earle snell (8 resultados)

Two vintage studio still photographs from the 1956 Western film. A young farmhand from Georgia plots revenge for the death of his friend, a former outlaw. 10 x 8 inches. Very Good plus, lightly toned, with pinholes at two corners. Pitts 1071.

Condición: VERY GOOD. First printing. Anthology of writings by students and alumni, including "The Passing of Cock-Eye Blacklock" by Frank Norris, Class of 1894. "The Spotted Dawg" by Elinor Gates, 01, "Yesterday - a Toast" by Sarah Ashby, '10 (first place winner in the English Club story contest) and more. Photographic frontispiece, illustrated title page, small decorations of the California bear on every page. Nicely INSCRIBED on the front endpaper by Earle Snell, one of the two business managers: "To Stu Masters, who gave me my first childish impression of a finished U.C. product, as well as a disastrous aspiration to emulate him in rivaling H. Greeley." Snell (1886-1965) went on to have a long career as a filmwriter in Hollywood, while Stu Masters and Marguerite Ogden, the editor, both died in the flu epidemic in 1918. Printed by the Stanley-Taylor Company, San Francisco. Very good in tan cloth with dark blue and gold lettering and insignia.

Vintage reference photograph from the 1931 pre-Code film, showing actors Aileen Pringle and Jack Holt. Based on the 1929 play by Eva Kay Flint and Martha Madison. 10 x 8 inches. Very Good plus.

Three photographs from the 1939 film, including two vintage studio still photographs and one vintage reference photograph. One with a printed snipe affixed to the bottom margin of the recto. Romance blooms between two rival detectives who are forced to work together to exonerate a divorcée accused of murdering her ex-husband. 10 x 8 inches. One Very Good plus, two Very Good, lightly wavy, with light creasing and edgewear.

Three vintage photographs from the 1939 film, including two vintage reference photographs and one vintage studio still photograph. The ninth and final installment in the Torchy Blane series, and the first film to feature Jane Wyman as the eponymous heroine. Blane, a wisecracking reporter at the fictitious Daily Star, returns to help her police lieutenant boyfriend jail a gangster. 10 x 8 inches. Two photographs Very Good plus, with light edgewear, one photograph Very Good, with pinholes to the upper edges and light creasing and toning.

Two vintage portrait photographs from the 1938 film, one showing actors Lyda Roberti, Jane Wyman, and Joe E. Brown, and one showing Wyman and actor Alison Skipworth. It's up to a small town soda jerk to stop a group of mobsters staying at a local inn with the intention of stashing their stolen loot. Set in the fictional town of Willow Springs. One photograph 8 x 10 inches, one photograph 10 x 8 inches. Very Good, with light, even toning and edgewear, and one with light foxing to the verso.

Draft script for the 1956 film, here under the working title "The Outlaws are in Town." Copy belonging to Robert Arthur, who played Lonny Kesh, with his name on the front wrapper in manuscript pencil and his manuscript pencil and ink annotations throughout. Lonny Kesh (Arthur) works his family's farm in Georgia, but has big dreams of going west. His dreams are realized one day as he heads to Texas and ends up running with a gang of outlaws. He eventually returns to the family farm to find his parents have passed on. All goes smoothly until his former gang shows up. Set in Georgia and Texas. Green titled wrappers, rubber-stamped copy No. 27, dated June 18, 1956. Title page present, dated June 18, 1956, with credits for screenwriters Earle Snell, and Kurt Neumann, and author Bennett Foster. 106 leaves, with last page of text numbered 106. Multilith duplication, with blue revision pages throughout, dated July 2, 1956. Pages Very Good, wrapper Very Good bound with two gold brads.

Vintage publicity photograph of Norman Foster, Florence Rice, and Victor Jory from the 1935 film, with a two stamps on the verso, including one stamp crediting photographer" Ray Jones, and a mimeo snipe under the working title "Song of the Damned," on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. In a remote cottage Florence Rice eagerly awaits the arrival of her father, Victory Jory, and Norman Foster, escapees from the French penal colony Devil's Island. After Foster arrives with the news Rice's father was killed, the two begin to fall in love, until Jory shows up several days later. 10 x 8 inches. Near Fine.