Drawings and etchings (23 resultados)

Hardcover. This is a clean ex-library copy with area on spine where label was removed, usual stamps internally. Witha in introduction by John Sloan and preface by Harry L. Shapiro. 192 pages. pocket and check out slip on inside rear covers; Ex Library; 8 3/4 x 11 1/8 " Very Good in Very Good dust jacket. Illustrated by Ira Moskowitz Drawings, Lithographs and Etchings By (ilustrador).…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Dust jacket has very light shelf wear, pages of text are lightly tanned, bottom corner turned page 477 with small nick, otherwise without flaw. 6 X 9" 538 pages, from 1990. Facsimiles of original articles and over 300 illustrations, drawings and photographs from the late 1800s brilliantly recreate the mood of an era now gone and allow the reader to observe at close quarters the 'flowering of New England'. **Bundle Up & Save On Postage**. Line Drawings, Engravings, Photographs, and Etchings (ilustrador).…

Hardcover. Condición: Near Fine. 192pp; contents clean and unmarked. No ownership or library markings. 28.5 cm x 21.5 cm. This is a revised edition of Patterns and Ceremonials of the Indians of the Southwest.

Soft cover. Condición: Very Good. 96 pages. 2 Edwin Brock Last Poems - In Memorium Ron Sanford Drawing Michael Foreman Drawing 16 Carl Tighe Al Haqq Anne Howson Drawing 32 Bob Scriven Sculptures 36 Laura Knight Drawing 37 George Szirtes Poems Ron Sandford Portrait of George Szirtes 43 Alan Brownjohn Staying on the Train Charles Shearer Drawing 48 Ken Smith Poems 50 Alan Young Cock Fighting - Images and Text 54 Fred Voss Poems Christine Simpson Drawing 58 Jeffrey L Schneider Pie Ken Cox Drawing 62 Burns / Lomas Reviews 66 Mark Harris Etchings 71 Jehane Markham Poems 74 Edward Lowbury Poems 76 Bax / Casterton / Gahagan Reviews 81 John Sewell Poems 83 Kate Foley Poems 85 Charles Shearer Drawing 86 Lee Harwood Poems Charles Shearer Drawings 90 Diana Syder Poems 92 James Laughlin Last Poems - In Memorium Vanessa Jackson Photograph Artwork on cover by Robert Scriven.…

Hardbound. Condición: FINE.

Soft cover. Condición: Very Good. The book is in good condition, a little bumped and edgeworn but clean and tight.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good+. Light edgewear to jacket.

