edited bax (81 resultados)

Hardcover. Condición: Good. No Jacket. Hard Cover in Good condition. Clean, Strong binding and unmarked pages. No underlining or notes in the margins. Minor scuffing of the covers. Spine faded. No Dust Jacket. Previous owners name inside front cover. CAREFULLY PACKED in a sturdy BOX. All USA orders ship with tracking number and email confirmation. Payment may be made by Check, Money Order or Paypal. Because of the expensive cost of international shipping, INTERNATIONAL buyers MUST contact me first to arrange a shipping quote to your country.

Softcover. Condición: Very Good-. Page edges are lightly browned.

Hardcover. Condición: Good+. No Jacket. 1st Edition. Green Cloth, X + 67 Pages. A Soundly Bound Book, Internally Unmarked, A Little Shelf-Wear Only. Not Ex Library.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Hbk, xxiv + 52 full page sepia photographs. London: Frederick Muller, 1946. Some light foxing to endpapers o/w a clean unmarked copy in good condition. Dustwrapper also in pretty good condition despite some tears mostly around edges. g175 / m5189.

Magazine. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition (quarterly publication). Covers have foxing. Otherwise this quarterly publication is clean and unmarked in very good condition. 60 pages.

Magazine. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition (quarterly publication). Covers have heavy foxing. Otherwise this quarterly publication is clean and unmarked in very good condition. 56 pages.

Hardcover. Condición: Good +. Estado de la sobrecubierta: Dustjacket Fair ++. First Edition. 54 pages. Grey background but lightly/moderately browned dustjacket with light/moderate wear to edges and corners, spine-junctions rubbed, 1 1/4 inch taped tear to top front edge. Clean blue hardback binding with light wear to boards' corners and spine-ends. Page-edges lightly foxed, pencil name to flyleaf o/w pages clean.

Softcover. Condición: Very Good. Periodical. Small quarto. Black and white illustrations. Glossy pictorial wrappers. Toning the front cover and some light toning, very good. Include poems by D.M. Thomas, Alan Brownjohn and Pete Reading, and others.

Original Wraps. Condición: Very Good. Estado de la sobrecubierta: Very Good. Michael Foreman, Laura Knight et al Ilustrador. First Edition. Ambit Number 127, published in 1992. Illustrated throughout in monochrome. ***Very good in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are slightly rubbed. The top of the spine is slightly creased. No tears. Internally also very good with no inscriptions. Pages clean. Spine tight. ***244mm x 176mm. 96 pages. ***Contents: James Laughlin: Poems, Robert MacAulay; Vanessa Jackson: Drawings; Ann Gray: Poems; Martin Bax: Le Magasin des Gants, David Remfy; Rosemary Norman: Poems; Adrian Mitchell: Poems; Michael Foreman; Judith Kazantzis: The Glass Avenue, Laura Knight; Andzej Klimowski: The Story So Far; Josephine Wilson: Poems; Lomas / Eisa Sterberg: Money Doesn't Stink; E.A. Markham: Madeline; Elizabeth Smith: The Tzar, Lenin & Picasso; Lois Beeson: Poems; Jim Burns: Reviews; David Grubb: Poems; Sue Flynn: Disabled Vows; Ian Pollock: Drawings; Liz Dearden: Cut Woman Poems; Linda Sutton: Etchings; Anthony Edkins: Poems; Lomas / Belbin: Reviews; Ambit Nights Out; Felicity Napier: Poems; Richard Dyer: Poems / Pictures. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***An early 90s edition of the magazine in very nice, collectable condition. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Original Wraps. Condición: Very Good. Estado de la sobrecubierta: Very Good. Michael Foreman, Laura Knight et al Ilustrador. First Edition. Ambit Number 126, published in 1991. Illustrated throughout in monochrome. ***Very good in textured card monochrome-illustrated outer wrapper over thin white card covers. The edges of the outer wrapper are slightly rubbed. The top corner of the page block is slightly creased. No tears. Internally also very good with no inscriptions. Pages clean. Spine tight. ***244mm x 176mm. 96 pages. ***Contents: Jim Burns: Poems; Justine Rivers: Skin; Robert MacAulay; Judy Gahagan: Poem; John Emanuel: Drawings; Elaine Randell: Poem; Jonathan Treitel: Quest; Ken Cox: Drawings; Elaine Randell: Storm Damage; Laurie Preece: Pitures; Donal Atkinson Poems; Charles Shearer: Drawings; John Gower: Lillian; Mike Foreman; Edward Lowbury; Mary Knight: The Girl with the Unicorn; David Remfry; Herbert Lomas: Reviews; Florence Elon: From Frieda & William; Pop Art Retrospective from Ambit: Hockney / Paolozzi / Caulfield / Donaldson / Jones / Blake / Anuand / Donaldson; Joel Lane: The Death of the Witness; Laura Knight; Jeff Nuttall: Eyes IV; Jacqueline Lucas: Poems; William Hampton: To a Man Who Became a Storyteller; Ann Born / Vernon Scannell: Reviews; Duncan Chambers: Poems; Eric Mathieson: Reviews; Robert Magowan: Looking for Binoculars; Kevin Crossley-Holland: Poem. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting. (Martin Bax interview with 3:AM magazine) ***An early 90s edition of the magazine in very nice, collectable condition. Of interest to collectors of AMBIT and poetry magazines in general. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Hardcover. Condición: Good. FIRST EDITION with dust jacket plus owners stamp(s) / signature - will send out 1st class post.

