters and Psalter-Hours, Books for the Mass and Divine Office, Books of Hours and printed books and manuscripts in the age of Gutenberg.

hardcover. Condición: As New. Hardcover, no dust jacket as issued, in Like New condition. Carefully packaged to avoid damage in shipping.

Softcover. Condición: Fine. Glossy paper, hi-res color illustrations. Text in English. ; Small 4to 9" - 11" tall; 50 pp; Catalogue.

Hardcover (Original Cloth). Condición: Fine. Estado de la sobrecubierta: No Dust Jacket. 1st edition. Price List laid in. Red cloth. Fine. Quantity Available: 1. Category: books on books; ISBN: 0967966302. ISBN/EAN: 9780967966304. Pictures of this item not already displayed here available upon request. Inventory No: 13640.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Missing. 1987. Red cloth covered boards with gold spine titles; title pasted on front board; minimal wear; 4to,9 3/4" to 12" tall; no jacket. Illustrations in color and black and white; interior is clean and unmarked; 206 pages. Additional shipping charges may need to be requested due to size or weight of book.

Laminated illustrated wrappers, 4to, 46 pp, colour ills. 61 items. Excellent descriptions and colour plates of 61 miniature illuminated manuscripts, spanning the 12th to 20th centuries. Wrappers creased and front wrapper somewhat stained. Price-list laid in,

Laminated illustrated wrappers, large folio, 32 pp, colour ills. 31 items. Each entry has a large colour illustration and a brief description. Name on title-page, wrappers slightly curled, otherwise Very Good.

Laminated illustrated wrappers, folio, 34 cm, approximately 40 pp, colour ills. 39 items Very Good.

Laminated illustrated wrappers, 4to, approximately 40 pp, colour ills. 20 items. Catalogue of an exhibition held at Hazlitt, Gooden & Fox Ltd, London, November - December 1989. With an introduction by Christopher de Hamel. Each item has a full-page description with a facing colour illustration. Very Good.

Hardcover. Condición: Fair. Estado de la sobrecubierta: Good. none. 158p.

Illuminated Manuscripts Ilustrador. 4to. cloth with title in gilt, dust jacket. 158 pages. Catalogue for exhibition of 25 illuminated manuscripts held in 2000. Price list laid-in. A fine copy in fine jacket. Contains several color photographs of each manuscript as well as information on its provenance, text, decorations, and general commentary about the work's history. Includes an introductory essay by Jonathan J. G. Alexander called "The Author as Authority in the Medieval Illuminated Manuscript." From the reference library of Philadelphia Rare Books & Manuscripts with their bookplate included. cloth with title in gilt, dust jacket.

Hardcover. Condición: Very good condition. Estado de la sobrecubierta: Very good. 158 pp.

Laminated illustrated wrappers, 4to, 28 cm, 147 pp, colour ills. 43 items. From the Foreword: "This catalogue, and the exhibition it accompanies, grew out of two interrelated concerns; a conviction of the aesthetic value of illuminations as independent works of art in their own right and a conviction in the scholarly necessity of studying illuminated leaves and cuttings as membra disjecta from books. For this reason, the body of the catalogue is composed of two independant [sic] sections, presenting complementary descriptions of each of the forty-three items. Section 1 focuses on the artistic content (the style and iconography) and the historical context of items. Entries in Section I adapt a standard format used for catalogues of drawings, including at the beginning basic information on physical description, provenance, and literature. Entries in Section I thus treat the items as they were considered when they were collected, that is, as miniature paintings by (usually) identifiable artists. In this section, I have therefore deliberately refrained from discussing the items as fragments from books. Section II focuses on the codicological descriptions of items. Entries in Section II adapt a standard format of scholarly cataloguing that has gradually evolved for leaves and cuttings, in which they are treated as fragments from books, with all the implications resulting from this method. Full physical descriptions of the production, the script, and the illumination are provided. Actual rectos and versos are identified. The identifies and locations of sister leaves, that is, leaves that derive from the same original manuscript, are given. And the identity of the parent manuscript, when known, is provided. The scholar, working from information found in Section II, should easily be able to access either related leaves from the same manuscript or related manuscripts belonging to the same group. A working bibliography of basic references is supplied. The Introduction offers a brief sketch on collectors and collecting, focusing on the public sale in Paris of the collection of Frédéric Spitzer. Occuring in the 1890s, the Spitzer sale is a kind of watershed. Many old collections, most of which are now dispersed, predate it; and "new" collections - those of George Salting in the Victoria and Albert Museum in London, of Pierpont Morgan in the Pierpont Morgan Library in New York, of John Frederick Lewis in the Free Library in Philadelphia - were formed right after it. The treatment of miniatures as independent paintings in the Spitzer sale departs significantly from earlier Victorian attitudes toward illuminations as curiosities and forms the basis of the aesthetic attitude toward miniature painting presented here." Catalogue of an exhibition held at Hazlitt, Gooden & Fox, London, Nov.-Dec. 1988 and at Maruzen Co. Ltd., Tokyo and Nagoya, Feb.-Mar. 1989. Near Very Good.

Paperback.

Hardback large quarto, dustjacket, very good plus condition (in very good plus dustjacket), colour illustrations (mostly full-page), frontispiece, price list loosely inserted. Heavy (1.1 Kg), and extra postage may be requested to destinations outside Australia. 158 pp. This art catalogue brings together 25 new acquisitions of mostly illuminated manuscripts that span the period from the 11th century to the 17th century. Full textual and pictorial descriptions are accompanied by detailed commentaries and organized into five sections that complement each other: Biblical manuscripts, manuscripts of Italian and Spanish origin, manuscripts of French and Flemish origin, literary manuscripts, and later or post-medieval manuscripts. The manuscripts in this catalogue are planned to exhibit at exhibitions in the Netherlands, Los Angeles, Tokyo and Paris. (Loosely inserted: price list ranging from $US75,000 to $US 7,000,000.).

Antiquariatskatalog, ohne Preise. Buchmalerei, Inkunabeln. Handschriften. Bibliophilie. - Gutes Exemplar ohne Stempel oder Namenszüge. (MT08a).

Hardcover. Condición: Fine. 158 p. 1.

Akron, Ohio, Bruce Ferrini, 2000 , in-8°, red publisher's cloth, 157 pp, describes 31 book of hours, pricelist loosely inserted. Copy from the private library of a Brussels' bookdealer, with some minor annotations at some places. Nice copy.