fernand leduc (12 resultados)

Couverture souple. Condición: Très bon. 23 p. avec un rabat, ill. en couleur, 22 cm. Bibliogr. Cette brochure accompagne l'exposition Fernand Leduc : oeuvres récentes (1992-1996), présentée au Musée du Québec du 24 septembre 1997 au 4 janvier 1998. Exemplaire quasi à l'état neuf outre de petites marques de plis en quatrième de couverture. Curiosité: À la dernière page, on retrouve écrit à la main au stylo (peut-être par l'artiste?), les numéros de téléphone et adresses des ateliers de Fernand Leduc sur la rue de la Roquette à Paris ainsi qu'à Casano.

Paperback. Condición: Very Good. Total Refusal: The Complete 1948 Manifesto of the Montreal Automatists translated by Ray Ellenwood. 1948 texts by Paul-Emilee Borduas, Claude Gauvreau, Bruno Cormier, Francoise Sullivan and Fernand Leduc. English text. 120 pages, paper with stiff cover. Black and white repoductions. 8 3/4" x 5 3/4". Very good condition.

Soft cover. Condición: Very Good. No Jacket. Hurtubise HMH, 1981. xxxvi-288 p. Couvertures souples. Très bonne condition. 2890454975.

Paperback. Condición: Very Good. this copy is in clean tight unmarked cndition.text is in French and it is full of black & white art as well as color art.

Condición: Good. First Edition. Wraps as issued. Good. Former owner signature faded on front wrap. Leduc's lead article is followed by a series of related studies. It is hard to tell if this is a special issue. Leduc (1916 ? 2014) was a Canadian abstract expressionist painter and a major figure in the Quebec contemporary art scene in the 1940s and 1950s. Leduc played a major role in forming the group known as the Les Automatistes, co-signing the Refus Global manifesto, but not contributing to the illustrated book. With Paul-Émile Borduas, the theoretician of the Automatist group, he was the one who maintained the closest ties with the French surrealists.

Couverture souple. Condición: Très bon. In-8. 288 pages. Coll. "Cahiers du Québec". Textes du peintre québécois Fernand Leduc, membre des Automatistes.

Softcover, 166 pages, in English and French; very good condition, except rear cover yellowed with laminate starting to peel at corner; no internal marks. Foreign shipping may be extra.

SOFTCOVER. Condición: Fine. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 175pp on glossy art paper, colour plates, illustrations in text, extensive bibliography, etc. Text in French . [CONDITION: A well preserved almost AS NEW unmarked copy (hint of tanning to covers) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Couverture souple. Condición: Très bon. In-4. Non paginé (46 p.). Exposition organisée conjointement par l'Université de Montréal et l'Université McGill. Avec : rare liste de prix des oeuvres exposées.

Paperback. Condición: New.

2 lettres autographes signées 2 In-4 20/02 et 20/03/1962 A l'adresse du 18, rue La Bruyère, Paris. bon Correspondance relative à son travail : «Vous remarquerez que la couleur ayant disparue, nous sommes en face d'une traduction où les gris parfois très doux, s'ordonnent simplement, ce qui n'est pas désagréable [.]». Leduc se dit «touché» par le travail de présentation de son exposition : «Je suis particulièrement heureux de la façon dont vous abordez un tour d'horizon qu'il n'était pas facile de circonscrire aussi limpidement». Avec une autre lettre autographe signée (manque le début, 1 p., sans date), où il invite le journaliste à annoncer sa participation au festival de Bordeaux. Peintre, chef de file de l'abstraction géométrique au Canada. Après 60 années de vie à Paris, il est retourné au Québec, à la suite du décès de son épouse, l'écrivain Thérèse Renaud, en décembre 2005.

No Binding. Condición: Fine. "My challenge since 1970: to paint light, and to capture its energy. The path is one of reduction inherent to all artistic production, a path that becomes narrower, clearer, and luminous and leads to islands of light." | Abstract painter Fernand Leduc has been a major figure in Quebec s contemporary art scene for the past 50 years. In the 1940s, he played a major role in the formation of the group of dissident artists known as the Automatistes, which included such well-known artists as Jean Paul Riopelle, Paul-Émile Borduas and Françoise Sullivan. In the mid-1950s, dividing his time between Montreal and Paris, he became the president and founding member of the Association des artistes non-figuratifs of Montreal. In more recent years, he focused on creating abstract landscapes, creating works featuring luminous fields of colour. After spending a good part of his life in France and Italy, he returned to Montreal in 2006. His commitment to art was also evident in his writing and teaching. In 1988, he was awarded the Prix Paul-Émile Borduas, Quebec s highest honour in the visual arts. He is the winner of the 2007 Governor General s Awards in Visual and Media Arts. (National Gallery of Canada) Poster is in overall very good condition, some age marks apparent on the edges. Please see photos. Rare and ready to frame. This poster measures 20x36".