Ettenberg elliot (11 resultados)

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. 1st Edition. Used - Very Good.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. First Edition, First Printing. Book is a clean tight unmarked unread copy.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Cloth. Condición: Fine. Near Fine. 1st Edition/1st Printing. Size: 8vo - over 7¾" - 9¾" tall. Signed & Inscribed By Author.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition; First Printing. 6.1 X 0.98 X 9.1 inches; 220 pages; Very Good condition. No noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence. …

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition; First Printing. 6.1 X 0.98 X 9.1 inches; 220 pages; Very Good condition. No noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Architect Robert P. Meyerghofl, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Color Illustrations And Photographs (ilustrador). Inscribed by Author(s). …

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Art Expert And Publisher Ruth Westphal, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Color Illustrations And Photographs (ilustrador). Inscribed by Author(s).…