El coyote collection (1 resultados)

José Mallorquí's El Coyote paperback archive from 1968 to 1971, documenting the continued circulation of a Spanish Western series that recast nineteenth century California through the adventures of the masked Californio César de Echagüe. Mallorquí developed El Coyote during the 1940s around conflicts arising from the transfer of California from Mexican to American rule, placing a Spanish Californio protagonist within a genre more commonly organized around Anglo American settlement and expansion. The original Clíper series ran from 1944 to 1953 and was followed by repeated republication programs, including Editorial Bruguera's 1968 to 1971 edition, one indication of the character's persistence in Spanish popular culture decades after his introduction. Publications IAI The present group spans four years of the Bruguera series and preserves its mass market presentation of Mallorquí's California for readers in Spain and Latin America: the rear wrappers advertise Editorial Bruguera offices in Barcelona, Bogotá, Buenos Aires, Caracas, México, and Rio de Janeiro and carry a retail price of 10 pesetas, placing the novels within a transatlantic distribution system for inexpensive Spanish language popular fiction. Archive consists of six 8vo paperback volumes published by Editorial Bruguera in Barcelona between 1968 and 1971 as part of the publisher's El Coyote collection, in illustrated pictorial wrappers. Bruguera's edition appeared from 1968 through 1971 with cover illustrations by Antonio Bernal. [1] Mallorquí, José. Otra lucha. Barcelona: Editorial Bruguera, 1968. Colección El Coyote No. 16. Illustrated wrapper showing the masked Coyote confronting a woman, with his sombrero, mask, gun belt, and revolvers establishing the visual vocabulary used to identify the character throughout the series. [2] Mallorquí, José. Un hombre acosado. Barcelona: Editorial Bruguera, 1969. Colección El Coyote No. 72. Wrapper dominated by a close portrait of the masked Coyote above a revolver, presenting the hero through the concealed identity central to Mallorquí's narratives. [3] Mallorquí, José. El Coyote en el valle. Barcelona: Editorial Bruguera, 1970. Colección El Coyote No. 92. Illustrated wrapper showing an elderly seated man and two standing figures beneath an enlarged masked face, shifting the series imagery from the solitary gunfighter toward the familial and social conflicts that recur in Mallorquí's California. [4] Mallorquí, José. Los voluntarios del Coyote. Barcelona: Editorial Bruguera, 1970. Colección El Coyote No. 95. Wrapper depicting an armed confrontation among several men, including a masked gunman at left, emphasizing collective violence and extralegal enforcement within the series' frontier setting. [5] Mallorquí, José. Se alquila un asesino. Barcelona: Editorial Bruguera, 1970. Colección El Coyote No. 97. Wrapper showing the masked Coyote in the foreground and an armed man approaching behind him, with the title explicitly framing hired violence as the narrative premise. [6] Mallorquí, José. Diligencia a Monterrey. Barcelona: Editorial Bruguera, 1971. Colección El Coyote No. 108. Wrapper showing the Coyote standing over two fallen men outside a building, one revolver still visible beside a body. The rear wrappers promote Bruguera's Enviado Secreto and Oeste Legendario lines alongside El Coyote, locating Mallorquí's novels within the publisher's broader market for espionage and Western adventure fiction. Mallorquí's choice of California supplied the conventional machinery of the Western with a different cultural center. César de Echagüe belongs to the Californio society that preceded American sovereignty, and his masked identity allows Mallorquí to construct frontier justice around a Hispanic protagonist negotiating the political and social order created after annexation rather than around an Anglo settler entering supposedly unclaimed territory. The Bruguera editions document a later stage in that history: novels originating in the postwar Spanish pulp market were repackaged in brightly illustrated pocket editions and distributed across a network explicitly naming Spain, Colombia, Argentina, Venezuela, Mexico, and Brazil. Bruguera's four year edition formed part of a succession of republications extending from Cid in the early 1960s through later Favencia, Forum, and Planeta DeAgostini editions, demonstrating the repeated return of Mallorquí's character to new generations of Spanish language readers. Publications IAI The six wrappers retain signs of their inexpensive circulation, including rubbing, creasing, edge wear, toning, manuscript ownership and numerical markings, and ex libris stamps to some volumes; No. 108 exhibits rippling but remains clean. Interiors toned as expected for the paper stock. Overall good condition. A compact run of El Coyote documenting how Spanish popular fiction relocated the Western to a post annexation California centered on Californio identity, masked resistance, frontier violence, and transatlantic Spanish language readership.…