edited introduction mark schorer (7 resultados)

Hard Bound Volume. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Chipped d/j.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. A very good copy of the first hard cover edition (full number line beginning with 1), lacking a dust-jacket. The text is wholly unmarked, pristine, and the binding bright and fresh in appearance. A sharp copy. [Please note: Due to the (folio) size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.].

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. First edition, FOURTH printing. Fourth printing number code sequence 4 through 13 to the copyright page. A publication in the Twentieth Century Views series. A collection of twenty-four diverse interpretations and views on Lewis and his writings by an impressive group of authors and critics including H.L. Mencken, Rebecca West, Joseph Wood Krutch, E.M. Forster, Edmund Wilson, Malcolm Cowley, Alfred Kazin, and more. Slight age-toning to the end-papers as usual, else tight, square, firm and fine in fresh black linen with gilt embossed titles to the spine; in an about very good price-clipped and rubbed dust jacket with a two-inch slightly crimped tear to the upper front spine fold, a half-inch creased tear to the upper front panel's edge, and some small shelf-edge chips to the rear panel that also shows a mild light-tan stain to it's upper rear portion. No marks. Octavo; 174 pages; chronology; notes; bibliography; plus two pages of ads to the rear. The dust jacket will be placed in a clear, removable protective sleeve after scanning for this entry.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First edition, first printing. Fine in a fine dust jacket. Folio. 624 pages. This limited edition consists of the complete facsimile of the final hand-written version of Lawrence's novel, together with six fragments from PAUL MOREL, the final version.

Hardcover with Dust Jacket. Condición: VG+ in a VG DJ.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Printed in the USA. First Printing. [Date from the copyright page.] Introduction; Paul Morel: Fragments; Supplement: Textual Variants; [vi], 624 pages. The attractive maroon cloth is in excellent shape, with gilt lettering on the spine and upper board as bright as when first issued. [Please see multiple images of the actual book.] The interior is crisp and clean and free of any markings. The unclipped dustjacket has a few small tears and a number of wrinkles in the cover. [Again, see images.] "This volume consists of the complete final hand-written version of Lawrence's novel, together with six fragments from 'Paul Morel' [his earlier title for this work---almost until its publication]. The manuscript is remarkable for a number of reasons. It includes the many thousands of words, all legible, deleted by Lawrence's editor, Edward Garnett; Lawrence's own deletions, entirely legible; and, most interestingly, the many passages of Lawrence's rewriting, in which both the deleted words and the new words are almost always entirely legible. . . . A list of variants includes a number of corrections of errors still standing in current reprints of 'Sons and Lovers'." My father had a vast collection of D. H. Lawrence books---please see titles listed separately, or inquire. As with every book from my father's collection, tipped in at the front is the small, attractive, acid-free bookplate pictured on my homepage. All books are wrapped with special care and are shipped promptly---domestic sales sent with 'delivery confirmation' tracking; international sales sent via global priority, also with tracking. Please note: This heavy, oversized tome will require extra postage and probably cannot be shipped internationally. Also, due to COVID-19, there may be unusual delays.

First Edition. Very nice copy dust-wrapper. From the Library of Kenneth Hopkins, with his autograph signature in red ink on the front free end-paper Contributors include Kenneth Burke on "Formalist Criticism: Its Principles and Limits" and John Crowe Ransom on "Theory of Poetic Form".