dreyblatt arnold (41 resultados)

Condición: New. German edition, in German and English. Shrink wrapped!

Hardcover. Condición: Very Good. Includes CD - crisp clean w/light shelfwear/edgewear - may have remainder mark - NICE! Standard-sized.

Hardcover. Condición: Good. no dj, some wear, still nice! - may have remainder mark or previous owner's name Standard-sized.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Softcover, 312 pages; in English and German; very good condition except spine slightly slanted; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Good. No jacket. Bilingual English and German edition. Catalog published for the exhibition "Elemental Gestures - Terry Fox" at Akademie der Künste, Berlin, November 6, 2015-January 10, 2016; BAM - Musée des Beaux-Arts, Mons, March 5-June 12, 2016; Von der Heydt-Museum, Wuppertal, October 2, 2016-February 12, 2016; Kunstmuseum Bern, March 3-June 4, 2017. Cover is worn along edges. Bottom corner of front cover is bumped. Spine is bumped and creased, but binding is tight. Inside is clean, bright, and unmarked.

paperback. Condición: Very Good. With Powell's sticker on front Very Good paperback with light shelfwear - NICE! Oversized.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

1. Auflage. 24 Seiten. OBr. (Klappenbroschur), Quer-Quart 21 cm x 27 cm, 24 unpaginierte S.; zweimal Besitzerstempel im Buch, Umschlag leicht angerändert, sonst gut erhaltenes Exemplar.

Softcover, 232 pages; in German; very good condition, light rubbing to covers; inscribed and signed by author on first page; no other internal marks. Foreign shipping may be extra.

Condición: Used - Very Good. VG paperback. 2015 1st edition to accompany an exhibition; numerous colour and B&W illustrations; spine and cover uncreased; a very clean, tidy copy. Used - Very Good. VG paperback.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: As New. 1st Edition. 1st Printing. Signed. 1 pages. Published in 2001. Debut Recording of the composer's landmark work. One of Arnold Dreyblatt's finest achievements. The first and only edition. Produced in a small and limited print run as a Compact Disc that sold out shortly after its release and has not been reissued. Now available only in its inferior download version. There is no ISBN. The First Edition is now rare. Presents Arnold Dreyblatt's "The Adding Machine". A definitive performance by The Orchestra of Excited Strings. "Pulses ecstatically with retuned strings and looping beats. The Orchestra of Excited Strings, composed of restrung cimbaloms, piano wire basses, hurdy-gurdys, refretted guitars, creates transcendent layers of scratching, twanging, plucking, and bowing. A disciple of LaMonte Young and Alvin Lucier, he has cultivated a strong underground fan base. File it under Ethno-Eastern European folk techno-microtonal rock" (Publisher's blurb). "The perfect soundtrack to the urban life" (The New York Times). An absolute "must-have" title for Arnold Dreyblatt and The Orchestra of Excited Strings collectors. This copy of the Compact Disc (CD) of "The Adding Machine" is very prominently and beautifully signed in black pen-marker in front by Arnold Dreyblatt. It is signed directly on the cover itself, not on a tipped-in page. This title is a contemporary classic. As far as we know, this is the only such signed copy of the CD available online, is enclosed in its own protective plastic sleeve, and is in especially fine condition: Clean, crisp, and bright. Please note: Because of its very limited number, its collectible value will not only keep but increase over time. There is only one other copy available online, un-signed, for almost $90. This is surely an accessible and lovely alternative. A rare signed copy thus. One of the most brilliant composers of our time. A fine copy. ISBN B01KBI542Y. Signed by Author.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

AK. Stadtgalerie Saarbrücken, 7.3. - 21.4.2003 in Kooperation mit der Hochschule der Bildenden Künste Saar. Hrsg. von Ernest W. Uhtemann. Heidelberg: Kehrer Verlag, 2003. farb. illustr. OHardc. 128 Seiten mit zahlr. teils ganzs. Abb. u. Fotos sowie einer CD-Rom in der hinteren Einbandtasche. - 24,5 x 17,5. * Begleitband zu der Ausstellung "Aus den Archiven - Multimediale Installationen 1991 bis 2003" in der Stadtgalerie Saarbrücken mit Texten in deutsch und englisch. - Einbandrücken etwas ausgeblichen; innen sehr gut erhalten !

Softcover. Condición: Sehr gut. 230 S.mit zahlr.Abbildungen; Original-karton; 4°. Gutes bis sehr gutes Exemplar.

