Fagg william editor (7 resultados)

Paperback. Condición: Very Good. U.S. orders are shipped from N.Y. state.

Paperback. Condición: Very Good or better. First Paperback Printing. Oversize wraps with general wear but no significant faults; clean, no spine crease; clean and unmarked. xviii, 209 pages, illustrated in color and b/w. Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.…

Soft cover. Condición: Very Good-. First Edition. 120 pp. Digest format. General wear with creasing on the spine. Cover art by Kenn Fagg; interiors by: Ed Valigursky; Ed Emsh; Ernie Barth; Kelly Freas; and Paul Orban. This issue contains: Novelettes: Jupiter Five by Arthur C. Clarke; The Huddlers by William Campbell Gault; Derelict by Alan E. Nourse; Short Stories: She Knew He Was Coming by Kris Neville; Pipe of Peace by James McKimmey Jr; The Kenzie Report by Mark Clifton; Field Trip by Gene Hunter; Circle of Flight by Richard E. Stockham; Say Hello for Me by Frank W. Coggins; and The Contest by Gavin Hyde; along with the usual features. Size: 12mo. Kenn Fagg; Ed Valigursky; Ed Emsh; Ernie Barth; Kelly Freas; Paul Orban; (ilustrador). Book.…

Mass Market Paperback. Condición: Very Good. First Edition. UK edition. Includes all the stories in the August 1954 US edition, but not all the essays and artwork, and has the same cover art by Fagg. Contains The Unlearned by Jones (illustrated by Emsh), The Academy by Sheckley (illustrated by Summers), Being by Matheson (illustrated by Finlay), The Joy of Living by Nolan, Exhibit Piece by Dick (illustrated by Orban) and Contact Point by Anderson and Cogswell (missing the illustratons by Freas). The spine has a small tear at the top but otherwise only slight wear to the covers. There is some page browning but they are otherwise unmarked. Postage charge will be reduced by £1.50 when the order is processed. Valigursky, Ed; Summers, Leo; Orban, Paul; Finlay, Virgil; Emsh, Ed; Fagg, Ken (ilustrador).…

First edition (as stated upon copyright page). xiv, 210 pages. Hardcover: H 31.25cm x L 23.75cm. Black dust jacket rubbed with slight nicking at edges. Tan cloth with slight soiling along joints. Past owner's personal bookplate upon front free endpaper. Pages are bright and clean. A very good+ copy in a very good+ dust jacket. With 70 full-page plates of which 35 are in color plus more than 50 illustrative photographs. Includes frontispiece, map of Yorubaland, Yoruba Chronology, Foreword by editor Bryce Holcombe, Preface by William Fagg, essay "On the Art of the Yoruba" by William Fagg (pages 5-24), essay "The Yoruba and Their Past" by William Fagg (pages 25-34), essay "The Yoruba Artist: Regional Styles" by William Fagg (pages 35-49), Descriptive Catalog by John Pemberton 3rd (pages 51-193), concluding essay "The Yoruba Cults" (pages 195-200), and Bibliography compiled by Carolyn Owerka. Please note that this large book has an approximate shipping weight of 4 pounds (1.8 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 039452358X.…

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. HEAVY. xiii, 208pp, bibliography, 70 full page plates (35 color); 50 bw & col photographs. Or fawn cloth in pictorial jacket. Jacket has very slight edge wear with light toning to flap edges. One bottom page corner turned. Sumptuously illustrated this vlume explores the world of Yoruba sculpture from the west African country of Nigeria. Size: Folio. Profusely Illustrated (ilustrador). …

Hardcover. Condición: As New. Estado de la sobrecubierta: Very Good. 1st Edition. With an essay by Peter Mark. Large-format volume, measuring approximately 9.5" x 12.5", is bound in black cloth, with stamped silver lettering to spine. Book is like new. Dust jacket shows light shelfwear and is preserved in mylar cover. 255 pages. "The earliest objects from Black Africa to reach European collections were ivories brought from West Africa to Portugal in the last years of the 15th century. Records of import duties paid at Lisbon for the year 1504-05 show that on eighteen occasions in the course of that year alone sailors and merchants returning from the coast of West Africa paid taxes on ivory spoons and "saleiros", or saltcellars. Between 1490 and 1600 African artists working for European patrons carved exquisite ivory saltcellars, hunting horns, spoons and other commissions for the royal households of Europe. The ivories' exotic origin, together with their exquisite craftsmanship and precious material, made them worthy gifts to persons of importance. In 1500, an Afro-Portuguese ivory hunting horn bearing the arms of Castile, Aragon, and Portugal was given as a wedding gift to a daughter of Ferdinand and Isabella. This is the earliest instance of cross-cultural interaction between Europeans and West Africans and it produced a series of remarkable works of art. These works crystallize an important historical event and express the first impressions Africans had of Europeans before the large scale slave trade, the industrial revolution and colonial rule distorted relations between them. Portuguese who came to the ivory workshops in Sierra Leone, Nigeria, and the Congo brought models of hunting scenes, coats of arms, decorative motifs and chalice shapes. African artists, already skilled carvers of wood, stone, and ivory, interpreted these in their own style, and added their own motifs to produce a new, highly original art in ivory. "Africa and the Renaissance" retraces the African and European sources of ivories, and interprets these works of art as documents of the first contact. The objects reveal the sophistication of Africans in the 15th and 16th centuries, and correct the misconception that Africa was devoid of history and culture, closed to the outside world until the colonial era.".…