Hardcover. Condición: Good. No Jacket. Tight binding, solid blue boards with sun-faded strips, age-toned spine strip with bright blue lettering and ruffled ends, frontispiece of "Jerusalem Jew" loose, lacks title page, otherwise unmarked pages throughout. Inscribed by author on half title page to previous owners. A Selection of Two Hundred and Ten Paintings, Watercolors, Drawings and Etchings by Lionel S. Reiss (ilustrador). Inscribed by Author(s).…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. DESCRIPTION: First edition thus. This book was initially published in 1949 under the title Patterns and Ceremonials of the Indians of the Southwest . 11 1/4 x 8 3/4 inches 192 pages. Introduction by John Sloan and a preface by Harry L. Shapiro. Both-bound hardcover boards; pictorial dust jacket. ------ CONDITION: Book corners bumped, otherwise fine. Clean, unmarked pages, strong joints and hinges, tight text block. Clean boards. Dust jacket has small chips and Teras along the edges and on the spine, showing shelf-wear and scuffed. ------ ABOUT THIS TITLE: This book delves into the rich cultural heritage of Native American tribes, focusing on their traditional ceremonial dances. --- Here are some key details: Navajo: Known for their intricate sand paintings, the Navajo people have a rich tradition of dances that are integral to their spiritual practices. --- Pueblo: The Pueblo tribes, residing in the southwestern United States, have diverse dance forms associated with religious rituals, harvest celebrations, and other communal events. --- Apache: Apache dances vary across different Apache groups, but they often involve storytelling, healing, and honouring ancestors. --- Zuñi: The Zuñi people, from New Mexico, have unique masked dances that connect them to their ancestral spirits. ------ ABOUT THE AUTHORS: John Collier (1884-1968) was an American social reformer, sociologist, and a passionate advocate for Native American rights. He served as the Commissioner for the Bureau of Indian Affairs during the Franklin D. Roosevelt administration from 1933 to 1945. Collier worked tirelessly to promote policies that respected Native American cultures, traditions, and sovereignty. His efforts aimed to improve living conditions, education, and land rights for indigenous communities. His tenure as Commissioner left a lasting impact on Native American policy and administration. His commitment to understanding and respecting tribal customs influenced his work on cultural preservation and documentation. --- Ira Moskowitz (1912 2001) was a Polish-born artist who dedicated much of his life to creating Judaic art. His work reflects themes related to Jewish culture, religion, and history. --- Moskowitz s art resonates with the spiritual and cultural aspects of Judaism. His pieces often feature symbolic motifs, biblical narratives, and scenes from Jewish life. He contributed drawings, lithographs, and etchings to the book. His visual representations enhance the reader s understanding of the intricate dance forms. His artistic legacy includes a wide range of works on paper, prints, and paintings. His dedication to Judaic themes has left a lasting impact on the art world, and his pieces continue to be appreciated by collectors and enthusiasts.…

Soft cover. Condición: Very Good. 86 pages. Illustrated. Alex J Finberg "Gerald Brockhurst's Paintings and Drawings" / The Albizzi Madonna of Leonardo Da Vinci / The Collection of Mr William Burrell / Malcolm C Salaman "Miss Eileen Soper's Etchings of Childhood" / Pictures and Etchings from London Exhibitions" (U.P.).…

Hardcover. Condición: Fair. No Dustjacket. Presumed First Edition. 237 pages (1 1/4 inches thick)/ No dustjacket. This is only for a rebind as the binding is worn to card at corners and split to spine-junction and top spine-end. Green boards and cream spine B&W illustrations. The last blank pages and from pages 212 to 237 of text there is increasing marking by mould/damp damage which will need remedial work. Ink writing to inside of back board. No dustjacket. Drawings By G.D. Armour ; Etchings and Tailpieces By D.J. Watkins-Pitchford (B.B.) (ilustrador).…

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. Unclipped pictorial dust jacket edge chipped with moisture stain to rear. In mylar cover. Tight binding, solid blue boards with sharp corners, moisture spot to rear, white spine strip with bright blue lettering, clean, unmarked pages throughout. Inscribed on front end paper by Reiss: "To John, With deep appreciation, Lionel S. Reiss, 1971". A Selection of Two Hundred and Ten Paintings, Watercolors, Drawings and Etchings by Lionel S. Reiss (ilustrador). Inscribed by Author(s).…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. HBDJ, 1913, 1ST Edition, NF+/VG, AS-IS, Unpaginated pages, Thin 8vo, boards, Stiff Grey plain boards cvr light rub wear, Interior nice Tight clean Light Wear, Fox, DJ has few small Fox stains & Light Edgeswear & is NOT Removable because Spine area was Glued to book binding , but rest of DJ is NOT GLUED to book, Thin 8vo, Bound in Japanese Vellum boards.…

