editor introductory essay (29 resultados)

Paperback. Condición: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear. Previous owners name on end paper.; 100% Satisfaction Guaranteed! Ships same or next business day!

Soft cover. Condición: Very Good +. B/W Plates Ilustrador. First Edition. 50 Pp. Soft Cover Catalog, One Of 2500 Copies. A Bright, Clean Copy, No Marks, Chips, Or Tears. One 1/4" Corner Crease At Corner Of Front Wrapper.

Illustrated Wrappers. Condición: Near Fine. B/W Plates Ilustrador. First Edition. 50 Pp. Soft Cover Catalog, One Of 2500 Copies. A Bright, Clean Copy, No Marks, Chips, Or Tears.

Soft cover. Condición: Fine. A fine copy in printed wraps. 1970 printing. Covers have some minor general wear and a bit of rubbing to the bottom back cover. Previous owner's name on the top of the half title page now covered with a bookstore sticker. A nice tight copy with no apparent markings. Illustrated. Small 8to; 168 pages.

First edition (not stated but with matching dates upon title and copyright pages) INSCRIBED, DATED, AND SIGNED BY THE AUTHOR. xvi, 384 pages. Hardcover: H 24cm x L 16cm. Black dust jacket rubbed with creases, short tears, and scuffs at edges; front flap is not price-clipped. Black cloth with vibrant silver stamping to spine. Author's five-line ink inscription "For Dorothy, | With gratitude | and intense | admiration, | Nate | Sept. 22, '71" upon the front free endpaper; the inscribee is Dr. Dorothy Ross (1936-2024) who earned her Ph.D. from Columbia University and taught at Princeton (1972-1976) and at the University of Virginia (1978-1990) thereafter being the Arthur O. Lovejoy Professor of History at Johns Hopkins University from 1990-2007. Several page corners creased from fold-downs; a cursory perusal did not reveal any underlining/marginalia but such markings were so prevalent among books in Dr. Ross' extensive academic collection, that it seems wise to add a caveat that a terse annotation or two may have simply eluded discovery. Binding is firm. ISBN 0674471709.

Condición: VERY GOOD. 2008. Originally published 1866. Trade paperback. 566pp. Index. VERY GOOD.

Hardcover. Condición: New. Estado de la sobrecubierta: New. NEW BOOK in DUST JACKET: Minor Shelf Wear. Remainder Mark. (The Overlook Press, 1994) LOC: Q6.

Soft cover. Condición: As New. 1st Edition. First edition, 1st printing, of the catalogue for the exhibition in 2007 at the Williams College Museum of Art. Pristine, clean & tight copy, unread in AS NEW condition, a perfect paperback with French flaps, quite presentable. "Paris in the 1920s---art, literature, the Lost Generation. The glitterati who inhabited this legendary world---F. Scott Fitzgerald, Ernest Hemingway, Pablo Picasso, Cole Porter, Man Ray, Dorothy Parker and a host of others---were members of an intimate circle centered around Sara and Gerald Murphy. The Murphys, who endeavored to make art of their own lives, embodied a predominant theme of the 1920s: life as one would like it to be versus life as it is. MAKING IT NEW is a captivating and absorbing collection of essays examining through images and text the Murphys' influence on a remarkable constellation of artists---from multiple points of view, the Murphys' artistically adventurous way of life and their ability to confer distinction on everything, from the inconsequential to the grand. This beautifully illustrated volume features art by Gerald Murphy, Pablo Picasso, Fernand Leger, Man Ray & many others, in addition to numerous documentary photographs.".

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket. First Edition; First Printing. Gray cloth, just a hint of edge rubbing. Filled with color and b&w photos of African American women of especial note. Visionaries, educators, performers, activists, all working and achieving before and during the Civil Rights era. Hard to find in hardcover. ; Square 4to 9" - 11" tall; 64 pages.

Cloth. Condición: Average. Third Edition. . 315 pages, 282 of which are about Thomas Walsh. Covers dampstained and torn.

Soft cover. Condición: Very Good. New York: New Observations, 1986. Paperback. Staple binding. 4to (8.5" x 11"). Condition is Very Good. A few small stains to bottom front cover. Pages are clean and unmarked. Binding is tight. 5 b/w illustrations. 23 pp. + 5 pp. advertisements.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fair to Good. 302 pp, index. Dj rubbed, small chips and tears at edges. Boards have edgewear, bumped bottom corner. Blank pastedown front free endpaper.

Softcover. Condición: Very Good. 6pp introductory essay followed by 16pp of full page, full colour reproductions of the artist's works. Laminated, illustrated stiff card covers with French flaps. Slim elephant folio. A little mild edge wear to card covers, slightly rubbed at corners and spine ends. Internally neat, clean, bright and tight.

346pp. + ads 8vo Illustrated in black and white Gray cloth First printing per print line Light cover soil, edges and rear endpapers lightly to moderately stained, else clean tight copy: VG/VG dj 0-8143-2341-3.

