editor autograph (12 resultados)

Soft cover. Condición: Very Good. 36 pages. Marion M Scott "Dr Haydn and Dr Geiringer" / A Hyatt King "Mozart and Cramer - The Facsimile Of A Lost Autograph" / Walter Emery "Bach's Ornaments" / The Musician's Bookshelf / Organ Recital Notes / London Concerts (M13).

Soft cover. Condición: Very Good. 36 pages. Sotheby's "Modern First Editions" prices realised for their 10-11 May,1971 auction (8 pages) / Tauchnitz Of Leipzig publications 2001-3 to 2100-1 / "Autograph Letters prices realised at Sotheby's 22 April 1971 auction / Frederic Prokosch - specially printed books for him, Sotheby's 11 May 1971 / Nine Lives + Nonesuch Press / Brian Gould "Visits To Arthur Waley.

Soft cover. Condición: Very Good. 32 pages. B Hutchison "The Anatomy of Remainders" / Frances Hodgson Burnett 1849-1924 - publications/ Tauchnitz Of Leipzig publications 3402 to 3500 / Sotheby's "The Property of Mrs.Madeleine Buxton Holmes" (8 pages) / Sacheverell Sitwell booklets / Autograph Letters and Historical Documents (6 pages).

Soft cover. Condición: Very Good. 88 pages. Illustrated. Hans Fischer; Leba M Goldstein; J E Norton; Simon Nowell-Smith; Vinton A Dearing; G Thomas Tanselle; Jean Robertson; Bent Juel-Jensen; Trevor Fawcett. Contents include: Conrad Gessner 1516-1565 as Bibliographer and Encycopedist; The Pepys Ballads; The Post Office London Directory; The Printing of George Meredith's The Amazing Marriage; Some Routines for Textual Criticism; The Recording of Press Figures; Sidney and Bandello; Michael Drayton and William Drummond of Hawthornden - A Lost Autograph Letter Rediscovered;

Soft cover. Condición: Very Good. 32 pages. Autograph Letters and Historical Documents sold by Sotheby's on 27 June 1972 (3 pages) / R E Bodle "Swiss Family Robinson" / J S Fletcher 1863-1935 published works (4 pages) / Tauchnitz Of Leipzig numbers 3501 to 3600 / Modern First Editions sold at Sotheby's 17 July 1972 (10 pages).

Soft cover. Condición: Very Good. 180 pages. Illustrated. "'Fit for a king': music and iconography in Richard Beauchamp's chantry chapel " Alexandra Buckle / "Guillaume de Machaut, royal almoner: Honte, paour (B25) and Donnez, signeurs (B26) in context" Elizabeth Eva Leach / "Two 13th-century hockets on Manere recovered" Mary Wolinski and Barbara Haggh / "Early autograph manuscripts of Marin Marais" Stuart Cheney / "Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata" Michele Cabrini / "War, peace and the ballet in Le Soir" Olivia Bloechl / "New perspectives on Thomas Myriell's Tristitiae remedium and Add. Ms. 29427" Donna M. Di Grazia / "'. so beautiful that I was almost beside myself': Vivaldi and the Basel Collegium Musicum" Robert Kintzel.

(5) pages [Titlepage, Colophone, Contents, Preface], 157 photographic plates on special paper, 82 pages of text. - Publisher's cloth with colour-illustrated gilt- and white titled dustjacket, strong cardboard-wrapper and Cardboard clipcase with title-label; small-4to.(ca. 23 x 23 x 3 cm; ca. 1 kg.). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um über 25% REDUZIERTER PREIS / PRICE-REDUCTION of over 25%; ehemaliger Preis / previously EUR 36,50] --- FIRST EDITION (not to mix with the ordinary 1970 trade-version), CLOTHBOUND ORIGINAL WITH DUSTJACKET AND CARDBOARD-BOX; FRONT FLYLEAF BOLDY INSCRIBED AND SIGNED BY THE PHOTOGRAPHER IN JAPANESE CHARACTERS. - Clothbinding with few small spots; else in best condition.

1 blank page, foretitle, engraved frontispice-portrait, 114 untrimmed pages on large paper, 1 blank p. - Publisher's olive-grey wrapper, bound in modern orange cloth with holograph spinelabel; 8vo.(ca. 23 x 16,5 cm). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um über 30% REDUZIERTER PREIS / PRICE-REDUCTION of over 30%; ehemaliger Preis / previously EUR 46,50] --- FIRST EDITION, 1 OF ONLY 50 COPIES ON 'PAPIER DE HOLLANDE'(only edition / 'seule tirage'); INSCRIBED AND SIGNED BY THE AUTHOR ''A Monsieur Francisqu[?] Sarcey /. . .''(French journalist and dramatic critic, 1827-1899). - While the rearcover is bound-in completely, the frontcover is trimmed to its black frame surrounding the title-imprint and tipped-on grey stronger large paper. On the verso of that sheet is tipped-on a cut-out part of the former wide margin of the original cover with the author's holograph dedication. --- Inner frontpanel of the new binding (apparently from the 1980ies) with tipped-in german auction-catalogue extract (of this copy) and a longer typed bio-bibliographic note on Bengesco. A WELL PRESERVED COPY.

