Eddins john m (6 resultados)

Soft cover. Condición: Good. Good Condition paperback 568 pages.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. Paperback in very good condition. All inside pages are in great condition. Minor shelf wear to the cover.

Trade Paperback. Condición: Very Good. Reprint. Pictorial softcover, 568pp w Index, illustrated in color and B&W -- a large number of photographs and color plates. Light rubbing and edge-wear - interior pages clean, tight, and unmarked.

x, 228 pages. Hardcover: H 24.25cm x L 15.75cm. Purple dust jacket rubbed with bumping along edges. Purple boards with vibrant gilt spine lettering. EDITOR'S TEN-LINE INK INSCRIPTION DATED JULY 6, 1995 ON FRONT FREE ENDPAPER FAMILIARLY SIGNED "DWIGHT." Interior pages are otherwise clean. Binding is firm. A very good+ copy in a very good dust jacket. Papers and concluding panel discussion of the Eighteenth Alabama Symposium on English and American Literature held Oct. 8-10, 1992, at the University of Alabama. With Acknowledgements, Introduction by editor Dwight Eddins, Contributors, and Index. Features the following nine papers: "What is Humanistic Criticism?" by M.H. Abrams, "The End of the Poststructuralist Era" by Frederick Crews, "The Current Polarization of Literary Studies" by Richard Levin, "Time and the Intelligentsia: A Patchwork of Nine Parts, with Loopholes" by Gary Saul Morson, "The Agony of Feminism: Why Feminist Theory is Necessary After All" by Nina Baym, "Confessions of a Reluctant Critic; or, The Resistance to Literature" by Ihab Hassan, "Deconstruction After the Fall" by David Lehman, "The Poetic Fallacy" by Paisley Livingston, and "Literary Theory and Its Discontents" by John R. Searle. ISBN 0817307788.…

Soft cover. Condición: Good. 1977, Harcourt Brace Jovanovich, 8vo., 568pp., coloured and plain illustrations, good, wrappers a little worn and soiled.