ericson kate (20 resultados)

216 pp.; 30.8 x 23.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, October 1 - December 30, 2005. Traveled to List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Massachusetts, February 9 - April 8, 2006; Austin Museum of Art, Austin, Texas, February 10 - May 6, 2007; H&R Block Artspace, Kansas City Art Institute, Kansas City, Missouri, July - October, 2007 and the Cincinnati Contemporary Arts Center, Cincinnatti, Ohio, November 10, 2007 - January 13, 2008. Edited by Ian Berry and Bill Arning. Essays by Bill Arning, Judith Hoos Fox, Kathleen Goncharov, Mary Jane Jacob, Patricia C. Phillips, Lane Relyea, Ned Rifkin, Valerie Smith and Judith Tannenbaum. With an interview between Mel Ziegler and Ian Berry. Includes contributor biographies, a checklist of the exhibition, exhibition and project history (compiled by Jen Mergel) and a selected bibliography. Very Good / Fine. 3 mm. dent to verso and very minimal rubbing of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.

Hardcover without dustjacket as issued, 216 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: As new in shrinkwrap. Color illustrated paper-covered boards; 216 pp.; Profusely illustrated with hundreds of color and bw figures. Catalog of an exhibition held at the The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York Oct. 1-Dec. 30, 2005, and at the MIT List Visual Arts Center Cambridge, Mass., Feb. 9-April 9, 2006. Includes bibliographical references (pages 204-211).

Condición: Very Good. 1st MIT Press Ed. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Hardcover. Condición: Near Fine. First Edition. Tight clean unmarked book with a nick to foreedge. ; 0.94 x 12.13 x 9.13 Inches; 216 pages.

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Teal and white printed wrappers; no dust jacket as issued. Collaborative art works by Marina Abramovic / Ulay, Gwen Akin / Allan Ludwig, Bernd & Hilla Becher, MANUAL (Suzanne Bloom / Ed Hill), Kate Ericson and Mel Ziegler, Gilbert & George, Suzanne Hellmuth and Jock Reynolds, Vera Lehndorff and Holger Trülzsch, Mike Mandel and Larry Sultan, Patrick Nagatani and Andrée Tracey, and Mike & Doug Starn. Curated by Mark Johnstone. Essay by Tressa R. Miller. Includes biographies on the artists. 16 pp., with 10 four-color and 3 black-and-white plates. 8-1/2 x 11 inches. Published on the occasion of an exhibition at Security Pacific Corporation's Gallery at the Plaza. Near Fine (some wear and a slight bend at the edge of the spine, else Fine).

Hardcover. Condición: Used - Like New. During their decade-long collaboration (1985-1995), Kate Ericson and MelZiegler produced some of the most influential conceptual art projects of the time.Among their witty and stimulating installations and outdoor projects was CamouflagedHistory, a house painted in a U.S. Army-designed camouflage pattern using 72commercial paint colors included in the municipally-approved 'authentic colors' ofhistoric Charleston, South Carolina. The commercial name of each paint, commemorating an aspect of the city's history, is also painted on the house, revealing and illuminating the lingering Civil War-era past of the region. Like theEarthwork pioneers, Ericson and Ziegler took the whole country as their workingspace; but rather than impose a conspicuous work of art upon a site or situation, they devised projects that altered sites subtly, creating a patchwork of poeticnarratives and histories to be excavated. The windows rescued from the old NationalLicorice factory in Philadelphia in the title piece America Starts Here--which takesits name from the slogan used to promote Pennsylvania tourism during the 1980s--arehung according to the location of the original windows in the factory; the cracks inthe glass echo the famous cracks in two of Philadelphia's tourist attractions, theLiberty Bell and Marcel Duchamp's The Large Glass.Kate Ericson's death from cancerin 1995 at age 39 made the body of Ericson and Ziegler's collaborative work finite.America Starts Here offers a generous selection of Ericson and Ziegler's work, withmuch of it reproduced in color, and provides a critical analysis of the artists'still under-appreciated position in the history of twentieth-century art. Itaccompanies the first retrospective exhibition of Ericson and Ziegler'swork.Copublished with The Frances Young Tang Teaching Museum at Skidmore College andList Visual Arts Center at MIT. Works by public art pioneers and collaborators Kate Ericson and Mel Ziegler, whose influential community-based interventions were marked by a poetic combination of conceptual and political ideas. Light shelf wear at back cover. Otherwise book is bright, clean, and crisp. Inside and binding are completely unworn.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: No Jacket, As Issued. 216 pages with 180 illustrations in color. Illustrated boards. Published on the occasion of the exhibition from The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs NY October 1-December 30, 2005. Exhibition Checklist. Selected Bibliography.

Condición: Good. 4to. Hard Cover [ca. 200 pp.] Color Plates. As New, still in Shrink Wrap, Illustrated Boards, No Dust Jacket.Provenance: From the library of the San Francisco Gallerist Pasquale Iannetti.

Hardcover. Condición: Very Good. 1st Edition.

Hardcover. Condición: Near Fine in Fine dust jacket. 28 x 23.5 cm. Quarto. 296.

211 pp.; 30 x 21 cm.; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Setagaya Art Museum, Tokyo, July 6 - August 18, 1991. Traveled to The National Museum of Art, Osaka, August 29 - September 29, 1991 and Fukuoka Art Museum, Fukuoka, November 15 - December 15, 1991. Essays by Lynn Gumpert and Brian Wallis. Artists include Richard Artschwager, John Baldessari, Gretchen Bender, Sarah Charlesworth, Nancy Dwyer, Kate Ericson and Mel Ziegler, Suzan Etkin, Jenny Holzer, Jasper Johns, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sherrie Levine, Roy Lichtenstein, Gordon Matta-Clark, Allan McCollum, Bruce Nauman, Claes Oldenburg, Stephen Prina, Robert Rauschenberg, James Rosenquist, David Salle, Andres Serrano, Cindy Sherman, Lorna Simpson, Robert Smithson, Nancy Spero, Haim Steinbach, Andy Warhol and Lawrence Weiner. Includes exhibition checklist and selected bibliographies. Texts in Japanese and English. Very Good. Yellowing and light rubbing of covers with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condición: Fine. First edition. Quarto. 216pp. Photographic boards and endpapers. A fine copy without dustwrapper as issued. An in-depth catalogue of the artists' careers and works to accompany their 2005 retrospective, America Starts Here at the Frances Tang Young Teaching Museum and Art Gallery at Skidmore College, and the MIT List Visual Arts Center.

Hardcover. Condición: Very good. Hardcover Quarto. illustrated boards, 216 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Hardcover. Condición: New. New! May take up to 14 days to arrive. Sorry we don't offer expedited shipping on this item. -01x-.

Poster, measuring 25 x 37 inches; very good condition; folded 5 times into 12 sections; an unmailed copy. Will be mailed folded.

Softcover, 26 pages, in English; very good condition; except some smudges to covers; no internal marks. Foreign shipping may be extra.

Condición: Very Good. Light edge wear. [6] pp.; 22.8 x 15.3 cm.; gatefold; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Three-fold announcement card published in conjunction with show held February 1 - February 24, 1990. Includes text by show curator, Juli Carson. Artists include Judith Barry, Daniel Buren, Kate Ericson and Mel Ziegler, Daniel Faust, Andrea Fraser, Ronald Jones, Silvia Kolbowski, Hope Sandrow, Fred Wilson, and Krzysztof Wodiczko.