xiv (i), (1) 589 pages on untrimmed pages; 1 folded plate. - Publisher's gilt-titled dark-red cloth binding, topedge black; large-8vo.(ca. 24 x 17 x 4 cm; ca. 1,3 kg.). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um fast 50% REDUZIERTER PREIS / PRICE-REDUCTION of almost 50%; ehemaliger Preis / previously EUR 165,-] --- FIRST EDITION, CLOTHBOUND ORIGINAL; FRONT-ENDPAPER INSCRIBED AND SIGNED BY THE AUTHOR TO CLIF[TON] DANIEL, then New York Times London- and later Moscow-bureau-chief before he became Managing Editor in 1964: ''To Clif Daniel, friend and / associate, whose good works / will show up in Volume Two. / With sincere Good Wishes / . . .'', dated 'Jan. 4 1954'; front flyleaf with later holograph ownership-name 'Tanner'. - Clifton Daniel was married to former U.S. President Harry S Truman's only child, Margaret, a celebrated opera-singer and mystery-novel writer. The first of the couple's four sons is Clifton Truman Daniel (* 1957), now honorary chairman of the board of trustees of the Harry S. Truman Library Institute. . . --- A BEAUTIFUL COPY WITH A NICE ASSOCIATION.

I) 8 pages incl. wrapper, printed with brown letters; II) 79 p., 1 single-size but 33 1/3 rpm Record in a paper-sleeve at inner rearpanel; III) Yellow-cardboard 'City-Lights-Books'-Postcard, with stamps (10+1 Cent) and postal 'San Francisco California'(Ja[n.] 31, 7pm)- +'Air Mail'-stamp. - I) Publisher's stapled brown-titled wrapper, 8vo.(ca. 21 x 14,5 cm); II) Publisher's red-titled photographically illustrated ('Machu Picchu' by Cornell Capa, Magnum) hardcover-binding, square-8vo.(ca. 20 x 20 cm); III) Postcard-size (ca. 9 x 14,5 cm). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um über 40% REDUZIERTER PREIS / PRICE-REDUCTION of over 40%; ehemaliger Preis / previously EUR 280,-] --- ---FIRST EDITIONS, 'BERLIN' INSCRIBED TO DIENST ''EL RHINO''*, FULLY SIGNED AND DATED 1961; 'STARTING . . .', with Publisher's large printed dedication-card ''With the Compliments of the Author / . . .'' at front flyleaf; on THE POSTCARD FULLY HANDWRITTEN, -SIGNED AND ADDRESSED TO ''Rolf-Gunter Dienst, Rhinozeros-Revue*, . . ., Germany''. Ferlinghetti expresses his thankfulness to ''Rhino[*] - . . . for new issue containing Burroughs - Corso - Creeley - Ginsberg etc.'' and asks Dienst to ''send 10 copies to CITY LIGHTS BOOKSTORE for us to sell?(Send bill with it + we'll pay) . . . It's a Great issue!'', dated ''1-30-62''; small ms.-note probably by Dienst in red ''erl. [abbrev. 'done'] 5.11.62''. - *) During the early 1960ies then not yet established german artist Rolf-Gunter Dienst edited a periodical named 'Rhinozeros' to publish American Beat-Poetry in Germany. --- The fragile Pamphlet 'BERLIN' slightly used, 'STARTING FROM SAN FRANCISCO' with minor shelfwear, the record quite well; the postcard nearly in best condition; A BEAUTIFUL ATMOSPHERIC SET, documenting the interrelations between american and german poetry-avantgarde in their important early years. . . - From the estate of Rolf-Gunter Dienst who died a few years ago.

