eugene editor parsons (6 resultados)

hardcover. Condición: Good. 3rd.

Full-Leather. Condición: Good. Frontis Ilustrador. Later Edition. Full brown leather with gilt titling and ruling, all edges gilt, 8vo, 360pp. An attractively bound copy. (light shelfwear/rubbing to extremities, front inner hinge cracking at content's page). Size: 8vo - over 7¾" - 9¾". Book.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good.

Soft cover. Condición: Very Good. Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, Eugene Higgins Ilustrador. 1st Edition. New York: The Masses Publishing Company, 1915. The June, 1915 issue (Volume VI, Number 9, whole number 49). Large Folio, illustrated stapled wraps, 27 pp. Very Good by any periodical standard; as the very inexpensively-produced budget-of-the-heart icon The Masses was, this example is certainly better than very good, by its own standard. Light crease the vertical length of cover; small nicks at front cover perimeter; larger chip at rear cover, lower left; modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was shut down by the U.S. Government in 1918 on the basis of postal regulations, after two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of June, 1915 included Eastman, Carl Sandburg, Howard Brubaker, Harris Merton Lyon, Louis Untermeyer, Edmond McKenna, Elsie Clews Parsons, Frank Tanenbaum, Robert Carlton Brown, W.J. Robinson, Charles Grey, and Florence Kiper Frank. Art was contributed by Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, and Eugene Higgins, with Walts executing the front cover, and Davis the rear cover. Check out all of those names. An extraordinarily rare piece of American publishing and political history. l-lng2.

4pp., 12mo. Worn and stained on four leaves with wear to extremities resulting in slight loss of text, and with at least one leaf lacking. Parsons begins by informing Caswell that he is sending him a copy of the Examiner containing his article on 'Tennyson's Literary Career': 'It was sent to the Editor only a few days after the poet's death when I knew nothing about the title or contents of the new book of poems.' He discusses his plans to insert the article when he republishes his pamphlet (Parsons' 'Tennyson's Life and Poetry' appeared in 1892, with a revised edition the following year). He has 'lately taken the trouble to accumulate a large number of dailies, weeklies and monthlies having articles on Tennyson, and was surprised to find so many mistakes repeated over and over - even by English periodicals. Three of the English papers - The Times, Pall Mall Gazette, and St. James' Gazette, are kept on file in the Public Library of Chicago and are bound for future reference. The British reviews are also bound.' He has also thought of another addition to the pamphlet: 'a collection of stories about Tennyson'. He complains that American libraries 'are slow in the matter of purchasing new books'. He concludes by stating that he would like 'copies of my pamphlet (second edition) to be plac into the hands of the Poet's remaining brothers and sisters'. In a postscript, initialed 'E. P.', Parsons discusses a passage from a poem by Ann Gilchrist ('I do not think her book is to be found in Chicago'), Henry Taylor's autobiography, and 'Milnes' letter dated in 1867'.