Librería: Revaluation Books, Exeter, Reino Unido
EUR 53,29
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 500 pages. 12.50x9.25x1.65 inches. In Stock.
Idioma: Inglés
Publicado por Walther König / Koenig Books / Serpentine Galleries, 2011
ISBN 10: 3865609430 ISBN 13: 9783865609434
Librería: Antiquariat UEBUE, Zürich, Suiza
Original o primera edición
EUR 49,53
Cantidad disponible: 2 disponibles
Añadir al carritoHardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. Z : 22 x 25,5 cm, 200 Seiten/pages, illustrated throughout. - Philippe Parreno rose to prominence in the 1990s among a group of artists later gathered under the rubric of Relational Aesthetics. Parreno has sought to redefine the exhibition experience as a coherent object rather than a collection of individual works. In this spirit, his recent exhibition at the Serpentine Gallery constitutes an environment through which the visitor is guided by an orchestration of sound and image. This catalogue for the exhibition examines Parreno s films, including Invisibleboy (2010), the tale of a Chinese immigrant boy who sees imaginary monsters that are scratched onto the film stock; June 8, 1968 (2009) which revisits the train voyage that transported the corpse of Robert Kennedy from New York to Washington D.C.; and The Boy from Mars (2003), which partly focuses on the generator that supplies the power required to make the film.
Librería: Antiquariat UEBUE, Zürich, Suiza
Original o primera edición
EUR 61,91
Cantidad disponible: 1 disponibles
Añadir al carritoSoftcover. Condición: Sehr gut. 1. Auflage. Z : 31 x 32 cm, 384 pages, 183 color & 21 b/w illustrations - It is uncertain if Edi Rama's doodles are the fruit of close attention or daydreaming. Made on printouts of his daily agenda, office notes, protocols, faxes, and other official correspondence, the drawings are like a stream of lava, loosely binding the day-to-day grind. While Rama's mind focuses on the political context of the discussion, his eyes are focused on the paper, following his hand that draws, like a spiritual medium, his inner experience. Anri Sala compares and contrasts the doodles within the context of Rama's background. Opposite Rama's doodles, Sala places headlines of concurrent daily news from Albanian and international papers, covering political, social, and other events of different impact, i.e. local, Albanian, European, international, and sometimes universal.