David Smith: The Prints ? Catalogue Raisonné. Compiled by Alexandra Schwartz; introductory essay by Paul Cummings. New York: Pace Prints, 1987. Published in conjunction with the exhibition "David Smith: The Prints" held Feb. 27-Mar. 21, 1987 at Pace Prints, 32 East 57th Street, New York. © Candida & Rebecca Smith and Pace Editions, Inc., 1987. Softcover, profusely illustrated (b/w with some color). Condition: Fine?tight, crisp copy with clean pages; no markings noted. Contents: Complete catalogue of Smith's prints with annotated entries (dates, media/techniques, plate/paper measurements, edition information, printers/publishers), essay by Paul Cummings, and exhibition checklist.

Condición: Fine. 2nd edition, 38 pp. + index, spiral-bound softcover, previous owner's name to title page else fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condición: Near Fine. First Edition. 2006. xv, 379pp. B&W illustrations. "When and how did the Allies find out about the Holocaust, and what were the intelligence sources that delivered the information? This fundamental collection of research studies digs deeply into that sensitive topic and sheds new light on the realities of code-breaking and understanding of what was happening in Nazi-occupied Europe during the Second World War. Documents with their sources have been assembled from many previously closed archives. Includes a preface by David Bankier and an introductory essay by Gerhard L. Weinberg, along with the following international scholars of the Second World War and the Holocaust: David Alvarez, Shlomo Aronson, Peter R. Black, Richard Breitman, Hilary Earl, Tuvia Friling, Norman J.W. Goda, Robert Hanyok, Sébastien Laurent, Katrin Paehler, Stephen Tyas, and Piotr Wrobel." The book is in excellent condition. There are no inscriptions and all contents are tight and clean.

Hardcover. Condición: Good. 1st Edition. OWNER NAME; SMALL SIGNATURE LOOSE; VERY LIMITED MARKING; COVER SHOWS WEAR WITH SLIGHT CLOTH SHOWING.

Hard Cover. No Jacket. First Edition. HBNODJ , 1988, 1st edition, 2nd printing, Glazed color Color , minor wear & slight light small residue on back corner, X St. Louis Library, Interior Nice, tight Usual Wear, F-/F-, NODJ, 143 pgs, index.

Condición: Fine. 51 pp., spiral-bound softcover, previous owner's name to title page else fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

hardcover. Condición: Good. 1968 - 1989; German text; 5 volumes, missing band IV; each band covers different set of years; Ex library with typical stamps and markings; black cloth covered boards; no dust jacket; covers slightly soiled; tight bindings; Interior clean and unmarked; 8vo - over 7 3/4" - 9 3/4" Tall oblong; Additional shipping charges may be requested for International or expedited orders.

Softcover. 795 pp. Published in conjunction with the exhibition at the Palazzo Grassi, Venezia. Softcover. Good condition; touches of wear on covers; a patch of foxing on top edges of papers.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Large square quarto. Color photographs. Near fine in near fine DJ. A bright crisp copy. 520 pages.

hardcover. Condición: Very Good. First Edition.

Original Cloth. Condición: Very Good. Estado de la sobrecubierta: Good. Hockney, David Ilustrador. 1st Edition. Green boards have some discolouration to edges but are otherwise clean and unmarked. Page edges are browned with light spotting to the top edges. Light browning to the endpapers and the book has a slight musty smell but the pages are otherwise clean and unmarked. The price clipped jacket is very faded and has some light surface and edge wear. Curious design where the sheet for the jacket is larger at the top and bottom with two and a quarter inches folded over at the top and bottom on the reverse. First printing.

Condición: NEW. 2005. 3rd printing. 3-volume SET. Originally published 1871. Cloth hardcovers. Dust jackets. NEW.

4 volumes: 2880pp. 8vo Illustrated with charts and color and black and white maps Green cloth Ex-library, else clean tight copies: VG/no djs.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First Edition. Very good indeed, clean and tight, in a very good glossy colourfully illustrated dust jacket that has a couple of very small closed tears ( less than 2 cm ) and slight wear on the edges of the spine. See photographs. Dust jacket now protected. A very large book with numerous raised colour plates, complete. May require extra courier costs if sent overseas or you can pick it up at our shop for free. DHL Express takes about a week to most places in the world and is tracked.

Hardcover. Condición: Near Fine. No Jacket. Near-Fine original hardback copy of this important work published in 1926/7 - not print-on-demand. Clean and tidy half beige cloth covers with smooth faux-vellum spine and leather-look label with gilt lettering. Firm binding, mottled end-papers with no inscription. End-paper inner hinge areas are frayed though not affecting the binding strength. Good quality printing and paper with no aging or marks - clean throughout. No date to title page which states 'Second Impression'; the Broadway Translations Catalogue to the rear is dated 1926/7. The author is stated to be 'one of the buccaneers who was present at these tragedies'.Nine full-page illustrations. An attractive old edition. 20% discount applied.