Eates margot (37 resultados)

Cloth Hardbound. Condición: As New. Estado de la sobrecubierta: Very Good+. First Edition. 226pp including index Illustrations Dust jacket has tiny tears and chips on edges and rear cover is soiled Protective mylar cover over dust jacket.

Condición: Fair. First edition copy. . No Dust Jacket 1st US edition. Book Good. No dust jacket. (painting, landscapes) [ISBN 071952671X] NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Condición: Very Good. No jacket. Tate Gallery, 1975. Paperback, 4to, 116pp, illust. A good copy. 0900874953/0.4uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Hardcover with dustjacket and protective plastic overwrap; 156 pages; very good condition; small smudge to dj at bottom of spine; light brown spotting to outer page edges and edges of a few internal pages; no internal marks. Foreign shipping may be extra.

xvi+156pp. 4to. Original boards in slightly worn dustwrapper. Black and white illustrations. A very good copy. First edition. US using UK sheets.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. Carefully wrapped on a protective acetate cover.

Hardcover. Condición: Good. 1st Edition. John Murray, London, 1973 First edition hardback, gilt titles and motif to orange boards, 312 pp illustrated in colour and black and white. Small tares to top jacket corner, some very light tan spots to first few pages and Otherwise covers and inside in VERY GOOD CLEAN TIGHT READING ORDER. Full refund if not satisfied. 24 hour dispatch. If not pictured in this listing, a scan of the actual book is available on request.…

Soft cover. Condición: Near Fine. Book measures 25x19cm, 116pp. Illustrated throughout. Bound in original publishers softcover. Binding lightly rubbed with some minor shelf wear. Binding in near fine condition, internally pages clean, A very good clean copy.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 290 x 220 mm. xvi, 156 pp., with 144 illustrations, 20 in colour, and 12 text-illustrations. [ISBN: 978-0719526718] Clothbound. A very good bright copy in like price-clipped dustwrapper.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Uninscribed. Dust jacket without wear, price clipped. There is a small water stain on the bottom of the title page and a smaller one on the next page. The rest of the book is fine.

Softcover, 116 pages; very good condition; except covers browned at edges; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Near Fine. Paperback. First Edition. uncorrected copy,original card covers,illustrated throughout,152 pages,a very clean near fine copy.Shelf 93.

Hardcovers. Condición: Fine. Estado de la sobrecubierta: Fine. Qto., Cloth, xvi, 156 144 illustrations, including the colour plates. A very clean copy, in a Fine dust jacket. Images can be supplied upon request.

Condición: VG. NY 1968 Authorized reprint by Arno Press. Originally published in 1950. 4to hardcover. Over 100p. Glossy stock, Bw photo illus. VG.top cover corner tips gently bumped. no owner marks. no dj. Hard-to-find.

Hardcovers. Condición: Fine. Estado de la sobrecubierta: Fine. Inscribed copy from the Paul Nash trustees to Ronald Alley, Director of the Tate Gallery, association copy, linking both the artist and Ronald Alley a major figure in the british art world. Cloth, xvi, 156 144 illustrations, including the colour plates. A very clean copy. Images can be supplied upon request.…

First edition, first printing. Near fine large format in near fine price clipped dustjacket.

1ST EDITION. OCTAVO. A FINE COPY IN A FINE DUSTWRAP. VERY WELL ILLUSTRATED.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition, Illustrated Edition. 1973 John Murray Hardcover 1st Edition 1st Impression. Near fine clean tight binding in very good+ clipped dustjacket. Wonderful jacket design & illustrations as shown.

cloth, dust jacket. 4to. cloth, dust jacket. xvi, 156 pages. First edition (Horne 332-3). Nash's work in a biographical context with emphasis on his paintings of the 20th century world wars. Foreword, essay by C. Day Lewis, preface. Catalogue of plates, 144 plates, both color and black and white, Chronology of Nash's life, list of public collectioins, index of paintings, watercolors and drawings, general index. 12 plates in text. Dust jacket and endpapes toned. Nash, Paul (ilustrador). …

First edition, first printing. Near fine large format with an inscription to the front free endpaper in near fine price clipped dustjacket.

Hardcover. Condición: Very good. No Jacket. 144 illus., some in colour, index; xvi+156pp. folio orig. cloth, some wear on extremities. Paul Nash (ilustrador).

First edition, first printing. Near fine large format in near fine dustjacket.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Published by John Murray, London, UK, 1973. Original orange cloth gilt. Dustwrapper. Size: 23.2cm x 29.3cm. pp. xvi, 156. Copy of Isobel, Baroness Radnor, with her armorial bookplate and inscribed to her by the author 'with affectionate good wishes'. Also includes two autograph letters from Eates to Radnor in an envelope which has been attached to the front paste-down. One of these discusses how surprised she is by the success of the book and how: "I wish you'd known Paul. He was one of Harley's and my closest friends" and "If he opened the door and walked in I'd simply say 'Darling Paul, how splendid to see you,' and go on from where we left off." The second letter refers to her visit to see the 'Whistler glass at Moreton… as well as the recumbent effigy of (T. E.) Lawrence. Did you know, by the way, that Lawrence insisted on the engravings for the 'Special' edition of the Seven Pillars being done by Paul Nash? Lawrence himself was a student of Margaret Nash's father, who taught him Arabic at Oxford". Illustrated throughout in colour. A near fine, tight, clean copy in near fine, very slightly creased and marked dustwrapper. ISBN 0714828122. Signed by Author(s).…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: very good. First edition. First edition. Hardcover. Quarto. 80pp. text. 132 plates, many tipped-in color plates. Includes exhibition history and bibliography. Small ownership stamp of first blank. Toning to endpapers, wrinkling to paper that color plates are tipped onto.…

first edition 80pp+plates [b/w and col.] VG+ (teal cloth w.white dec.stamp to top board,spine and lower edge v.sl.sunned,content edges v.sl.foxed o/w clean and tight) in VG d/w (sl.rubbed and soiled/browned,mod.wear and chipping to extrems.).

1st Ed. 4to. xii + 80pp. text. Port. frontis., 132 plates including 20 mounted colour plates. F.e.ps. very lightly browned, ownership signature, some of the colour plate pages sl. wrinkled, original white lettered cloth sl. faded to head and tail of boards and head and tail of spine, in browned and chipped d/w. Additional postage may be necessary US$111.…

XII + 80 con 132 tavv. in nero e a colori applicate f.t. p. 300x235 mm.

30 x 24cm. Hardcover with dustjacket, xii + 80pp + and 132 plates, many colour. Ownership inscription of Charles Lutyens on front endpaper. Dustjacket has been sympathetically restored with Japanese tissue, and is now protected in removable archival sleeve. Published as a memorial volume, containing the texts: Herbert Read 'Paul Nash as Artist', John Rothenstein 'Paul Nash as War Artist', Hartley Ramsden 'Paul Nash as Landscape Painter', and Philip James 'Paul Nash as Book Illustrator and Designer'. Good condition.…

First Edition. 30 x 24 cm 80 pp text with numerous mounted colour plates and addiitional b&w illustrations. Cloth, very good in worn dustwrapper.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: good. First edition. Original cloth, d/w. 4to. pp. xii, 80, [145]. frontis. & 132 illus. (incl. 20 mounted colour illus. on 18 plates). bibliography. "This Memorial Volume.is based on a project designed by the artist shortly before his death". D/w frayed and marked.…