1 blank sheet, holograph dedication page, titlepage with engraved coat of arms; 1 page 'Table des Livres du Nouveau Testament', 394 pages on vellum-paper; 2 blank sheets. - Richly gilt (ornamental crosses at spine, wine-branches at panel-frames, circle-ornaments at inner panel-frames) dark-green slightly grained full-morocco binding with ornamentally gilt-framed rose-colour silk interiors and likewise covered endpapers, all edges gilt, 3 marker-ribbons (green, white, rose); large-8vo.(ca. 23 x 16 x 2,5 cm; ca. 1 kg.). *** [FRÜHLINGSVERKAUF-Endspurt, noch bis Montag den 25.05.2026 / Ultimate SPRING-SALE, only until Monday May 25th 2026: um 40% REDUZIERTER PREIS / PRICE-REDUCTION of 40%; ehemaliger Preis / previously EUR 1.200,-] --- FIRST EDITION OF THE FIRST STEREOTYPE PRINTED PROTESTANT BIBLE IN FRANCE, IN A FRENCH MASTERBINDING OF THE PERIOD; FRONT FLYLEAF WITH WHOLEPAGE MANUSCRIPT DEDICATION BY THE FOUNDER OF THE PROJECT - AND BIBLE-MASSPRODUCTION THUS - NORTH-GERMAN EMIGRANT PASTOR FRÉDÉRIC LÉO TO CROWN-PRINCE FRIEDRICH LUDWIG HERZOG ZU MECKLENBURG-SCHWERIN (one of the financers of the project) DATED IN THE YEAR OF PUBLICATION: ''Hommage / À S.A.S. Monseigneur / Le Price héréditaire / Frédéric Louis / de / Mecklenbourg / par Son très-respectueux Serviteur / Frédéric Léo. L (Mecklembourgeois) / Fondateur de l'Institution Biblique Stéréotype / de Paris / Membre . . . / . . . / à Paris le 20 Juin 1813.'' --- Lutheran Pastor Frédéric Léo from Mecklenburg-Germany was sent as 'pastor-suffragan' of the Lutheran Consistory to Paris in 1811 to spread the protestant view of christianity in the catholic heart of France, and with the support of Frederic Louis Crownprince of Mecklenburg - to whom he dedicated this particular bibliophile copy - raised funds for the massprint of bibles (not only) from the crownprince's former brother-in-law Tsar Alexander I., who himself founded of the 'Bible Society of Russia'. Together with the famous french printer Firmin Didot, who perfectionized the stereotype-printing process to produce a very large number of pages from 1 plate in lasting good quality and economically successful, Léo started the mass-production of Ostervald's New Testament in 1813 which in quality and number by far exceeded earlier stereotype bible-editions in Germany (Canstein/Halle) and England (Stanhope/Cambridge), although not many seem to have survived resp. can be found in trade. This was the initial moment for the mass-production and wide-spread of printed bibles, affordable for 'everyone'. Encouraged by his success in 1816 Léo also initiated a 'Catholic Society for the Distribution of the New Testament' to publish an edition according to the version of Sacy until his 'Institution Biblique Stéréotype' was shut down by the Vatican's condemnation of Bible Societies in 1825. The publishing of protestant as well as catholic bibles also made him a Pioneer of ecumenical christianity. . . - BINDING SLIGHTLY RUBBED, rearpanel slightly scratched, bottom of frontjoint slightly split for 2-cm; A BEAUTIFUL COPY IN ALMOST BEST CONDITION AND WITH THE BEST POSSIBLE ASSOCIATION (until a dedication copy to Alexander I. in his private binding may be discovered); A MILESTONE IN PRINTING-HISTORY. . .

Paper. Condición: Near fine. Handwritten by John Steinbeck, parts two and three of his three-part article for The New York Times Magazine titled, "Autobiography: Making of a New Yorker." Together with three autograph letters signed by Steinbeck to NYTM editor Seymour Peck, and o Ilustrador. Handwritten Manuscript. In total, this collection includes 12 legal page leaves, written in pencil by Steinbeck on rectos only, and one typed letter from his editor. All in near fine condition, with faint toning to edges and small paperclip indentations. (Goldstone & Payne C90, article) With an 11-page typed transcription of the drafts and letters, bound in chronological order of appearance. Housed in a custom brown cloth clamshell case, title printed on paper label affixed to spine. (Provenance: Christie's 1986; Christie's 1999) John Steinbeck's article "Autobiography: Making of a New Yorker," begins in Part One (not included here) with his first unhappy (and short-lived) experience in New York City in 1925, at the age of 23. Part Two, handwritten here, details his second "assault on New York" in the fall of 1935, in which he begrudgingly transforms from a "Country Boy" into a true "New Yorker." At first, Steinbeck writes: "It is so strange to look back. I was going to live in New York but I was going to avoid it." Near the end of the installment, his anecdotes change. He writes: "Everything fell into place. I saw every face I passed. It was beautiful - but most important - I was part of it, I was no longer a stranger." In the final section, handwritten here, Steinbeck describes the broad dichotomy of the city, and romanticizes city life. He writes: "New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But. once you have lived in New York and it has become your home - no place else is good enough. All of everything is concentrated here, population, theatre, art, painting, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything." The correspondence between Steinbeck and NYTM editor Seymour Peck primarily discusses deadlines for the article drafts. In the first letter, Steinbeck tells Peck of his plans for the three-part article. Peck responds on November 26, 1952, asking for all writing to be completed by December 24, 1952. The second letter is inserted at the end of Part Two, informing Peck that Part Three will be along shortly. The third letter, dated December 17, 1952, accompanies Part Three, in which Steinbeck says the article "isn't very good, but it is heart-felt." A truly exceptional collection of autobiographical writings from a classic American author. Despite his reputation as a Californian, John Steinbeck spent nearly half his life living in New York City. In 1925, he left Stanford University without a degree and moved to the city for roughly one year. He returned to New York with his then-girlfriend Gwen, living for a while in Sneden's Landing. They stayed in New York until the birth of his first son, Thom, and the publication of Cannery Row (1945). He later returned to the East Coast with his third wife, Elaine, and bought a home in Sag Harbor in 1955. Steinbeck remained in New York City until his death in 1968. Signed.