Couverture rigide. Condición: Très bon. 457 /1000, 202, 253 p. Ex-library book (call number, bookplate seal, stamp).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Item Description Rembrandt The Master & His Workshop: Volume One Paintings Christopher Brown, Jan Kelch, Pieter van Thiel; Volume Two Drawings & Etchings Holm Bevers, Peter Schatborn, Barbara Welzel; Yale University Press, New Haven and London in association with National Gallery Publications, London, 1991. The Rembrandt Research Project, comprising the foremost Rembrandt scholars, based in Amsterdam, has undertaken the formidable task of establishing a body of works which can be securely attributed to Rembrandt. This has resulted in the deattribution of many works, once unquestionably accepted as Rembrandts. New research on artists known to have studied in Rembrandt s Workshop and the attribution of paintings and drawings to these students has provided more information. These books also serve as catalogues of the exhibition organized by curators from Berlin, Amsterdam and London galleries which have three of the finest collections of Rembrandt. In addition, works were lent to the exhibition from owners all around the globe, and they are listed in the books. Rembrandt Harmenszoon van Rijn (1606 - 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. These two books, 396 and 288 pages measuring 289 X 245mm, are in fine condition as are the dust jackets that are now in protective, mylar wraps. A beautiful set of books. The two large books are very heavy and additional postage will be required. …

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Unclipped acetate dust jacket. Solid pictorial boards with sharp corners, black end papers, clean, unmarked pages throughout. Warmly inscribed by Lionel S. Reiss to previous owners on title page. illustrated with 110 paintings, drawings and etchings (ilustrador). Inscribed by Author(s).…

Hardcover. Condición: Very Good. 1st Edition. 8vo, full morocco-gilt, raised bands, t.e.g., marbled endpapers; 373pp., 17 etchings, ills. #838 of 1000 printed on Japanese vellum. Etchings printed first on Japan paper with small drawings below the border and tissue-guards bearing captions and next mounted on papier de Chine without drawings or captions. A VG+ copy: clean, bright, sound, presentable. Extra postage may be asked (3).…

Hardcover. Condición: Very Good. No Jacket. 1st Edition. First Edition / First Print. Large hardback copy in tan cloth boards with gold gilt lettering to front and spine, no dustjacket. 311pp. Mounted coloured frontispiece and 120 fine full-page plates in monochrome. Not library copy, no inscriptions. (2/1).…

Hardcover. Condición: Very Good. 1st Edition. 8vo, full morocco-gilt, raised bands, t.e.g., marbled endpapers; 362pp., 10 etchings. Original wrappers bound in. Edition of 1000, ours being #838, on Japan vellum. Etchings issued in two forms: on Japan paper with a small drawing below the border; on papier de Chine, mounted, without the drawing (tissue guards with printed legend for both). A VG+ copy: clean, bright and very sound. Extra postage may be asked (3).…

Half-Leather. Condición: Fine. Estado de la sobrecubierta: N/A. Limited Edition. Eggplant 1/2 leather bordered in gilt, 5 raised bands, marbled paper-covered boards with matching marbled endpapers, rough-cut text block edges with top edge in gilt, spine panel lettered and compartments decorated in gilt. xxxiii,335 pp., illus. w/ 10 etchings. No. 586 of an edition limited to 1,000 copies printed on Japanese vellum paper. Leather slightly rubbed at corners, essentially as issued. Size: 8vo - over 7¾" - 9¾" tall. Book.…