Broschiert. Quart. 309 S. Broschur. MIt zahlr., teils farb. Abb. gutes Exemplar.

Condición: Wie neu. 1.,. 88 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 572 Gebundene Ausgabe, Maße: 20.32 cm x 1.27 cm x 24.38 cm.

309 S., 1 Bl. Mit zahlr. Abb. 4°, illustr. Orig.-Karton. Neuwertig. 1350 gr.

22 x 13 cm, Klappenbroschur. Condición: Gut. 95 Seiten, illustriert, Geringfügige Gebrauchsspuren, gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 450.

Poster, 11 x 17 inches; machine folded 2 times into 4 sections; very good condition; a mailed copy with address and postal marks on rear. Will be mailed folded.

Paperback. Condición: Gut. 309 S.; mit zahlr. Abb.; 27,5 cm, Guter Zustand. Bibliotheksexemplar mit Stempeln und Signatur auf Einband. Sonst Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 1390.

Paperback. Condición: Brand New. 560 pages. 11.75x11.38x1.69 inches. In Stock.

Condición: Sehr gut. 1. Aufl. 88 S., zahlr. farb. u. schw/w. Abbild. 24,5 cm x 20,5 cm. ill. OPpbd o. SU, minimalst berieben. Schwedisch-englische Parallelausgabe. Unzugeordnet Sprache: Englisch Gewicht in Gramm: 600.

Brossura. Condición: ottimo. prima edizione. " Comprehensive examination of the BMC's educational model An attempt to understand and reinvigorate the BMC's legacy With a focus on the art project PERFORMING the Black Mountain ARCHIVE by Arnold Dreyblatt The Black Mountain College (BMC) in North Carolina was the leading institution for interdisciplinary arts education in the late 1940s. The curriculum included not only the fine arts, architecture and theatre, but also economics, physics and history. Many of America's foremost artists, poets and designers of the time, as well as numerous emigrants from Germany who came to the Black Mountain College from the Bauhaus after it was closed by the Nazis, were among the teaching staff. The goal of the BMC was to establish a democratic and in accordance with John Dewey's principles of progressive education experience-based, interdisciplinary teaching institute. This publication is the first to examine the BMC's educational model, its philosophical approaches and John Dewey's philosophy of art, with the aim of comprehensively understanding and reviving the BMC's legacy in order to renew it in a participatory sense. A major focus of this volume is the art project PERFORMING the Black Mountain ARCHIVE by Arnold Dreyblatt, in which students from European art academies were invited to translate an archive on the Black Mountain College created by Dreyblatt into the present time through performative interaction. Text in English and German." Text: Dreyblatt Arnold, Meyer Petra . cm 21x29,5; pp. 560; paperback, fine.

Original-Broschur, 4°, 230 Seiten. Kanten und Ecken bestossen, sonst guter Zustand.

309, (3)pp. Prof. illus. 4to. Wraps. Parallel texts in German and English. Published in conjunction with exhibitions at the Akademie der Künste, Berlin, Nov. 2015-Jan. 2016, and three other venues.

Hardcover. Many ills. 81 p. -(Very good copy.). ISBN 9630263084.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 2nd Edition. Hardcover, thread-sewn with transparent dust jacket, 464pp., 9.5 x 7.5 inches. Second printing. Fine, as new. From Josef Albers and John Cage to Charles Olson and Robert Rauschenberg, the teachers and students of Black Mountain shaped postwar culture. This gloriously designed and illustrated volume was published alongside the exhibition An Interdisciplinary Experiment, 1933-1957, held at the Nationalgalerie im Hamburger Bahnhof in Berlin. A profusion of archival materials including photographs of classes in progress and college housing with its Albers-designed furniture, and page spreads from college bulletins and issues of Robert Creeley's Black Mountain Review, presented alongside contemporary essays. Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching methods designed to encourage personal initiative as well as the social competence of the individual. Visual arts, economics, physics, dance, architecture and music were all taught on an equal footing, and teachers and students lived together in a democratically organized community. The second director of the school was Josef Albers, and John Cage, Merce Cunningham, Buckminster Fuller, Walter Gropius, Franz Kline and Charles Olson were among its teachers. As a result, the college played a foundational role in the development of a range of avant-garde practices, and exerted an enormous influence on the development of the arts in the second half of the 20th century.