eric goode (12 resultados)

Condición: Very Good. Goode, Kendall Ilustrador. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Soft cover. Condición: Very Good. TEXT UNMARKEDEri.

Condición: New. In.

Pictorial papercovers as new. 160 pp. illus.

Hardcover. Condición: New.

Condición: very_good. Goode, Kendall Ilustrador. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condición: Very Good. 1st Edition. Book is in very good condition. 368pp.

Hardcover. Condición: Used - Very Good. Estado de la sobrecubierta: Very Good. Hardcover copy. Thick silver paper covered boards with blue text and a faux blue pill inserted to the front cover. In very good condition.

Condición: Very Good. Thick silver paper covered boards with blue text and a faux blue pill inserted to the front cover. This book accompanied the week-long exhibition AREA at The Hole in November 2013. Some minor wear to boards, but otherwise a clean copy with no previous owners' names or other defacements. Scarce. 9.75 x 12.25 in (24.5 x 31.5 cm).

81 pp.; 21.5 x 30.4 cm.; staple bound; black-and-white & color; edition size 6200; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. Photographs by Robbert Flick. Artists included in the "Museum as Site: Sixteen Projects" exhibition are Robert Irwin, Lloyd Hamrol, Terry Schoonhoven, Karen Carson, Jay McCafferty, Robert Graham, Michael Asher, Michael Brewster, John Baldessari, Roland Reiss, Richard Jackson, Michael C. McMillen, Jonathan Borofsky, Alexis Smith, Chris Burden, and Eric Orr. Includes exhibition histories and exhibition floorplans. Includes the floorplan for the first "Art in Los Angeles" exhibition "Seventeen Artists in the Sixties," curated by Maurice Tuchman, which included artists Larry Bell, Billy Al Bengston, Wallace Berman, Ronald Davis, Richard Diebenkorn, Sam Francis, Joe Goode, David Hockney, Craig Kauffman, Edward Kienholz, John McLaughlin, Edward Moses, Bruce Nauman, Kenneth Price, Edward Ruscha, and Peter Voulkos. Good / Very Good. Rubbing of cover edges. Vertical creasing across recto and verso. Light scratching of covers. 2 cm. original pricing sticker on recto. 3.5 cm. dog-ear to top left corner of verso. Light bumping of top right corner of page. Contents clean and unmarked.

No Binding. Condición: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.