Condición: Very Good. 1977. Paperback. Fine copy showing minor shelf wear. . . . . Books ship from the US and Ireland.

Leinenband. Condición: Gut. XXInhaltsverzeichnis pages of text, in Annex 52 portraits, directory of portraits, gold embossing-back titles, on volume-25 / XXInhaltsverzeichnis Textseiten, im Anhang 52 Porträts, Verzeichnis der Porträts, Goldpräge-Rückentitel, Groß-8° Sprache: Englisch Gewicht in Gramm: 310.

Softcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Magazine. Cover by Coleman Dowell. Quarto. 96pp. Perfectbound. Black and white illustrations. A small crease on the rear wrapper else fine in a near fine dustwrapper with light foxing and rubbing. Notable contributors include Jim Burns, Peter Redgrove, Jeff Nuttall, Geoffrey Holloway, and others.

Paperback. Condición: Good. Estado de la sobrecubierta: Good. Some tanning to covers. Light rubbing to extremities. Corners a little creased.

Condición: Very Good. 1946. hardcover. Good clean copy with minor shelfwear. DJ has some minor nicks and tears, remains very good. . . . . Books ship from the US and Ireland.

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. UK1ST.EDITION.1ST.PRINTING.VG+ CLOTH SOFTWRAPS. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng Language: eng.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good+. First Edition. Very Good Tight First English Edition Good+ Dust Jacket. NOT a library copy. The Dust Jacket has a only a few small chips but some crinkling and foxing wear. See our scans book and jacket Hardcover binding tight, no writing inside book. Internally clean. Gilt titling bright. 67pp.Even in prose letters Yeats is the prince of poets. See our Three Geese in Flight Book Scans.

Softcover. Condición: Near Fine. Number 46. Small quarto. 48pp. Illustrated. Stapled wrappers. Wraps lightly tubbed and with a few creases, corners gently bumped, about near fine. Includes contributions by Gavin Ewart, Asa Benveniste, Fleur Adcock, Pete Morgan, and others.

Softcover. Condición: Very Good. First edition. Small quarto. Black and white illustrations. Glossy pictorial wrappers. Foxing on wraps with a small nick at the crown, very good. Contributors include Ivor Cutler, Barbara Riddle, Miles Burrows, Arturo Laskus, Sue Jackson, Gavin Ewart, John Mole, and more.

Softcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Magazine. Cover photo of Euphoria Bliss by O.T. Quarto. 96pp. Perfectbound. Black and white illustrations. Some pages creased with foxing along the page edge, near fine in a very good dustwrapper with foxing. Notable contributors include Ian Watson, George Macbeth, Peter Blake, Ralph Steadman, Gavin Ewart, David Hockney and ohers.

Condición: Very Good. 1977. Paperback. Fine copy showing minor shelf wear. . . . .

Condición: Very Good. 1946. hardcover. Good clean copy with minor shelfwear. DJ has some minor nicks and tears, remains very good. . . . .

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Rubbing to corners of D/J. Several very small closed tears to edges of D/J.