Hard Cover. Condición: Fine. Hard Cover, large 8vo., (measuring 6 3/4 x 9 3/4 inches) an odd volume ( no. 50) from the "Complete Works," being complete as two volumes in one, large paper, limited edition of 2062 copies (2000 for England and America) bearing the date 1879 on the title page, but also "II/ PROSERPINA/ (1875-1886) on half title, suggesting per the Bibliographical Note, p.193, this being the Third collected edition of 1886, (also mentioned in Watson.)*Finely bound in an unsigned three-quarter crushed green morocco over marble paper covered boards, ruled with single gilt line, top edge gilt, other edges untrimmed, with marbled end papers, armorial engraved bookplate, fly leaves of laid paper, text printed on watermarked heavy wove paper at the Ballantyne Press, Edinburgh, with the Ruskin House colophon at the rear.**CONDITION: Fine. All plates are very clean, bright and unmarked. **"Bibliographical Note" denotes the work as originally released in 6 separate parts with the first "Collected" edition being in 1879. The 15 full page black and white engravings and soft ground etchings are variously numbered from IX to XXXI, bound in; these prints were originally sold separately for six pence apiece. (see p. 193). Additionally, numerous in-text line illustrations were drawn by Ruskin and later made into woodcut engravings by Arthur Burgess; Ruskin suggests his readers use the illustrations for their own art exercises. COLLATION: [4] blank, [3], frontispiece, [2], 191-569 pp., including indexes, Notes, [1], publisher's colophon. **Continuing on, perhaps, in the vein of the Enlightenment's Erasmus Darwin, this work by the hugely influential Victorian artist, art critic, teacher, and social critic John Ruskin (1819-1900) imbues personal observations of the natural world with robust philosophical, artistic and moral purpose. "Proserpina" was first published in 1875, based on notebook drawings he begun on various travels with his family from the 1840's. Botany for artists and humanities students might best describe his approach. In the discussion of "Mosses," for instance, he quotes classical and later literary and historical allusions, as well as detailing the taxonomy, physical characteristics and historical importance of the plant in Scottish military history. Additionally, the botanic growth and decay pattern is analyzed for it's contribution to soil building, thus adding even ecological and spiritual spins to his topic. Suitably titled, then, after the Greek myth of Proserpina, harbinger of Spring and flowers; (Proserpina emerges annually from the confines of Hades where she has been kidnapped by the amorous Pluto, King of the Underworld, her yearly ascension marked by the flowering plants where she reappears.) Ruskin argues for his own style of botanical nomenclature, primarily with English names, as opposed to the conflicting, overly latinized, work of contemporary and historical taxonomists: Miller, Haller, Linnaeus, citing his credentials as the founder of The Ruskin School of Art in the University of Oxford. The sections in Vol. II on "The Caprice of Flowers" and "The Wildness of Flowers" mention his inamorata Rose LaTouche, giving those chapters an uncharacteristically lusty ring. Publisher George Allen (1832-1907) the Ruskin-mentored (and Rossetti trained) printer and printmaker responsible for the Author's self-published empire of art-related titles, took over broad responsibilities with the business in Ruskin's later years. A wonderful volume with inspiration for the artist or architecture student seeking design inspiration from the natural world, or those who just enjoy fine herbarium art. REFS: Watson 1349. T.J. Wise and J.P. Smart, A Complete Bibliography. of John Ruskin, (London: R. Clay & Sons, Printers, 1891-93,) Vol. I, No. 208, (p. 230) lists the newest 1886 addition of the Part X ( "The Caprice of Flowers"). PROVENANCE: Charles Waterman Armour, with his bookplate. (2.9 lbs.) Two Vols. in One, large paper edition, (Vol. 50,) from the collected "Complete Works of John Ruskin" series of 1886. John Ruskin (drawings and watercolors), Arthur Burgess (woodcut line engravings) and George Allen (etchings) (ilustrador). Book.…

Bound in leather spine and leather tips. Some hipping to the spine label and at the top of the spine ends. Scuffing to the edges. of the leather tips. With marbled-paper-covered boards. A charming small 8vo. Some transfer from the frontispiece to the title page. First Edition: 1831 and no subsequent printings. Illustrated with six etchings from original drawings by Lieut.-Colonel Batty. Engraved frontispiece and five engraved plates all present. (ilustrador).…

Hardcover. Condición: Fine. Limited Edition. Quarto, 163pp., illustrated. A fine copy in the publisher's full chieftain deep red morocco with gilt detail. In the publisher's slipcase, also fine. Of a total limitation of 475 copies SIGNED by Singer and Moskowitz, this is the best edition, being number 18 of just 50 copies in the full morocco binding, accompanied by a suite of ten signed etchings, and also an original ink drawing by Moskowitz. These artworks are housed in a slim clamshell box, itself housed in the slipcase. Rare, and with no other copies of this most prized limitation in commerce as of this listing. An elegant production; and a high spot in any collection of Judaica or illustrated fine press books.…