Original Wraps. Condición: Near Fine. Estado de la sobrecubierta: No Jacket, as Issued. Andrew Lanyon, John Parsons, Stevie Smith et al Ilustrador. First Edition. Ambit Number 28, published in 1966. Illustrated throughout in monochrome. Includes "A Dream", "How Cruel is the Story of Eve" and "The Ass" - poems written and illustrated by Stevie Smith, and a four-page spread of street photos by Andrew Lanyon. ***Near fine in glossy card stapled covers. The covers are just very slightly rubbed. No bumps or creases. No tears. Internally also near fine with no inscriptions. Pages clean. No marks. Spine tight. ***250mm x 185mm. 48 pages. ***Contents - work by: Martin Bax; Stevie Smith; Jack Marriott; Stuart Mills; John Parsons; Gavin Ewart; Christopher Ounsted; J. Bronowski; Andrew Lanyon; John Pudney; Michael Jamieson; Paul Wilks; Anthony Edkins; Jim Burns; Barry Cole; Dannie Abse. ***'In the sixties AMBIT became well known for testing the boundaries and social conventions and published many anti-establishment pieces, including an issue with works written under the influence of drugs. Edwin Brock was poetry editor, and J. G. Ballard became fiction editor alongside, later, Geoff Nicholson. Henry Graham and Carol Ann Duffy joined Edwin Brock as poetry editors. Michael Foreman was art editor for 50 years. Across the magazine's history, Derek Birdsall (Omnific), Alan Kitching, John Morgan Studio and Stephen Barrett were notable designers.' (Wiki) ***'AMBIT started in '59; there were various impulses behind it. I'd been interested in the writer John Middleton Murray, who was married to Katharine Mansfield. He had run a magazine from about 1910 onwards for two or three years called Rhythm that attracted writers like D.H. Lawrence, and Katharine Mansfield of course. What was striking about it - you could look at it in the V&A library - was that Murray, who really knew nothing about art, had met a Scottish artist called Ferguson who was sending over from Paris artwork by "young" artists like Picasso, Miro, etc. They looked quite startling in this 1910 magazine. And the idea, that Murray never developed, of trying to produce a magazine that had literary and visual material really working together, came to me out of that. But the other initiatives were more simple. There weren't many magazines about then because the possibility of what everybody can do now -- produce a magazine from a 'desktop' in quite small numbers and for not very much money -- didn't exist. But electronic things were just starting to happen, and the first number of Ambit we partly set ourselves on a machine called a variotyper. It enabled us to paste down visual work of which we had some good drawings from an Australian artist, Oliffe Richmond, in this first number and enabled us to begin the notion of producing an arts magazine rather than the traditional poetry or Eng. Lit. magazine. I'd say there's still no magazine in the country that combines high class artwork, produced and found by Mike Foreman over the years, alongside writers who I think are exciting.' (Martin Bax interview with 3:AM magazine) ***A collectable 1960s edition of the magazine in near fine condition - this issue of particular interest for collectors of the poetry and illustrations of Stevie Smith, who features, and for collectors of AMBIT and poetry magazines in general. An uncommon issue of the magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Cloth. Condición: Very Good. First Edition. Slight foxing to end pages. Couple of slight marks to cloth. Let me say at the outset that it was not an easy task to choose fifty-two representative players, and that time after time I have been dismayed by rememberting orthers who ought, if space was unlimited, to appear in my gallery of portraits. Illustrated. 52 pp.(We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions ,and all types of Academic Literature.).

Hardcover. Condición: Very Good Plus. Estado de la sobrecubierta: Very Good. First Printing. Hardback 1946.1st edition. 19x13cm. Clean & tight. No inscriptions. Flat pages. Jacket has wear to the top edge & a 1.5 cm closed tear. Front flap is not price-clipped. Jacket is now under clear removable covers. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref A17. The Silver Casket, being love-letters and Love poems attributed to Mary, Queen of Scots. Edited by Clifford Bax. Published by Home & Van Thal Ltd.

Paperback. Condición: Very Good Plus. Estado de la sobrecubierta: Very Good Plus. Soft cover in jacket 2003. 104 pages. Flat covers. Clean & tight. No inscriptions. Flat pages. Jacket is now under clear removable covers. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref 66/26. Ambit 174. Autumn 2003. Edited by Martin Bax.

Stapled Card Covers. Condición: Very Good Plus. Drawings by Michael Foreman Ilustrador. Card Covers 1960. 32 pages. Clean & tight. No inscriptions. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref 600.3. Ambit. No 6. Autumn 1960. Magazine. Edited by M. C. O. Bax. Drawings by Michael Foreman.

Hardcover. Condición: Near Fine. First British edition. 67pp. Faint spotting on the endpapers else near fine, lacking the dust jacket. Bibliographer Edwin Gilcher's copy, with his ink signature on front pastedown. Contains the first appearance of a three-page "Explanatory Word From Mr. Shaw" and thirty-one pages of letters by George Bernard Shaw [Laurence A242].